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Esperanza para el 51 : grupo de artistas boricuas crean entidad sorprendente
1950Journalist Juan Luis Márquez reports that fellow Puerto Ricans José Antonio Torres Martinó, Lorenzo Homar, Rafael Tufiño, Julio Rosado del Valle, and Félix Rodríguez Báez have organized the Centro de Arte Puertorriqueño (CAP) in order to [...]ICAA Record ID: 865312 -
[Letter] 1976 Agosto 1, Miramar, Puerto Rico [to] Féliz Rodríguez Báez, director de la Escuela de Artes Plásticas.
1976Puerto Rican printmaker Lorenzo Homar writes to Félix Rodriguez Báez, who at the time was the director of the Escuela de Artes Plásticas [School of Visual Arts] of the Instituto de Cultura Puertorriqueña [ICP, Puerto Rican Cultural Institute], to [...]ICAA Record ID: 856303 -
Desarrollo artístico : murales en Fábrica de Fomento
1956Journalist Samuel E. de la Rosa explains that in the late 1950s, the management of the company, Fomento Industrial de Puerto Rico, took the initiative to install prefabricated murals in factories. The purpose of these installations was to awaken [...]ICAA Record ID: 854271 -
Portada de Puerto Rico Ilustrado. 13 de diciembre de 1952
1952This document is the cover of the magazine, Puerto Rico Ilustrado [Puerto Rico Illustrated], and consists of a photograph of five members of the Centro de Arte Puertorriqueño [CAP, Center for Puerto Rican Art]: Samuel Sánchez, Rafael Tufiño, [...]ICAA Record ID: 853457 -
El Centro de Arte Puertorriqueño
1985In this historical overview, artist José A. Torres Martinó describes how he and fellow Puerto Rican artist Félix Rodríguez Báez opened a studio called Estudio 17 in the late-1940s. Other artists joined their efforts and together they founded the [...]ICAA Record ID: 822200