Documents of Latin American and Latino Art

Ernesto B. Rodríguez introduces the exhibition of works by Alicia Orlando, Luna Ercilla, and Juan Carlos Romero at Galería Lirolay (Buenos Aires, September, 1964), pointing to their architecturally influenced drawings that seek to express the [...]

The text contains records of the artists connected to the Centro de Arte y Comunicación (CAyC) [Center of Art and Communication] who participated in the exhibition, Arte de Sistemas II [Systems Art] (Buenos Aires, September 1972). Each record [...]

This document is a catalog of the exhibition El Grupo de los Trece en Arte de Sistemas [The Group of Thirteen in Systems Art] (Buenos Aires: Centro de Arte y Comunicación, December 1972 – March 1973 [...]

[This document is a record] of the works by the artists linked to the Centro de Arte y Comunicación [Center for Art and Communication] (CAyC) who participated in the exhibition Arte de Sistemas [Systems Art] (Buenos Aires: Museo de Arte Moderno, [...]

This text characterizes the nature of the talk given by Luis Pazos and Juan Carlos Romero at the Centro De Arte y Comunicación [Center for Art and Communication] (CAyC) in connection with the show Hacia un perfil del arte latinoamericano [Towards a [...]

This document announces both the opening of the Escultura, follaje y ruidos [Sculpture, foliage, and noise] exhibition in Buenos Aires (Plaza Rubén Darío, November 7–30, 1970), but also its key proposal: to generate urgency for [...]

The little gazette announces the inauguration of the Violencia [Violence] exhibition (Buenos Aires: Centro de Arte y Comunicación, April, 1973) by Juan Carlos Romero. Prompted by this, it states that the difference between Latin American [...]

The text finds the problem of the lack of connection between the “men of reflection (scientists, philosophers, theorists) and “men of action (artists, technicians, planners, operators)” producing, as a result, “thinkers [...]