Documents of Latin American and Latino Art

“El infinito de la obra” by Francisco Brugnoli is the introductory essay in the catalogue for the exhibition Centenario Carlos Hermosilla, 1905–2005, which acknowledged the centenary of the birth of the famous printmaker from [...]

This essay by Alberto Madrid is the research on the evolution of Chilean engraving at the Escuela de Bellas Artes de Viña del Mar. For this the author utilized references of national geographic elements associated with printmaking, which [...]

This essay is a brief text written by the historian and art critic Antonio Romera on Carlos Hermosilla’s work in the context of his participation at the IV Bienal Americana del Grabado in Santiago, Chile in 1970, whose core topic was on Chilean [...]