Subject: http://vocab.getty.edu/aat/300054148×
Topic Descriptor: theater (disciplines)×
Topic Descriptor (local): http://vocab.getty.edu/aat/300054148×
Name Descriptor: http://vocab.getty.edu/aat/300054148×
  • "Ondina" : grupo teatro acto latino
    Monsalve, Juan
    1983
    Theater director Juan Monsalve wrote the monologue Ondina (1983) specifically for María Teresa Hincapié, who was an actor at the time. This text, which is influenced by the Japanese theater of fragmentation that emerged after World War II, is a [...]
    ICAA Record ID: 1087824

  • [Letter, 1968 marzo] Londres [to] León [Ferrari]
    Maler, Leopoldo
    1968
    Leopoldo Maler writes about the London stage production of León Ferrari’s book Palabras ajenas [Other People’s Words]. Maler mentions the direction by Jim Haynes, and quotes Haynes on his opinions about the book and its perspective on the news [...]
    ICAA Record ID: 758788

  • [Letter] 1967 Julio 2, Saignon [a] León Ferrari
    Cortázar, Julio
    1967
    Julio Cortázar wrote to León Ferrari about his partial reading, only thirty pages of Palabras ajenas [Other People’s Words] which he defined in generic terms as a “tremendo oratorio” [tremendous oratory], despite it sounding ironic. Cortázar [...]
    ICAA Record ID: 749600

  • [Letter] 1967 Diciembre 14, Castelar, Buenos Aires [to] Leopoldo Maler
    Ferrari, León, 1920-
    1967
    León Ferrari writes to Leopoldo Maler about sending a copy of his book, Palabras ajenas [Other People’s Words] and about a possible stage version to be produced in England. He refers to the increasing politicization of Argentine artists, and [...]
    ICAA Record ID: 749164

  • [Letter] 1968 Mayo 15, Londres [to] León [Ferrari]
    Maler, Leopoldo
    1968
    Leopoldo Maler writes about the translation of Palabras ajenas [Other People’s Words]. Maler talks about what he is working on, and reports on the writer Tomás Eloy Martínez’s opinion on the situation in Argentina. He also mentions the student [...]
    ICAA Record ID: 744374

  • [Letter] 1968 [Octubre], Londres [to] León [Ferrari]
    Maler, Leopoldo
    1968
    Leopoldo Maler writes in detail about the first performance of the London stage production of Listen Here Now. A New Concert for Four Voices and a Soft Drum. He discusses the difficulties concerning the various BBC announcers involved in the [...]
    ICAA Record ID: 758807

  • [Letter] 1968 Enero 16, Londres [to León] Ferrari
    Maler, Leopoldo
    1968
    Leopoldo Maler wrote to León Ferrari to acknowledge receipt of the work Palabras ajenas [Other People’s Words] (Buenos Aires: Falbo Editor, 1967) written by the latter. Maler, employed by the BBC in London, mentioned, in a general way, films on [...]
    ICAA Record ID: 749158

  • [Letter] 1968 Enero 23, Castelar [to Leopoldo] Maler
    Ferrari, León, 1920-
    1968
    León Ferrari writes to Leopoldo Maler about Palabras ajenas [Other People’s Words], telling him where he has sent the book and mentioning that Inda Ledesma might produce a stage version in Buenos Aires. Ferrari comments on the repression of [...]
    ICAA Record ID: 749160

  • [Letter] 1968 Febrero 13, Castelar [to] Leopoldo [Maler]
    Ferrari, León, 1920-
    1968
    León Ferrari writes to Leopoldo Maler about the London stage production of his book, Palabras ajenas [Other People’s Words]. He asks about the translation, the staging, and the rights, and mentions personal and institutional contacts that would be [...]
    ICAA Record ID: 749138

  • [Letter] 1968 Febrero 15, Castelar [to] Leopoldo [Maler]
    Ferrari, León, 1920-
    1968
    León Ferrari writes to Leopoldo Maler about the London stage production of Palabras ajenas [Other People’s Words]. He refers to the polyphonic work involving the various texts in the book, and mentions that he has sent a copy to Mario Vargas Llosa [...]
    ICAA Record ID: 749141

  • [Letter] 1968 Febrero 21, Castelar [to] Leopoldo [Maler]
    Ferrari, León, 1920-
    1968
    León Ferrari writes to Leopoldo Maler about the London stage production of Palabras ajenas [Other People’s Words]. He discusses the polyphonic work involving the various texts in the book, mentions sending original English copies, and refers to [...]
    ICAA Record ID: 749144

  • [Letter] 1968 Febrero 5, Londres [to] León [Ferrari]
    Maler, Leopoldo
    1968
    Leopoldo Maler writes to Ferrari. He is excited about the book, Palabras ajenas [Other People’s Words], and proposes a stage version to be produced in London, where he lives. Maler mentions certain people who might be interested, suggesting that [...]
    ICAA Record ID: 749166

  • [Letter] 1968 marzo 15, Castelar [to] Leopoldo [Maler]
    Ferrari, León, 1920-
    1968
    León Ferrari writes to Leopoldo Maler about the London stage production of Palabras ajenas [Other People’s Words]. He discusses the polyphonic work involving the various texts in the book, and talks about the staging, the visual elements, the [...]
    ICAA Record ID: 749148

  • [Letter] 1968 Mayo 25, Castelar [to] Leopoldo Maler
    Ferrari, León, 1920-
    1968
    León Ferrari writes to Leopoldo Maler about the London stage production of Palabras ajenas [Other People’s Words]. He discusses the polyphonic work involving the various texts in the book, and talks about the economic situation and the student [...]
    ICAA Record ID: 749150

  • [Letter] 1968 Noviembre 18, Castelar [to] Leopoldo [Maler]
    Ferrari, León, 1920-
    1968
    León Ferrari writes to Leopoldo Maler about Palabras ajenas [Other People’s Words], to discuss the staging of the London production and to critique European culture. He talks about the presentation of Tucumán Arde at the Rosario and Buenos Aires [...]
    ICAA Record ID: 749152

  • [Letter] 1968 Octubre 2, Londres [to] León [Ferrari]
    Maler, Leopoldo
    1968
    Leopoldo Maler, the artist, writes about the London stage production of Palabras ajenas [Other People’s Words], which will use BBC radio announcers; Maler was working at the BBC at the time, and mentions that the stage version will be presented at [...]
    ICAA Record ID: 744047

  • [Letter] 1968 Octubre 7, Castelar, Argentina [to] Leopoldo [Maler]
    Ferrari, León, 1920-
    1968
    León Ferrari writes to Leopoldo Maler about the London stage production of his book, Palabras ajenas [Other People’s Words].  He agrees to the new title of the English version, Listen Here Now, while proposing that it include the word “Vietnam [...]
    ICAA Record ID: 749162

  • [No processo da revolução brasileria]
    1963
    This text was written by the Brazilian artist Abelardo da Hora for the exhibition called Civilização do Nordeste, organized by the Italian architect Lina Bo Bardi at the Museu do Unhão, in Salvador, the capital of Bahia, in 1963. Abelardo da Hora [...]
    ICAA Record ID: 1111149

  • A epopéa do teatro da experiencia e o bailado do deus morto
    Carvalho, Flávio de
    1939
    In 1933, the artist Flávio de Carvalho discussed the founding of the Teatro da Experiência at the premises of the CAM [Modern Artists Club] in São Paulo. Speaking from his broader experience as an architect and set designer, he sees the theater as [...]
    ICAA Record ID: 780339

  • A personal response : to some of the twelve points posited with respect to chicano nationalism
    Sorell, V. A. (Victor A.)
    In this text, art historian and activist Victor Alejandro Sorell ponders on arguments for designating Chicano people a nation: the history of the twelfth-century Aztec homeland Aztlán, —located in the U.S. Southwest,— included; the seizure of [...]
    ICAA Record ID: 1064542

  • A polícia também foi ao teatro no sábado
    1968
    This newspaper article reports on the raid carried out at the Teatro Ruth Escobar, in São Paulo, on June 8, 1968, when federal police violently shut down the Iª Feira Paulista de Opinião, an event produced by the Teatro de Arena group and directed [...]
    ICAA Record ID: 1110660

  • Elementos de construcción dramática
    de la Fuente, M.G.
    1954
    Sent from Morocco, this is a collaboration of poet and painter Diyi Laañ in which she proposes the consideration of the stage as a dramatic construction, that is, as the creation of a dramatic architecture instead of a mere literary drama. The [...]
    ICAA Record ID: 770272

  • Fresco sobre la agresión neocolonialista : intenso y poético experimento de comunicación política y estética
    Jacoby, Roberto
    1972
    Roberto Jacoby, the artist and art critic, discusses the stage version of León Ferrari’s Palabras Ajenas [Other People’s Words] in his review of a performance, and mentions the role of the audience. Jacoby discusses the declining aesthetic [...]
    ICAA Record ID: 743946

  • IGE: Ideas en Marcha
    Mañe Garzón, Pablo, 1921-2004
    1965
    This essay about the interview by Pablo Mañé Garzón with Ángel Kalenberg, the director of the IGE (Instituto General Electric de Montevideo [General Electric Institute of Montevideo), discussing the programs carried out by the institution that [...]
    ICAA Record ID: 1244837

  • O Rei da Vela : Manifesto do Oficina
    Correa, José Celso Martinez
    1967
    The theatre group Oficina’s use in 1967 of Oswald de Andrade’s 1933 novel O rei da vela [The Candle King] to re-inaugurate their stage expressed the desire of the company, which was led by José Celso Martinez Corrêa, to offer a new dramatic [...]
    ICAA Record ID: 1110454

  • Rádio e teatro : o regional como tema
    Campos, Eduardo
    1948
    Writer Eduardo Campos defends future theatrical works with a “regionalist” theme. He suggests the use of themes linked to the Northeastern region of the country, where man’s struggle for survival (in a hostile and desert-like environment) is [...]
    ICAA Record ID: 1110788

  • Sketch teatral para "El Salón dentro del Salón". Duración total : 15 minutos. Divididos en varios espacios o partes.
    Tobón, Anibal, 1947-
    1977
    The script of the sketch “El Salón dentro del Salón” [The Salon Within the Salon] was written during May and June 1977 by the Colombian journalist Aníbal Tobón, who was a member of the Grupo de Arte Experimental El Sindicato. In his sketch, [...]
    ICAA Record ID: 1094364

  • Teatro experimental en México : “el Murciélago”
    Magaña-Esquivel, Antonio
    1938
    This is a brief overview of how the Russian modality of synthetic theatre was transplanted to the Mexican scene after passing through New York, thus becoming a fusion of colorful traditions with the avant-garde spirit. Magaña Esquivel underlines the [...]
    ICAA Record ID: 737752

  • Teatro mexicano del murciélago
    Quintanilla, Luis
    1924
    In this project, the Estridentista Luis Quintanilla aimed for the renovation of a variety of languages by combining theater, music and the visual arts in the Russian avant-garde style, always along the lines of the great popular traditions. The set [...]
    ICAA Record ID: 799676

  • Theatro da Experiencia
    Braga, Rubem
    1933
    This newspaper article about the CAM (Club of Modern Artists) describes the activities of the Teatro da Experiência, the theater company founded by Flávio de Carvalho in 1933. The author explains that the group objectives are “to create [...]
    ICAA Record ID: 782944

  • Un hombre y los fusiles : León Ferrari : herir a muchos
    1967
    An account of Ferrari’'s (1920–2013) visit to the publisher’s office with his Palabras ajenas [Other People’s Words].Ferrari adamantly maintains that a work of art should be a rifle aimed at its audience. There are references to Civilizació [...]
    ICAA Record ID: 743923

  • Viajou sem passaporte
    Raghy, Luiz Sergio
    1984
    In 1979 the writer and actor Luiz Sérgio Raghy agreed to be interviewed by the alternative newspaper Oras, Pombas! about the Brazilian group Viajou Sem Passaporte. Raghy talks about the origins of the group and its earliest theatrical productions, [...]
    ICAA Record ID: 1110679