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La vacilada como punto final
1961Margarita Nelken describes the Second Biennial for Young Artists, in Paris, and the exhibition of the Los hartos [Fed Up] group in the Galería Antonio Souza in Mexico City as the end of one era and the beginning of another. The Los hartos “ [...]ICAA Record ID: 752203 -
[El expresionismo a partir de Kokoschka,...]
1964In this book, Margarita Nelken, a Spanish critic based in Mexico, discusses the development of Expressionism in Mexican art. She argues that Mexican Expressionism has a native origin that, with the passage of time, has been enriched by the different [...]ICAA Record ID: 748151 -
La integración plástica en el C.U. Presidente Juárez
1952This article by Mathias Goeritz looks at the level of plastic integration achieved by the Benito Juárez Multifamily Urban Unit, a project under the architectural direction of Mario Pani and Enrique del Moral, working together with the plastic artist [...]ICAA Record ID: 735979