Topic Descriptor:×
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Name Descriptor: Rivas, Bárbaro×
  • Un espacio para la plástica contemporánea del venezolano común
    Prada, Francisco Elías, 1958-
    Supported by theories of folk art that are backed by authors such as Néstor García Canclini and Francisco Da Antonio, the author, Francisco Prada, defends this genre through the formulation of a definition that affords it dignity and examines it in [...]
    ICAA Record ID: 1166318

  • Introducción : del arte ingenuo al arte popular
    Da Antonio, Francisco, 1930-
    In 1988, on the occasion of the Primer Salón Nacional Cervecería de Oriente: Arte ingenuo, pintura y talla populares (Barcelona, state of Anzoáteguí), critic Francisco Da Antonio ponders concepts like “naive art,” “popular art,” and “ [...]
    ICAA Record ID: 1164485

  • El XVIII salón de arte venezolano
    This anonymous text provides a detailed review of the rooms and halls of the Museo de Bellas Artes (Caracas) containing the works of the XVIII Salón Oficial de Arte Venezolano (1957). The works, according to the author, were grouped in the space by [...]
    ICAA Record ID: 1161294

  • Bárbaro Rivas : historia y mitología
    Da Antonio, Francisco, 1930-
    The critic and curator Francisco Da Antonio salutes the Venezuelan folk painter Bárbaro Rivas and reintroduces him with biographical details and an explanation of the circumstances involved in the production of some of his works. The critic mentions [...]
    ICAA Record ID: 1160743

  • Bárbaro Rivas : apunte para un retrato
    Da Antonio, Francisco, 1930-
    In this four-part essay, the critic Francisco Da Antonio discusses—extensively and for the first time—the naïf painting produced by the Venezuelan folk artist Bárbaro Rivas. Da Antonio recalls the discovery of this folk painter, an illiterate, [...]
    ICAA Record ID: 1101933