Documents of Latin American and Latino Art

The researcher Irma Arestizábal comments on the placement of Argentinean avant-garde art, (always at the margin) in relationship to the hegemonic art centers. She writes based on a selection of works of Argentinean artists that appear in [...]

Julio Llinás states that Roberto Aizenberg, Osvaldo Borda, Victor Chab, and Julio H. Silva are gathered again after ten years in order to restart their dialogue. According to Llinás, their heterodoxy did not imply a formal and irrational [...]

The letter sent by artist Nicolás Rubió to Samuel Paz expresses his dissatisfaction due to the impossibility of carrying out Operación corpiño [The Bra Operation], an action that consisted of depositing a collection of [...]

Regulations stating both which are the invited artists and the value of the prizes and norms that will be ruling the presentation of the artworks; this includes the materials to be attached and the deadlines [...]

The critic highlights the fact that—in Roberto Aizenberg’s work—a process of purification was set into motion by three essential elements: space, light, and architecture. Pellegrini points out that technical perfection and impeccable detailing [...]