Subject: http://vocab.getty.edu/aat/300256475×
Topic Descriptor: race (concept)×
Topic Descriptor (local): http://vocab.getty.edu/aat/300256475×
Name Descriptor: http://vocab.getty.edu/aat/300256475×
  • ¿Qué es América Latina?
    Coutinho, Afrãnio
    1969
    Brazilian literary critic and essayist Afrânio Coutinho wrote this article in the late- 1960s. His article states since inception that to him the term “Latin American,” is at odds with the historical, social, cultural, literary, and artistic [...]
    ICAA Record ID: 839810

  • [Artist Bibiana Suaréz's written statements for show "The Puerto Rican Equation" 1997]
    Suaréz, Bibiana, 1960-
    1997
    This document contains Bibiana Suaréz's responses to four of the eighteen questions posed to artists by the organizers of The Puerto Rican Equation, an exhibition marking the occasion of the 1898 invasion of Puerto Rico by the United States. Suarez [...]
    ICAA Record ID: 867536

  • [En la forja de América...]
    Gamio, Manuel, 1883-1960
    1916
    The prologue to Forjando patria: pro nacionalismo, published in 1916 by leading Mexican anthropologist and archaeologist Manuel Gamio, compares the forging of metal out of an amalgam of bronze and steel to the ideal societal intermixing of Mexicans [...]
    ICAA Record ID: 1125463

  • [La artista explora desde hace algún tiempo la idea del tejido...]
    Jaramillo, Carmen María, 1958-
    2004
    In this essay—that appeared in the leaflet for the exhibition En la Trama personal [In the Personal Web] that was presented at the Alonso Garcés Gallery in Bogotá in June-July 2004—the art critic Carmen María Jaramillo discusses the latest [...]
    ICAA Record ID: 1099546

  • [Talk given by Bibiana Suaréz for panel, "Object, Image and Illusion" at the Women's Caucus for Arts 1992 Conference]
    Suaréz, Bibiana, 1960-
    1992
    In this panel presentation at the 1992 Women's Caucus for Arts, artist Bibiana Suarez spoke about how her images reflect her reality as a Puerto Rican living in the United States who feels caught between two cultures and who insistently searches for [...]
    ICAA Record ID: 867477

  • Aesthetics considerations
    Ortiz, Rafael Montanez
    1990
    In this essay, Rafael Montañez Ortiz, a United States-born artist of Puerto Rican descent, argues that Eurocentrism, patriarchy, and racism have deprecated the art and culture of peoples from the Americas, Asia, and Africa. He notes that the legacy [...]
    ICAA Record ID: 797351

  • América es un campo de experimentación social
    Salas, Julio César, 1870-1933
    1977
    From a social scientific perspective, Julio César Salas rejects deterministic explanations regarding the alleged failure of Latin American countries, either due to their Torrid Zone locations or for their mixture of races. The author opposes such [...]
    ICAA Record ID: 850080

  • Arte Chicano
    Martínez, César Augusto, 1944-
    1975
    In this article, San Antonio, Texas, artist César Augusto Martínez writes about Chicano art and the struggle for legitimacy and its acceptance, particularly within the academic community. Martínez argues that Chicano art resists clear stylistic [...]
    ICAA Record ID: 845816

  • Arte chicano : part one
    Martínez, César Augusto, 1944-
    1974
    Written by César Augusto Martínez, one of the most active members of the Chicano art movement of the 1970s, “Arte Chicano” discusses the implications of the term “Chicano” (in Part One) and the status of Chicano art in the mainstream art [...]
    ICAA Record ID: 1126597

  • CAM (ensayo)
    Díaz Sánchez, Ramón, 1903-1968
    1933
    In this essay, writer Ramón Díaz Sánchez presents his ideas (divided into ten sections) on the black race, their current place in the arts after the Great War, their low place in society due to the legacy of slavery, and the Western prejudices [...]
    ICAA Record ID: 1152705

  • Conditions for producing chicana art
    Venegas, Sybil
    1977
    In this essay, art historian and curator Sybil Venegas discusses the social and economic conditions that led to the public emergence of Chicana artists in the 1970s. According to Venegas, by the 1970s Chicanas had developed both the economic means, [...]
    ICAA Record ID: 845778

  • Creative aspects of La Raza inspired by chicano experiences
    Torres, Salvador Roberto, 1936-
    1973
    In this Masters of Fine Arts (MFA) thesis, Salvador Torres presents the theoretical foundation for his project that traces the development of the United Farm Workers’ Huelga (Strike) banner through a series of six paintings and six drawings. [...]
    ICAA Record ID: 820503

  • El triunfo del pintor Manuel Rodríguez Lozano en la exposición de “Contemporáneos”
    1928
    When interviewed for his participation in the first exhibition of Los Contemporáneos group, Manuel Rodríguez Lozano replied: “We are not a group but rather four independent painters,” the common denominator among them being “work and honesty [...]
    ICAA Record ID: 800875

  • Image and Play as a Strategy for Latina o Agency
    Suaréz, Bibiana, 1960-
    2006
    In this lecture at the Maryland Institute College of Art, Puerto Rican-born artist Bibiana Suarez presents an overview of her work and considers the role of race and ethnicity in her art. She begins the lecture by explaining her ethnic background and [...]
    ICAA Record ID: 867498

  • Indigenismo : the call to unity
    Mesa-Bains, Amalia
    1993
    This document is an essay by Amalia Mesa-Bains in which she explores the history of indigenismo, an embrace of one’s indigenous heritage, and the integral role it has had in helping to develop a sense of personal and collective identity within the [...]
    ICAA Record ID: 1086357

  • Individualismo y nacionalidad
    Rojas, Ricardo, 1882-1957
    1951
    In “Individualismo y nacionalidad,” Argentine journalist and writer Ricardo Rojas deconstructs the terms “race” and “nationality.” Rojas argues that a person can adopt a new race or nationality, replacing that of their native country. [...]
    ICAA Record ID: 1125479

  • La interpretación pesimista de la sociología hispanoamericana
    Mijares, Augusto, 1897-
    1938
    In this essay the historian Augusto Mijares criticizes the positivist theory that blames the caudillismo [leadership of ‘caudillos’ or local strongmen] trend spawned by the wars of independence on the particular idiosyncrasy of our Latin American [...]
    ICAA Record ID: 808595

  • Las pretendidas razas inferiores de México
    Gamio, Manuel, 1883-1960
    1921
    In “Las pretendidas razas inferiores de México,” published in El Universal in 1921, Mexican anthropologist Manuel Gamio responds to a previous article published in the same periodical by Francisco Bulnes, a Mexican intellectual and the Secretary [...]
    ICAA Record ID: 737290

  • Las razas indígenas mexicanas y sus estadistas ante el problema de la existencia de la Patria
    Bulnes, Francisco
    1921
    “Las razas indígenas mexicanas y sus estadistas ante el problema de la existencia de la Patria,” was written in 1921 by Francisco Bulnes, a Mexican intellectual and the Secretary of Foreign Affairs under President Porfirio Díaz. In the article [...]
    ICAA Record ID: 737263

  • Las razas inferiores son funestas en el trabajo libre
    Bulnes, Francisco
    1921
    “Las razas inferiores son funestas en el trabajo libre,” published in the periodical El Universal in 1921, was written by Francisco Bulnes, a Mexican intellectual and the Secretary of Foreign Affairs under President Porfirio Díaz. In the article [...]
    ICAA Record ID: 737276

  • Lectura en el Teatro Municipal de Tunja
    Solano, Armando, 1887-
    1929
    In nostalgic tone, “La melancolía de la raza indígena” (1929) by Colombian intellectual Armando Solano advocates a return to “pure customs” and “the national.” This was a response to the excessive growth of the United States after World [...]
    ICAA Record ID: 1090009

  • MARCH: The Roots Of Raza Art
    Zavala, Antonio
    1982
    In this article, Antonio Zavala offers a brief history of Movimiento Artístico Chicano (MARCH), highlighting the works of two of its members, the visual artist Carlos Cortéz and the poet Carlos Cumpián, as well as some of the organization’s [...]
    ICAA Record ID: 840479

  • Memory, identity and progress : perspectives on 1992
    Zamudio Taylor, Victor
    1992
    In his essay, Victor Zamudio-Taylor addresses the historic loss of cultural memory imposed on mestizos (mixed race people) by the dominant culture throughout the Americas since the time of the conquest by the Spanish and Portuguese. The loss of [...]
    ICAA Record ID: 809793

  • Mestizaje and the postmodern Latino aesthetic
    Lindsay, Arturo
    1993
    In this essay, Arturo Lindsay documents the confluence of Post-modernism in the U.S. and the mestizaje [racial and cultural intermingling] of Latinos in order to create a “Latino aesthetic”—one that is grounded in syncretic spiritual beliefs. [...]
    ICAA Record ID: 848970

  • Notas de arte : Sabogal, en Buenos Aires
    Solari, Carlos, 1883-1932
    1928
    In this text, Carlos Solari (alias “Don Quijote”) discusses articles on Peruvian painter Sabogal that appeared in the most important Buenos Aires-based newspapers (three of them in particular). The article in La Prensa speaks of the “modern [...]
    ICAA Record ID: 1140195

  • Nuestra América
    Martí, José, 1853-1895
    1891
    In this essay, José Martí declares the independence and character of a united front of American republics in the face of United States expansionism. He does this by declaring Latin America’s difference from the cultures and intellectual [...]
    ICAA Record ID: 839109

  • Nuestras artes : statement
    Nuestras Artes de Michigan, Inc
    1978
    In this statement—addressed to the Task Force on Hispanic-American Arts of the National Endowment for the Arts—the group Nuestras Artes describes the inequitable context in Michigan for Latinos and Latino culture (the authors use the term Raza [...]
    ICAA Record ID: 782648

  • Prólogo
    Vasconcelos, José
    1925
    This essay, which was published in Madrid in 1925, discusses the concept of the “fifth race” in the Americas, the “melting pot” result of the blending or miscegenation of every race in the world (without distinction) to create a new [...]
    ICAA Record ID: 776251

  • Race and Culture in the 21st Century
    Chapa Mendoza, Nora, 1932-
    2001
    The artist Nora Chapa Mendoza talks about issues of race and culture in the United States as they shaped her life and career as a Chicano artist. She describes her activities opening galleries, beginning in the early 1970s, in Pontiac and later in [...]
    ICAA Record ID: 782039

  • Raza Art
    Cardona, Ana Luisa
    1976
    In this document, Ana L. Cardona, a Chicago-based artist, argues for a national and ethnic art based on the experiences of Chicano and Puerto Rican communities in the United States and counters the idea of the universality of art. The "raza art" [...]
    ICAA Record ID: 781546

  • Realizó ayer su novena reunión el instituto popular de conferencias
    1925
    The author sets out the "mission," "in the times that run by," that the [Latin] American people "get to work," since it is no longer possible to continue to "enjoy…nature’s exuberance" or the "efforts of other people and races." In this sense, [...]
    ICAA Record ID: 732894

  • Recent raza murals in the U.S.
    Drescher, Tim; Garcia, Rupert
    1978
    In this document, Tim Drescher and Rupert Garcia consider the conditions that influenced the proliferation of mural production by Chicano artists after the start of the Chicano Movement in the late 1960s. It details various thematic and aesthetic [...]
    ICAA Record ID: 1127368

  • Sanctums of the spirit : the altars of Amalia Mesa-Bains
    Ybarra-Frausto, Tomás, 1938-
    This document by Tomás Ybarra-Frausto is concerned with the practice of altar-making as a spiritual and cultural endeavor that blends influences from European, African, and indigenous American sources. Typically characterized as a kind of “folk [...]
    ICAA Record ID: 1086152

  • Socio-political implications : paper read October 21, 1989 at the Taller Boricua Exhibition Colloquium
    Lippard, Lucy
    1990
    In this essay, art critic Lucy Lippard acknowledges that the Taller Boricua artists collective contributed to diversifying the New York art milieu in the 1970s and 1980s by engaging in political actions and creating works that explored issues of [...]
    ICAA Record ID: 796405

  • The fifth sun : contemporary/traditional and Chicano & Latino Art
    Maradiaga, Ralph
    1977
    This essay is a brief curatorial statement by San Francisco artist and guest curator, Ralph Maradiaga on the value of art as a means of recording history. Using the history of the world according to the Aztecs as a backdrop, Maradiaga discusses the [...]
    ICAA Record ID: 803306

  • The iconography of chicano self-determination: race, ethnicity, and class
    Goldman, Shifra M., 1926-
    1990
    In this essay, Shifra M. Goldman discusses Chicano art in the United States from a social art historical perspective. According to her the first phase of the Chicano art movement (1965–1980s) was characterized by a quest for self-identity, which [...]
    ICAA Record ID: 795823

  • The politics of popular art
    Garcia, Rupert
    1978
    This essay by Rupert Garcia was included in a special issue of the journal Chismearte that was dedicated to Chicano-Latino “popular art.” In this essay, Garcia challenges the everyday usage of the term “popular art,” as well as its use by [...]
    ICAA Record ID: 809342

  • To Our Audience
    Cardona, Ana Luisa
    1976
    This text describes the founding of the Raza Art and Media Collective in 1975 and declares its six main goals, all aimed at cultivating art and education among Spanish-speaking people in Michigan. These included: 1) to provide education and [...]
    ICAA Record ID: 782023

  • Welcome to Café Mestizo
    Avalos, David
    1989
    Artist and activist David Avalos wrote this catalogue essay for his solo exhibition in New York at the Intar Gallery. There, Avalos provides a historical context by way of examples of American literature to explain the concept of the exhibition: the [...]
    ICAA Record ID: 845529