Documents of Latin American and Latino Art

In this essay, the Brazilian art critic Frederico Morais calls for a critical review of the axiology involved in the specific value of painting. He believes that we have moved beyond the discussion concerning the specificity of each art, noting that [...]

William Sandberg’s presentation text analyzes the artist’s reactions in light of the events occurred and experienced by mankind during the thirty years before that “1963,” which is also the title of his text. In this sense, Sandberg considers [...]

Rafael Squirru wrote that Kenneth Kemble’s oeuvre exemplifies the artist’s struggle to develop within a hostile milieu, given that Argentina was not sufficiently contemporary to understand the work produced by this Informalist artist. Squirru [...]

Kenneth Kemble writes about the exhibition at Galería Van Riel on Argentinean art over the last thirty years. Since all the artworks stem from European art, Kemble does not consider any to be exceptional. He compares the exhibition to the irreverent [...]

Kenneth Kemble affirms that the multiplicity and vitality of Argentinean art—at the moment—are considerable; above all, in comparison to art from other countries. This allows him to suggest the existence of a new art [...]

In this document, Kenneth Kemble writes about the project of the Fundación Torcuato Di Tella and the creation of an Art Center based on the idea that industrial progress must be accompanied by the development of culture. The collection was exhibited [...]

Kenneth Kemble writes that the Palanza Award was a disappointment because those who were invited to participate, the great majority of them, showed works of a lesser quality; also, he believes that a shift in the public’s aesthetic taste has taken [...]