Documents of Latin American and Latino Art

The article PerfoArtNet. Encuentro Internacional de Performance [PerfoArtNet: International Performance Meeting], written by Ricardo Arcos-Palma was published in the Vistazos Críticos [Critical Views] section of the online edition of the Colombian [...]

“Balas privadas, corazones públicos” [Private Bullets, Public Hearts] (1994) by the Colombian critic José Hernán Aguilar (b. 1952) is a chapter from the book Nueva imagen [New Image], which presented an overview of sociopolitical and artistic [...]

“Anexo 1 – Entrevista con José Alejandro Restrepo” is the third and final part of the book Cruces by Colombian art critic Natalia Gutiérrez. The book, published in 2000, was the result of her master’s thesis in history and theory of art and [...]

In this text, researcher María Iovino reflects on the place of performance in Colombian art. She begins with a discussion of María Teresa Hincapié’s work Una cosa es una cosa [A Thing Is a Thing], a performance that was awarded first prize at [...]

This document is the program for the performance Parquedades: escenas de parque para una actriz, video y música [Sparingness:Park Scenes for an Actress, Video and Music] (1987), a video and action conceived by José Alejandro Restrepo to be [...]