Topic Descriptor: art galleries×
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  • Lucy Tejada
    Eiger, Casimiro, 1909- 1987
    In this article, the critic Casimiro Eiger reviews Lucy Tejada’s paintings at her first solo exhibition, and discusses the purely formal aspects of her work. In Eiger’s opinion, these elements are closely involved with the artist’s narrative [...]
    ICAA Record ID: 1094204

  • Mandamiento inmortal : Danilo Dueñas en el espacio Gaula en Bogotá : muestra, cómo la abstracción no lo es tanto
    Aguilar, José Hernán, 1952-
    The art critic José Hernán Aguilar reviews the exhibition Adulterado [Adulterated] by Danilo Dueñas at the Gaula, mentioning the different steps the Colombian artist takes to create his works. He points out that Dueñas constantly includes [...]
    ICAA Record ID: 1092398

  • Manifestación Internacional Sintetista Actualizado
    Galería Manifestación Sintetista Actualizada
    This advertising flyer includes a list of the artists who participated in the Galería M.S.A. (Manifestación Sintetista Actualizada) [Manifestation of Synthetism Today] during the exhibition called the M.I.S.A. (Manifestación Internacional [...]
    ICAA Record ID: 1061180

  • Matta y su pintura
    Salazar Bondy, Sebastián
    In this article, Sebastián Salazar Bondy discusses the work of Chilean painter Roberto Matta. In Salazar Bondy’s view, true art does not copy the appearance of “everyday vulgarity,” but questions conventions. That is why the run-of-the-mill [...]
    ICAA Record ID: 1138199

  • No estamos jodiendo y no es chiste
    Galería Manifestación Sintetista Actualizada
    This document is a pamphlet promoting an event organized by the MSA (Manifestación Sintetista Actualizada) group. The stamp with the logo of the Café de Vicente suggests that the event would take place at that venue. The pamphlet includes the names [...]
    ICAA Record ID: 1062143

  • Oscar Muñoz : LedisFlam
    Amor, Monica
    In this article on Óscar Muñoz’s work, the art critic Mónica Amor emphasizes the predominant role played by chance in his two series: Cortinas de baño [Shower Curtains] and Narcisos [Narcissi], as well as the secondary role played by the artist [...]
    ICAA Record ID: 854946

  • Palabras pronunciadas por Manuel Mújica Lainez al festejarse las cien exposiciones de la Galería Bonino
    Mujica Láinez, Manuel, 1910-
    Manuel Mujica Láinez described in a poetic manner the artistic history of the Galería Bonino, inaugurated in 1951, attaching the names of artists to it as if a journey had taken place. His words were delivered at the one hundredth exhibition, which [...]
    ICAA Record ID: 763757

  • Percepción visual en la comunicación social
    Castrillón, Alfonso, 1935-
    This introductory essay for the retrospective exhibition 25 años de obra gráfica: Bracamonte was written by the critic Alfonso Castrillón. The event—held at the Galería de Arte de Petróleos del Perú in May 1975—showcased the career of Jos [...]
    ICAA Record ID: 1141425

  • Pintores jóvenes montan exposición en Galería Campeche
    Cabrera, Alba Raquel
    The journalist, Alba Raquel Cabrera, comments on the exhibition of work by young artists at the Galería Campeche held in 1964. The idea for the exhibition—which included forty-three works created by seventeen artists—came from Domingo García, [...]
    ICAA Record ID: 856787

  • Pintura abstracta : ¿Arte o "engañabobos"...?
    This newspaper article is about Fernando de Szyszlo’s exhibition at the Galería de Arte Moncloa Editores (April 1967). The anonymous columnist mentions the controversy that raged over abstract painting and provides comments from those who define [...]
    ICAA Record ID: 1142981

  • Reflexiones ante la muestra de Dewasne
    Lora Risco, Alejandro
    This essay is by Peruvian art critic and poet Alejandro Lora Risco regarding the French artist Jean Dewasne and the incomprehension demonstrated by his colleagues relating to Dewasne’s exhibition at the Galería de Lima. Lora Risco relies on Andr [...]
    ICAA Record ID: 859505

  • Reflexiones sobre una exposición
    Henestrosa, Andrés
    In this short article, Andrés Henestrosa refers to the recent exhibition of German Expressionist painting organized by the Galería Antonio Souza in Mexico City. Starting with the exhibition, the writer analyzes the origins of the movement, [...]
    ICAA Record ID: 772066

  • Reglamento
    Galería Campeche (San Juan, Puerto Rico)
    This document contains the statutes of the Galería Campeche, which are registered with the State Department as a non-profit corporation under the laws of Puerto Rico. Being a legal document, it establishes the name of the gallery, the type of [...]
    ICAA Record ID: 824248

  • Rolando Peña en los laberintos del petróleo : ayer clausuro el Celarg una exposición premonitoria
    Marcano, Oscar, 1958-
    In this essay the writer Oscar Marcano discusses El Laberinto (Caracas: Sala RG, 1990), the exhibition of works by the Venezuelan artist Rolando Peña. The author notes the prescient nature of Peña’s work in a preamble in which he talks about the [...]
    ICAA Record ID: 865854

  • Semana del arte avanzado en la Argentina
    Centro de Artes Visuales (Instituto Torcuato Di Tella)
    Schedule of activities and exhibitions for the Semana de arte avanzado [Advanced Art Week] in Argentina. The following entries stand out in the program: Experiencias visuales 1967 [the 1967 Visual Practices], the shows of Ernesto Deira (1928-86) and [...]
    ICAA Record ID: 762845

  • Some notes on why latin american artists come to New York
    Belkin, Arnold
    According to Arnold Belkin, “the Canadian son of Mexican mural painting,” the imperialist policy of the United States of America toward Latin America, as well as the prevailing climate of repression there, prompted many Latin American artists to [...]
    ICAA Record ID: 825608

  • Tierra de nadie
    Rios, Juan, 1914-1991
    In this text, writer Juan Ríos remarks on the Surrealist exhibition held at the Galería de Lima in July 1954. In his view, Surrealism is outdated. Initially an iconoclastic movement, it has, over the course of several decades that witnessed a [...]
    ICAA Record ID: 1138638

  • Un esfuerzo, una realización : La Galería de Arte Mexicano
    On the fifteenth anniversary of the Galería de Arte Mexicano [GAM, Mexican Art Gallery], Margarita de Ponce reviews its activities and discusses what she considers to be its greatest contributions toward the distribution and promotion of Mexican art [...]
    ICAA Record ID: 799632

  • Una novísima escuela estética
    Jochamowitz, Alberto, 1881-1974
    In this sarcastic review, Alberto Jochamowitz reports on the Arte Madí exhibition at the Colette Allende gallery in Paris, that included works by the Peruvian visual artist and poet Jorge Eduardo Eielson. Jochamowitz mocks the avant-garde [...]
    ICAA Record ID: 1138297