Subject: http://icaa.mfah.org/vocabs/names/index.php?tema=407×
Topic Descriptor: http://icaa.mfah.org/vocabs/names/index.php?tema=407×
Topic Descriptor (local): http://icaa.mfah.org/vocabs/names/index.php?tema=407×
Name Descriptor: Rauschenberg, Robert×
  • [Un inmenso movimiento de industrialización...]
    Hahn, Otto
    1966
    This introductory text by Otto Hahn analyzes some of the consequences of modern life within an industrialized city, such as uniformity, anonymity and the acceptance of triviality. He places the work of Robert Rauschenberg within this framework, as [...]
    ICAA Record ID: 757744

  • A propósito del "plagio"
    Hernández Saavedra, Emilio
    1969
    The artist Emilio Hernández Saavedra adds his ironic comments to the discussion about Motociclista No. 3, the controversial painting by Luis Zevallos Hetzel that won first prize at the competition organized by the Festivales de Ancón (1969). [...]
    ICAA Record ID: 1142331

  • Crítica : Tres pintores, tres tendencias Premio Internacional Di Tella 64
    Gorriarena, Carlos, 1925-
    1964
    This text by Carlos Gorriarena focuses on Pierre Restany’s report published in the catalog for the Premio Torcuato Di Tella[1964 Torcuato Di Tella Prize] 1964, in which the French critic points out that Nuevo Realism [New Realism] is an art of [...]
    ICAA Record ID: 762371

  • De la caza de brujas a Rauschenberg go home
    Von Dangel, Miguel, 1946-
    1985
    In this text, Miguel von Dangel criticizes the stance taken by the Venezuelan painter Oswaldo Vigas regarding the exhibition by Robert  Rauschenberg at the Museo de Arte Contemporáneo de Caracas, which Vigas finds contradictory and “chauvinist [...]
    ICAA Record ID: 1154538

  • El pop art
    Bastidas, Arturo
    1964
    In this document, excerpted from the “Colombia pregunta” [Colombia Asks] section of La Nueva Prensa [The New Press] magazine, Arturo Bastidas, from the city of Pereira, asks for a definition of Pop Art. The magazine editor replies to his question [...]
    ICAA Record ID: 1131207

  • O artista que vai e o que fica na América Latina
    1967
    This article discusses a text by Argentine painter Luis Felipe Noé in which he asserts that the responsibility of Latin American artists begins when they leave the region to become part of the international art scene. While Noé [...]
    ICAA Record ID: 1111181

  • Premios Instituto Torcuato Di Tella – Año 1964
    Instituto Torcuato Di Tella
    1964
    Regulations stating both which are the invited artists and the value of the prizes and norms that will be ruling the presentation of the artworks; this includes the materials to be attached and the deadlines [...]
    ICAA Record ID: 762240

  • Todo fuera de contexto : todo fuera de contexto es el efecto de una cita
    Oyarzún Robles, Pablo, 1950-
    1985
    Unable to refer specifically to the works that would be shown at the exhibition about which he was attempting to write, Pablo Oyarzún, the Chilean essayist and an authority on philosophy, discusses the idea involved in the term “context& [...]
    ICAA Record ID: 734699