Documents of Latin American and Latino Art

Art historian Shifra M. Goldman writes with great acuity and depth about the traveling exhibition, Art of the Fantastic: Latin America, 1920–1987, which opened at the Indianapolis Museum of Art in 1987, and subsequently went to the Queens [...]

Ricardo Pau-Llosa analyzes Arnaldo Roche[-Rabell]’s paintings by arguing that his works both represent unique identities and evoke a process of identification in the viewer that occurs at an existential level. Roche achieves this by upending [...]

The Puerto Rican art historian and critic Eugenio García Gutiérrez takes a critical look at the most important works from the career of Arnaldo Roche, paying particular attention to his self-portraits, and the techniques he used in his work. It [...]

These artists’ statements appeared in a catalogue documenting the first exhibition held in Chicago that conjoined Chicano, Cuban, Mexican, Puerto Rican, and Venezuelan art and artists in words and images, Arte Hispano-Americano en Chicago=Hispanic- [...]