Subject: http://icaa.mfah.org/vocabs/names/index.php?tema=9049×
Topic Descriptor: http://icaa.mfah.org/vocabs/names/index.php?tema=9049×
Topic Descriptor (local): http://icaa.mfah.org/vocabs/names/index.php?tema=9049×
Name Descriptor: Nuñez Ureta, Teodoro×
  • ¿Hacia dónde va la pintura en el Perú¿? : Primer Salón de Pintura
    Valle, Alejandro Romualdo, 1926-2008
    1955
    The author identifies the principal characteristic of the works shown at the Primer Salón Annual de Pintura Peruana “as a strong and cohesive predilection for objectivity.” Among others, he highlights Alfredo Ruiz Rosas for his “successful [...]
    ICAA Record ID: 1138900

  • 12 meses de artes plásticas en Lima
    Ugarte Eléspuru, Juan Manuel, 1911-
    1955
    The author highlights here the intensity of activities on the arts scene of the Peruvian capital in 1954, both for the number and the importance of exhibitions, a fact which, in his judgment, demonstrates the ever-increasing affirmation of the visual [...]
    ICAA Record ID: 1137301

  • Álvaro Núñez Rebaza ganó concurso para monumento a Túpac Amaru en el Cuzco
    1971
    This is the first article on the award bestowed to Álvaro Núñez Rebaza by the Tercer Concurso Nacional, the artist selected to erect a monument to Túpac Amaru II, the indigenous forefather of the independence of Peru, at the Plaza de Armas del [...]
    ICAA Record ID: 1139088

  • Cátedra libre: ¿por qué se ha transformado la pintura?
    Miró Quesada Cantuarias, Francisco, 1918-
    1955
    In response to the survey published by the Lima newspaper El Comercio as to the difference between “classical” and “modern” art, respondents provided different and, in some cases, contradictory answers. Responding to the question regarding [...]
    ICAA Record ID: 1137463

  • El mural de Núñez Ureta : un canto al esfuerzo del hombre
    Pérez Luna, Edgardo, 1928-1984
    1954
    Here, Edgardo Pérez Luna praises the mural by Teodoro Núñez Ureta executed in the building that housed Peru’s Treasury Department. The writer argues that the allegories created by the painter in the mural elude the conventions of the genre and [...]
    ICAA Record ID: 1227007

  • En blanca y negra...
    Miró Quesada Garland, Luis
    1954
    Luis Miró Quesada Garland acknowledges that the mural La construcción del Perú, by Teodoro Nuñez Ureta, entails a commendable attempt to integrate the visual arts with architecture in public buildings. However, he lodges the criticism that the [...]
    ICAA Record ID: 865020

  • Ensayo sobre la pintura peruana contemporánea
    Pereira, Raúl María, 1916-2007
    1942
    In this essay, Peruvian art critic and diplomat Raúl María Pereira provides an overview of Peruvian painting from the first half of the twentieth century. While the author praises the first generation of academic painters, he believes that their [...]
    ICAA Record ID: 1293152

  • Núñez Ureta
    Barrionuevo, Alfonsina, 1935-
    1955
    This interview with painter and muralist Teodoro Núñez Ureta includes some biographical notes and photographs of his work space. Núñez Ureta asserts that the so-called “isms,” fruit of European decadence, contaminate painting in America. What [...]
    ICAA Record ID: 1138216

  • Puntos de vista : el mural de Teodoro Núnez Ureta
    Pérez Luna, Edgardo, 1928-1984
    1954
    In this letter defending nationalism and figurative art, Edgardo Pérez Luna attacks the comments of Luís Miró Quesada Garland, specifically, Garland’s opinion on abstract artwork by Jean Dewasne and Teodoro Núñez Ureta’s mural in Peru’s [...]
    ICAA Record ID: 865055