Subject: http://vocab.getty.edu/aat/300056069×
Topic Descriptor: technology×
Topic Descriptor (local): http://vocab.getty.edu/aat/300056069×
Name Descriptor: http://vocab.getty.edu/aat/300056069×
  • ¿Un futuro tecnológico para el arte?
    Argan, Giulio Carlo
    1965
    This introductory text for Guilio Carlo Argan’s exhibition analyzes the relationship between ideology and technique in order to inquire into the position and destiny of art within that context of ideas. Keeping in mind the self-directed nature and [...]
    ICAA Record ID: 757916

  • [A evolução do ser humano está ligada diretamente a adoção da tecnologia e da informação]
    Palatnik, Abraham
    1981
    In this text, experimental artist Abraham Palatnik discusses the questions of information and technology in relation to human evolution. In Palatnik’s view, evolution is key to the dynamic of culture as man adapts to the world at large and to his [...]
    ICAA Record ID: 1111236

  • [Letter] 1970 April 3 [to] a Darcy Ribeiro
    Celso Furtado
    1970
    In this text, celebrated intellectual Celso Furtado—the former minister of economics—contemplates the possibility of the conciliation of ideological and intellectual processes given the outdated social structure of Brazil. He argues that the “ [...]
    ICAA Record ID: 807720

  • 1974 : Hombre y cibernética
    Rodríguez, Alirio
    1975
    Alirio Rodríguez discusses where contemporary man stands in terms of the evolution of the technology of his time, and how that evolution affects the visual arts. The Venezuelan artist provides a general description of the connection between human [...]
    ICAA Record ID: 1171847

  • A produção contemporânea e as imagens técnicas = Contemporary production and technical images
    Cocchiarale, Fernando França
    2007
    Fernando Cocchiarale wrote a historical overview of the pioneering uses of technology in art created in Rio de Janeiro, emphasizing the return of the close links between art and life initiated in the 1960s. The writer also foresaw the revival of the [...]
    ICAA Record ID: 1111427

  • Arte e tecnologia : o ponto de mutação
    Machado, Arlindo
    1997
    In this text, Arlindo Machado discusses the change in paradigm in cultural production due to the use of technology as an instrument in works of art. Images, sounds, objects, and events are now produced by means of automating algorithms of procedures [...]
    ICAA Record ID: 1111115

  • Arte-mídia : novos enfoques, novas possibilidades e características da produção artística
    Bambozzi, Lucas; Bousso, Daniela; Goifman, Kiko; Mello, Christine; Pizzini, Joel
    2002
    Daniela Bousso opens the roundtable by introducing the participants, their practices, and their work in the realm of audiovisual art. Christine Mello assesses the Prêmio Sérgio Motta, which, in her view, is limited insofar as it is a prize for [...]
    ICAA Record ID: 1111302

  • ArtElab : hacia la integración arte, ciencia y tecnología
    Reyes, Juan, 1962-
    2005
    This is the report on the project Artelab: Laboratorios de Artes Electrónicas in which Colombian artist Juan Reyes attempts to create an inter-university space. The aim of the project, which was initially formulated in Bogotá, is to encourage the [...]
    ICAA Record ID: 1100558

  • CAYC : Rayos Laser (GT28)
    Centro de Arte y Comunicación (Buenos Aires, Argentina)
    1971
    This is an announcement for the exhibition of works by Gregorio Dujovney at the Art and Communications Center (CAyV, by its Spanish acronym). The article remarks on the experimental use of new technology in this artist’s hands (mentioning his use [...]
    ICAA Record ID: 743658

  • Código fuente : tácticas de combate
    Rey, Esteban, 1974-
    2007
    The text “Código fuente: tácticas de combate” (2006) was written by Esteban Rey, artist and professor of art and technology at the Universidad Nacional de Colombia. It analyzes the processes involved in creating two artworks: both fuenteAbierta [...]
    ICAA Record ID: 1134273

  • De la ilusión óptica a la desilución cultural : Aproximación al III Salón Pirelli
    Cárdenas, María Luz
    1997
    In this text, María Luz Cárdenas explains the curatorial vision underlying the third Salón Pirelli and she attempts to address how at that event, new forms of representing and grasping reality on the basis of visual perception [were evident]. More [...]
    ICAA Record ID: 1162019

  • Diego Rivera: science and creativity in the Detroit murals = ciencia y creatividad en los murales de Detroit
    McMeekin, Dorothy, 1932-
    1985
    Dorothy McMeekin examines Diego Rivera’s understanding of science and technology and the application of his knowledge to the overall creative and thematic design of the mural cycle Detroit Industry at the Detroit Institute of Arts, painted between [...]
    ICAA Record ID: 802029

  • Em Brasil High Tech, o xeque ao pós-modernismo
    Kac, Eduardo
    2004
    In this introduction, Eduardo Kac shows that the artists known as “Geração Brasil High-Tech” (including Otávio Donasci, Mario Ramiro, and Paulo Bruscky) represent a type of work that refers back to both Waldemar Cordeiro and Abraham Palatnik. [...]
    ICAA Record ID: 1111320

  • En la sociedad pop la vanguardia no está en las galerías de arte
    Noé, Luis Felipe
    1966
    Luis Felipe Noé writes an assessment of the artistic scene in New York in 1966. The city is the commercial center of the art world, although he judges it to be not the international center, but the national center of the world’s most important [...]
    ICAA Record ID: 740663

  • En tiempo real (horas, minutos, segundos...)
    Duque, Luis Ángel
    2003
    In this text on the sixth Pirelli Salon by critic Luis Ángel Duque, he references the appearance of television as a mass market industry with the capacity to bring together large audiences on the basis of a global society. In his judgment, it is [...]
    ICAA Record ID: 1162054

  • Entrevista a Carmen Gil Vrolijk : arte neomedial en Bogota D.C.
    Castellanos, Ana María, 1977-; Jaramillo, Carolina, 1980-
    2004
    In June 2004, Alexandra Castellanos and Carolina Jaramillo—two students at the Universidad Javeriana’s School of Social Communication located in Bogotá—interviewed visual artist Carmen Gil Vrolijk as part of a degree project entitled “Arte [...]
    ICAA Record ID: 1130582

  • Expansionismo: Manifiesto 2
    Marquez, Rubén, 1927-; Sotillo, Alvaro; Carreño, Omar
    1967
    Only three members of the group were involved in the publication of the second expansionist manifesto: Omar Carreño and Rubén Márquez, both of whom were painters and sculptors, and the graphic designer Álvaro Sotillo. The text of the manifesto [...]
    ICAA Record ID: 1157254

  • Expressão, arte e tecnologia
    Bittencourt, Francisco
    1975
    In this newspaper article, Francisco Bittencourt discusses the emergence of the new media that began to be used in Brazilian art in the 1970s. Among other artists, the article mentions Arthur Barrio, Anna Bella Geiger, Ivens Machado, Ana Vitória [...]
    ICAA Record ID: 1110492

  • Medios Electrónicos y Artes del Tiempo MEAT : Informe 1997
    Jiménez, María Margarita; Pradilla, Eduardo; Díaz, Myriam Luisa
    1995
    This is the MEAT [the Spanish acronym for “electronic media and arts of the period”] report that was presented on December 5, 1997; it includes a description of the project, a proposal for a curriculum reform based on the electronic media and [...]
    ICAA Record ID: 1131336

  • O vídeo em questão : a perspectiva de uma arte do vídeo como referência-chave para a representação
    Bambozzi, Lucas
    1994
    In this essay, artist and curator Lucas Bambozzi analyzes the development of video production from Brazil starting in the eighties. Bambozzi argues that although promising video artists emerged in Brazil in the late seventies, the eighties will be [...]
    ICAA Record ID: 1111116

  • Os processos criativos com os meios eletrônicos
    Tavares, Monica
    1997
    In this text, Mônica Tavares addresses the realms of art, techno-science, and communications from an interdisciplinary perspective. On the basis of research into the mechanisms by which electronic images are created, Tavares examines novel [...]
    ICAA Record ID: 1111103

  • Pesquisa na fronteira de arte e tecnologia
    Litto, Fredric M. (Fredric Michael), 1939-
    1986
    In this article, Fredric M. Litto sounds a warning concerning the rigorous standards that should apply in the selection of projects for research that focus on the overlap between art and technology. He stresses that the arrival of the computer has [...]
    ICAA Record ID: 1111130

  • Presentación
    Lozano, Ana María, 1964-
    1995
    The document reviewed here is the introduction to the exhibition Arte y Tecnología, held in the context of the Spanish Industrial Fair, Expotecnia 95. Ana María Lozano, curator of the exhibition, along with the artist and curator John Castles, [...]
    ICAA Record ID: 1130260

  • Proceso a la imagen III : fluvio subtunal : Instituto Di Tella - ALPI. Santa Fe, 1969
    Lublin, Lea, 1929-
    1970
    The Argentinean conceptual artist Lea Lublin describes her work Fluvio Subtunal [Sub-Tunnel Flow] (1969), created from a concept stemming from the opposition between nature and technology. The work consists of a walkthrough through nine zones of [...]
    ICAA Record ID: 766873

  • Redes sensoriais: arte ciência e tecnologia
    2003
    This anthology presents the first results of the research undertaken by the Núcleo de Tecnologia da Imagem at the EC-UFRJ (Escola de Comunicação da Universidade Federal do Rio de Janeiro), as well as that by the Centre for Advanced Inquiry at the [...]
    ICAA Record ID: 1111324

  • Uma arte brasileiro/latino-americana
    Gerchman, Rubens, 1942-2008
    1973
    While living in New York, Rubens Gerchman announced that he would no longer paint, and began producing objects instead. Nonetheless drawing continued to be his starting point. Throughout his text, he offers observations on the arts scene of the city [...]
    ICAA Record ID: 1111052