Documents of Latin American and Latino Art

In the text “Espacios paralelos de recepción,” Jaime Iregui, project director at the gallery Espacio Vacío, writes about the dissemination of two contemporary art projects. He leads off with the Proyecto Tándem (1990−91) as “a space for [...]

The text “He aquí, pues, mis citaciones a la audiencia” by Natalia Gutiérrez is the eleventh chapter of ciudad-espejo (2006), a theoretical research project that focuses on artists whose work—mostly in the medium of photography—attempts to [...]

“Apóstol Abstraccionista” [Abstract Art Apostle] is a conversation between the journalist, Diana Lloreda, and the artist, Danilo Dueñas, published in the Lecturas Dominicales [Sunday Readings] section of the daily newspaper, El Tiempo, in Bogot [...]

In this article, published by the daily newspaper, El Tiempo, on May 24, 1991, the arts journalist and editor, José Hernández, announced the opening of Gaula. This gallery was a new exhibition space for contemporary art, located in the Macarena [...]

This was an interview by the critic María Margarita García of the artist Danilo Dueñas, speaking in connection with his exhibition Adulterado en el espacio GAULA. The interview covers several issues related to Dueñas’s work, such as theoretical [...]

The art critic José Hernán Aguilar reviews the exhibition Adulterado [Adulterated] by Danilo Dueñas at the Gaula, mentioning the different steps the Colombian artist takes to create his works. He points out that Dueñas constantly includes [...]

This essay by the critic and curator Carmen María Jaramillo was published in the leaflet produced for the Danilo Dueñas exhibition called Local [bog-ccs] that was presented at the Museo de Arte Contemporáneo de Caracas, Sofía Imber (MACCSI) [ [...]

In this document, the critic and art curator María Iovino discusses the work of Danilo Dueñas, describing the behavior of some of the elements that the Colombian artist employs in his work and how they influence the space in the works and vice [...]

“Balas privadas, corazones públicos” [Private Bullets, Public Hearts] (1994) by the Colombian critic José Hernán Aguilar (b. 1952) is a chapter from the book Nueva imagen [New Image], which presented an overview of sociopolitical and artistic [...]

Carmen María Jaramillo, the curator of the exhibition A través del espejo [Through the Looking Glass], begins her essay by clarifying the terms and sources she used in her approach to “painting’s self-appraisal.” She reviews the mutable, [...]