Topic Descriptor:×
Topic Descriptor (local):×
Name Descriptor: Duclos, Arturo, 1959-×
  • El ojo y la mano
    Machuca, Guillermo, 1961-2020
    Guillermo Machuca analyzes the work that Arturo Duclos produced in the 1980s (his first period) and then in the 1990s. The artist’s work, which is indifferent to the goals pursued by language (signs and meanings), forgets past references and [...]
    ICAA Record ID: 757085

  • Ora pro nobis
    Machuca, Guillermo, 1961-2020
    Guillermo Machuca wrote “Ora pro nobis” about the exhibition of works by Arturo Duclos by the same name. In his essay, Machuca discusses the iconography of the works and the imagination that inspires them, making a distinction between & [...]
    ICAA Record ID: 749208

  • Historias de transferencia y densidad en el campo plástico chileno (1973-2000)
    Mellado, Justo Pastor, 1949-
    The theorist Justo Pastor Mellado outlines his curatorial approach for the exhibition 1973–2000: Transferencia y densidad. He begins by defining concepts such as “curator,” discussing the term’s evolution in Chile and its [...]
    ICAA Record ID: 740449

  • Pequeña novela del grabado chileno
    Mellado, Justo Pastor, 1949-
    Justo Pastor Mellado explains the reasons that motivated the Chilean submission to the X Mostra da Gravura, which was a desire to articulate a new artistic cartography. The hypothesis he lays out in this text points to formal movements in the field [...]
    ICAA Record ID: 736031

  • Todo fuera de contexto : todo fuera de contexto es el efecto de una cita
    Oyarzún Robles, Pablo, 1950-
    Unable to refer specifically to the works that would be shown at the exhibition about which he was attempting to write, Pablo Oyarzún, the Chilean essayist and an authority on philosophy, discusses the idea involved in the term “context& [...]
    ICAA Record ID: 734699

  • Intertexto
    Richard, Nelly, 1948-
    This text by Nelly Richard is based on a collection of quotes, which trace an argumentative arc that express her ideas about the exhibition she is reviewing. She also discusses certain situations in the art field at the time that show how the first [...]
    ICAA Record ID: 734686

  • Retroactivaciones de un proceso
    Richard, Nelly, 1948-
    In this essay Nelly Richard addresses the new approach to painting taken by some artists in response to what she referred to as the Escena de Avanzada. In her review of the BENMAYOR/DIAZ/DITTBORN/DUCLOS/LEPPE exhibition, Richard discusses the [...]
    ICAA Record ID: 730159