Subject: http://vocab.getty.edu/aat/300107965×
Topic Descriptor: Argentine×
Topic Descriptor (local): http://vocab.getty.edu/aat/300107965×
Name Descriptor: http://vocab.getty.edu/aat/300107965×
  • ¿Fuera del centro?: arte argentino en las colecciones venezolanas
    Arestizábal, Irma
    1995
    The researcher Irma Arestizábal comments on the placement of Argentinean avant-garde art, (always at the margin) in relationship to the hegemonic art centers. She writes based on a selection of works of Argentinean artists that appear in Venezuelan [...]
    ICAA Record ID: 1162631

  • ¿Por qué preferir una mujer a otra?
    1966
    This article is a review of the Premio Torcuato Di Tella 1966 [The Torcuato Di Tella Prize of 1966]; it describes the panorama and points out that on this occasion the Pop artists have rediscovered the attitude of creation; within it the personal is [...]
    ICAA Record ID: 759838

  • ¿Qué entiende usted por triunfar en arte? : responde un pintor: Tomás Maldonado
    Maldonado, Tomás, 1913-
    1953
    Tomás Maldonado reflects on the role of the artist in society, given that it is the career-like class that enjoys success and acclaim. Maldonado fully identifies with the concept of rebellion, and says that he is prone to subvert the taste of the [...]
    ICAA Record ID: 742756

  • ¿Qué es el arte?
    Peralta Ramos, Federico Manuel, 1939-1992
    1983
    Federico Peralta-Ramos, in eight quite simple verses, defines what art is; primarily from the art-life nexus which is implicit [...]
    ICAA Record ID: 759566

  • ¿Qué es nueva música?
    Paz, Juan Carlos, 1897-1972
    1951
    Juan Carlos Paz defines New Music and that which contributes efficacious elements and solutions and points out the importance of the rise of dodecaphony for these new proposals. He stresses that dodecaphony is responsible for the experimentation [...]
    ICAA Record ID: 730576

  • ¿Quién es Martín Fierro?
    Méndez, Evar, 1888 -1955
    1924
    The article discusses the constant attacks that the newspaper Martín Fierro receives and all the conflicts and difficulties that result from these attacks. It also explains the attitude that will be assumed with regard to the situation created by [...]
    ICAA Record ID: 732421

  • ¿Un futuro tecnológico para el arte?
    Argan, Giulio Carlo
    1965
    This introductory text for Guilio Carlo Argan’s exhibition analyzes the relationship between ideology and technique in order to inquire into the position and destiny of art within that context of ideas. Keeping in mind the self-directed nature and [...]
    ICAA Record ID: 757916

  • “Martín Fierro” y Marinetti
    1926
    The article points out the importance of the activity brought forth by Filippo Tommaso Marinetti in “our milieu” as a “very valuable collaboration to the renovation movement,” started—long ago—by the group involved in the publication Mart [...]
    ICAA Record ID: 731306

  • “Tucumán Arde” : obra de vanguardia en la Confederación General del Trabajo de los Argentinos, Regional Rosario
    Secretaría de Prensa de la CGT de los Argentinos, regional Rosario
    1968
    This short news item was prepared as sketchy materials for press release  shortly after the inauguration of the Tucumán Arde [Tucumán Is Burning] exhibition at the CGT (Confederación General del Trabajo) in Rosario. The circumstances of the [...]
    ICAA Record ID: 760161

  • “Tucumán Arde” : una experiencia de la vanguardia plástica
    Bignami, Ariel
    1969
    The author reveals a certain openness when he suggests that the experience created by the avant-garde of Rosario, Argentina, that led to Tucumán Arde [Tucumán is Burning] could be a potential bridge to what he considers the only valid “ [...]
    ICAA Record ID: 750525

  • “Tucumán Arde”- Arg. Respuesta a un cuestionario : para Escuela de Letras, Universidad de La Habana
    Ferrari, León, 1920-
    1973
    León Ferrari writes a detailed evaluation of Tucumán Arde [Tucumán is Burning], framing it within the previous events (Itinerario del ’68) [Timetable for 1968]. In it he points out that “its purpose was to make art into a revolutionary tool, [...]
    ICAA Record ID: 761415

  • (Hace dos años Bonome mostraba en la sala principal...)
    Berni, Antonio, 1905-1981
    1961
    Antonio Berni introduces Rodrigo Bonome’s exhibition of landscape paintings at the Galería Velázquez in Buenos Aires (1961) with a formal discussion on order in composition, and on color [...]
    ICAA Record ID: 775779

  • (Pablo Neruda, en su Arte poética publicada...)
    Porter, Julio
    1974
    Julio Marsagot—the nom de plume used by Julio Porter—describes and reviews the work presented by Liliana Porter at the Liliana Porter exhibition at the Galería Colibrí, in San Juan (January 12–31, 1974). The writer discusses how Porter plays [...]
    ICAA Record ID: 777290

  • [¿Tiene el arte un lugar?...]
    García Canclini, Néstor
    1982
    Néstor García Canclini, the anthropologist, professor, and cultural studies theoretician, interprets León Ferrari’s blue-printed and photocopied works, using the “aura” concept that was proposed by Walter Benjamin. He also underscores the [...]
    ICAA Record ID: 744316

  • [Al presentar la 6º exposición anual de ARTE NUEVO...]
    Pellegrini, Aldo
    1960
    This foreword by Aldo Pellegrini indicates the changes of direction produced in the period of five years separating the first Arte Nuevo [New Art] exhibition and this sixth show, which he characterizes as a passage from the intellectual to the vital [...]
    ICAA Record ID: 743085

  • [Chicago Latino]
    Sorell, V. A. (Victor A.)
    1992
    This exhibition catalog, Chicago Latino, was part of an intercultural dialogue initiated by two “socially-minded arts groups,” the 369 Gallery of Edinburgh, Scotland, and the Near Northwest Arts Council of Chicago, Illinois. The exhibition [...]
    ICAA Record ID: 1056360

  • [Como señala mi amigo Edouard Jaguer...]
    Brughetti, Romualdo; Llinás, Julio
    1963
    In this prologue to the catalog on the Argentine artists who participated in the VII Biennial of São Paulo, Julio Llinás points out the profusion of abstract or informal works that are found alongside more current international trends. He believes [...]
    ICAA Record ID: 758702

  • [Con el presente LA CAMPANA DE PALO, inicia lo que será...]
    Grupo Editor de La Campana de Palo
    1926
    The text reports on the context surrounding the publication of Zancadillas [Missteps] by Alvaro Yunque (1926) within the editorial plan of La Campana de Palo [The Wooden Bell]. It also reports on forthcoming publications as well as the reasons and [...]
    ICAA Record ID: 737879

  • [Cuando un artista llega a tener cincuenta años, su estilo está generalmente marcado...]
    Romero Brest, Jorge
    1965
    Jorge Romero Brest, the art critic and director of the Centro de Artes Visuales [Center for the Visual Arts], writes about the style and attitude he sees in Antonio Berni’s work, discussing the changes that can be observed in the artist’s [...]
    ICAA Record ID: 779908

  • [De todos los premios afortunadamente se multiplica fomentando...]
    Romero Brest, Jorge
    1963
    Writing the prologue for the catalogue of the Premio Ver y Estimar [To See and Ponder Magazine Prize] held in 1963 in Buenos Aires, the author claims to observe the distinctive feature of this competition in this statement: “it voluntarily [...]
    ICAA Record ID: 753920

  • [El equilibrio, el misterio y el refinamiento presiden la pintura]
    Córdova Iturburu, C. (Cayetano), 1902-
    1966
    Cayetano Córdova-Iturburu presents Carlos Cañás’s exhibition (Galería Rubbers, Buenos Aires, October, 1966), emphasizing that both the will for balance and the order set by his painting stresses this artist’s classic position, despite the [...]
    ICAA Record ID: 763310

  • [El fenómeno estético, como cualquier otro fenómeno cultural...]
    Rosa, Nicolás
    1968
    [Literary critic and intellectual] Nicolás Rosa presented this text for discussion at the Primer Encuentro Nacional del Arte de Vanguardia [First National Encounter of Avant-garde Art] (Rosario, Argentina, 1968). It appeals to the communications [...]
    ICAA Record ID: 760282

  • [El Micla, movimiento de independencia cultural latinoamericana, al abocarse a la realización de esta Contrabienal...]
    Movimiento de independencia cultural latinoamericana (MICLA)
    1971
    The text clarifies that upon agreeing to the organization of a Contrabienal, as a protest against the 1971 São Paulo Biennial, the MICLA [Latin American Cultural Independence Movement] is not replacing one exhibition for another. Instead, it is [...]
    ICAA Record ID: 766001

  • [El Movimiento Estudiantil Docente de las escuelas de bellas artes "Prilidiano Pueyrredón y M. Belgrano"...]
    1971
    This text reports that the students at the Bellas Artes schools, both the Prilidiano Pueyrredón and the Manuel Belgrano (Buenos Aires, Argentina), were detained and accused of usurpation; they had been meeting to guarantee the continuance of the [...]
    ICAA Record ID: 783676

  • [El orden y equilibrio constructivos inducen a un equilibrio...]
    Vardánega, Gregorio
    1955
    In this document, Gregorio Vardanega discusses the importance of space in his work. He tried to address this question in a variety of ways, such as his plaster hemispheres, called complejos espaciales [spatial complexes] and his spiraling dots in [...]
    ICAA Record ID: 742769

  • [El prólogo de Mac Entyre y Vidal requiere una explicación...]
    Squirru, Rafael, 1925-
    1960
    Rafael Squirru presents the exhibition by artists Eduardo Mac Entyre and Miguel Angel Vidal, identifying it as a sample of “generative art,” as it has been called by Ignacio Pirovano, in tandem with the writings of Georges Vantongerloo. In this [...]
    ICAA Record ID: 763131

  • [El único rasgo singular del Premio Di Tella 1966...]
    Alloway, Lawrence
    196-
    Lawrence Oliver expresses his opinion here on Jorge Romero Brest’s methods at the Premio Torcuato Di Tella [Torcuato Di Tella Prize], specifically in terms of the support provided to the most talented artists that enabled them to present works they [...]
    ICAA Record ID: 757760

  • [En Buenos Aires a los veintinueve días del mes...]
    Romero Brest, Jorge; Hahn, Otto; Alloway, Lawrence
    1966
    The jury for the 1966 Premio Internacional Instituto Torcuato Di Tella [Instituto Torcuato Di Tella International Prize], composed of Lawrence Alloway, Otto Hahn and Jorge Romero Brest, awarded the first prize to Susana Salgado, second prize to [...]
    ICAA Record ID: 757030

  • [En memoria de quien fuera esforzado coleccionista...]
    Romero Brest, Jorge
    1960
    In his double function as director of the Museo Nacional de Bellas Artes [National Museum of Fine Arts] and art consultant of the Fundación Torcuato Di Tella in Buenos Aires, Jorge Romero-Brest wrote the prologue for the Argentinean Painters Prize [...]
    ICAA Record ID: 755039

  • [Entre la tradición y la libertad se ubican los artistas argentinos...]
    Brughetti, Romualdo; Llinás, Julio
    1963
    This text presents each of the artists who represented Argentina in the VII Biennial of São Paulo (1963). It briefly describes the characteristics of their work and identifies the variety of visual arts languages and the subtlety that “califica a [...]
    ICAA Record ID: 758678

  • [Estos jovenes expositores que hoy presentamos...]
    Grela, Juan
    1966
    The artist wrote on the history of his studio, noting that his teaching objective was the concept of freedom of expression and setting aside the local attitude in favor of a Universalist idea. In this way, Grela demonstrated each of the exhibitor’s [...]
    ICAA Record ID: 763602

  • [Frente a los acontecimientos políticos y culturales que tienen...]
    1968
    This declaration presents a series of definitions upon which the Tucumán Arde [Tucumán Is Burning] exhibition was founded. It defines it as “a collective work that, as it employs new channels of communication and expression, empowers the creation [...]
    ICAA Record ID: 760080

  • [Hay artistas que originan movimientos y hay movimientos que engendran artistas...]
    Parpagnoli, Hugo
    1967
    The foreword to this catalogue was written by Hugo Parpagnoli—the director of the Museo de Arte Moderno in Buenos Aires, at that time—highlights the important role played by Dr. Isidoro Slullitel, the private art collector. He was a rare [...]
    ICAA Record ID: 753467

  • [I have often been questioned why the concern over which...]
    McCloud, James F.
    1962
    This is the introduction to the 1st Latin American Art Biennial delivered by James F. McCloud, the President of the Biennial, at the opening of the event on June 26, 1962, at the Museo Provincial de Bellas Artes “Emilio A. Caraffa” in Córdoba, [...]
    ICAA Record ID: 777774

  • [La distancia mental que hay entre la representación gráfica...]
    Porter, Liliana, 1941-
    1969
    In this essay, Liliana Porter discusses the work she presented at the Museo de Bellas Artes [Museum of Fine Arts] in Caracas in January 1969, at the exhibition The New York Graphic Workshop. She includes some biographical information and a list of [...]
    ICAA Record ID: 772695

  • [La gran difusión de la pintura contemporánea...]
    Paz, Samuel
    1959
    The art critic Samuel Paz wrote that art produced around 1959 was a pursuit rich with collective experiences, yet poor in individual outcome. In his opinion, rebellion today is mastering the path to “extroverted creation.” Although, contrary to [...]
    ICAA Record ID: 763648

  • [La intención de construir la Forma exclusivamente con los atributos...]
    Oliver, Samuel
    1967
    In his presentation, Samuel Oliver discusses the new order involved in building form with its own defining formal attributes. He supports his proposal with simple volumes and takes advantage of pure, highly visible colors. The forms are built into [...]
    ICAA Record ID: 769033

  • [La luz encierra el secreto de la belleza visual de la realidad...]
    Pellegrini, Aldo
    1956
    This introductory text for the exhibition Forum: grupo de fotógrafos contemporáneos [Forum: a contemporary photographers’ group] places emphasis on the artist-photographer who, through the developing process, manipulates lights in its subtle [...]
    ICAA Record ID: 745060

  • [La pregunta a esta nueva expresión comunicativa es ¿por qué has cambiado la pintura por la escultura?...]
    Badii, Líbero, 1916-
    1980
    Libero Badii explains that his transition from sculpting to painting demonstrated that he was an artist in his prime. According to him, painting could express the communicative meaning of his work. He mentions the "sinister" sense of his artistic [...]
    ICAA Record ID: 754073

  • [La presentación de estos artistas la considero un...]
    Pellegrini, Aldo
    1952
    This article is an introduction to the exhibition, Grupo de Artistas Modernos de la Argentina. Pinturas, esculturas, dibujos [Modern Art Group of Argentina. Paintings, Sculptures, Drawings]. The Concrete artists included in the exhibition were [...]
    ICAA Record ID: 743086

  • [La primera exposición tiene una significación trascendental...]
    Paz, Samuel
    1960
    Samuel Paz presents Juan Carlos Badaracco, mentioning that because this is his first show, this exhibition (Galería Rubbers, Buenos Aires, April–May, 1960) points out a phase in which the artist put aside his monologue  in order to offer himself [...]
    ICAA Record ID: 763201

  • [La primera muestra individual de un artista...]
    Squirru, Rafael, 1925-
    Rafael Squirru introduces Narcisa Hirsch’s exhibition (Galería Lirolay, August–September, n/d), and he acknowledges the dramatic quality of an artist’s first solo show. Squirru stresses that Hirsch’s education and professional attitude are [...]
    ICAA Record ID: 764950

  • [La repetitión de formes disposeés selon un mécanisme...]
    Pellegrini, Aldo
    1962
    In this text, Aldo Pellegrini introduces the Luis R. Tomasello exhibition held at Galería Denise René in Paris (November 1962). He emphasizes that the works presented make use of spatial volumes that are subordinated to the plane in which they move [...]
    ICAA Record ID: 744595

  • [La società attuale...]
    Paparella, Aldo
    1972
    Aldo Paparella discusses the role of the artist in the consumer society, based on his essentialist ideas about art. He defines his concept of the true artist as an aware, responsible interpreter, fully independent of the reality that he or she [...]
    ICAA Record ID: 759411

  • [Las obras expuestas dan una idea ajustada...]
    Berni, Antonio, 1905-1981
    1952
    Antonio Berni writes about Nuevo Realismo [New Realism], which he defines as an aesthetic identity that, in Latin America, vacillates between form and content [...]
    ICAA Record ID: 794426

  • [Las tendencias estéticas actuales y sus realizaciones plásticas...]
    Blaszko, Martín, 1920-
    1955
    This text outlines Blaszko’s opinion concerning the artist’s mission; it explains the artist’s method, which includes the use of rhythm and the interplay of conflicting forces while ensuring that the resulting forms are always governed by the [...]
    ICAA Record ID: 742569

  • [Leopoldo Torres Agüero merece más, mucho más...]
    Romero Brest, Jorge
    1963
    Jorge Romero Brest describes Leopoldo Torres Agüero’s work by saying that it is clearly by someone who understands that contemporary creative output does not represent individual expression as much as a manifestation of reality. The critic also [...]
    ICAA Record ID: 768904

  • [Les intellectuels et artistes soussignes saluent]
    Sartre, Jean Paul
    1968
    This note expresses support for the occupation of the Argentinean Building of the University Boarding Complex of Paris. The intellectuals that signed this note expresses their solidarity with and fraternal support of the protesting residents and [...]
    ICAA Record ID: 773205

  • [Letter] [1967] domingo 14, Nueva York [to Jorge Romero Brest]
    Paz, Samuel
    1967
    This is a letter Samuel Paz wrote in New York to Jorge Romero Brest, in which he provides the details regarding the negotiations with different galleries undertaken to obtain works that would participate in the Premio Torcuato Di Tella 1967. [The [...]
    ICAA Record ID: 758132

  • [Letter] [1970?] Buenos Aires [to] Dr. Roberto Cortés Conde
    Distéfano, Juan Carlos
    1970
    This study signed by Juan Carlos Distéfano,Francisco Kröpfl, Fernando von Reichenbach and Humberto Rivas sets forth objectives and a structural schematic. It likewise makes projections on budgets as well as the infrastructure necessary for the [...]
    ICAA Record ID: 762021