Documents of Latin American and Latino Art

The writer Salvador Garmendia reviews the exhibition of photographs by Daniel González; he describes the methodology of the mobile photography that treats the street as its own laboratory, in constant communication with chance. In his images, [...]

According to Mário de Andrade, the author of this text on Jorge de Castro’s work—specifically on his show at the Palace Hotel do Rio de Janeiro in late 1939—which was published in the “Suplemento em Rotogravura,” de Castro has finally [...]

Diego Rivera reaches out to photography, including it as one more technique within the field of plastic creation. In his view, it was photography that liberated painting from the need to express an objective reality. He also equates the technical [...]

“América = topo/grafía foto/gráfica (efecto de las primeras intervenciones fotográficas en el nuevo mundo)” (America = photo/graphic topo/graphy [the effect of the first photographic forays into the new world [...]