Documents of Latin American and Latino Art

Antonio Berni muses on the originality of Latin American colonial art, and suggests a way to distinguish between each of the three periods involved by naming them: pre-Columbian, colonial, and “contemporary” (post-independence). He goes on to [...]

Antonio Berni describes Melchor Pérez de Holguín as the finest artist of the Potosí and Chuquisaca schools. He defines Pérez de Holguín’s work as being in the Spanish tradition, and analyzes the painter’s technique while commenting on [...]

This is a brief literary essay by Antonio Berni on pre-Columbian structures atSacsahuaman (Cuzco), Machu Picchu, Peru, in which he suggests a way to understand the culture of the Incas by means of intuition or thought [...]