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Las formas del poder = The forms of power
1991In this essay, Eduardo Planchart studies the specific qualities of the sculptural work of Gaudí Esté. The text can be divided into four parts. In the first, the writer analyzes the art language used by the artist, which is characterized by her use [...]ICAA Record ID: 1167995 -
Tallar el poder
1987In this essay, curator María Elena Ramos examines the philosophical and aesthetic implications of representations of man-animal hybrids in the history of humanity, specifically in relation to art and to the wood carvings by Venezuelan sculptor Gaud [...]ICAA Record ID: 1167844 -
Para iniciar la ceremonia
1982In this essay, Roberto Guevara discusses Gaudí Esté’s visual art, acknowledging the importance of the Venezuelan sculptor’s relationship with wood, her material of choice. Guevara sees similarities between her carvings and Russian “matryoshka [...]ICAA Record ID: 1162839 -
Gaudi Esté : símbolos de una historia actual
1994In this text, Katherine Chacón analyzes sculpture in wood by Venezuelan artist Gaudí Esté in terms of symbolism, balance of form, and gestural violence. Chacón asserts that the two fundamental aspects of Esté’s work are an inclination for [...]ICAA Record ID: 1162823