Subject: http://icaa.mfah.org/vocabs/names/index.php?tema=11730×
Topic Descriptor: http://icaa.mfah.org/vocabs/names/index.php?tema=11730×
Topic Descriptor (local): http://icaa.mfah.org/vocabs/names/index.php?tema=11730×
Name Descriptor: Wells, Luis, 1939-×
  • [Letter, 1967] lunes 22, París [to, Jorge] Romero Brest
    Paz, Samuel
    1967
    Samuel Paz wrote this letter to Jorge Romero Brest while the former was in Paris. It refers to the details of the negotiations with different galleries to secure the works for the Premio Torcuato Di Tella 1967 [1967 Torcuato Di Tella Prize]. Paz [...]
    ICAA Record ID: 759855

  • [Letter] 1962 Abril 12, Buenos Aires [to] Enio Iommi
    Romero Brest, Jorge
    1962
    Jorge Romero Brest writes to Enio Iommi inviting him to participate in the Torcuato Di Tella Institute Prize (1962 edition), enclosing the rules. In addition, he informs him that he will be able to apply for the National Prize (and eventually for the [...]
    ICAA Record ID: 755780

  • [Me complace destacar a estos jóvenes artistas...]
    Romero Brest, Jorge
    1965
    In this article, the Argentine critic Jorge Romero Brest compares and contrasts the work of two young artists—Luis Alberto Wells and Pérez Celis—and suggests that they both create something “innovative” and thus connect to what “is real [...]
    ICAA Record ID: 768933

  • Argentina's band of the damned
    Kemble, Kenneth, 1923-
    1961
    Kenneth Kemble writes about Luis Alberto Wells and Rubén Santantonín and considers them to be artistas malditos [“maudit”] artists presenting an innovative art; although, it was difficult for the public attending at Galería Lirolay to digest [...]
    ICAA Record ID: 741097

  • Arte destructivo : Barilari, Kemble, López Anaya, Roiger, Seguí, Torrás, Wells
    Galería Lirolay (Buenos Aires, Argentina)
    1961
    Invitation card for the show Arte Destructivo [Destructive Art]. It is relevant to understand the formal mechanisms of the artistic milieu activated by artists in order to promote the exhibition. Thus exaggerating the show’s radical impact facing [...]
    ICAA Record ID: 741505

  • Arte nuevo y movimiento informalista
    Parpagnoli, Hugo
    1959
    Hugo Parpagnoli ponders both the Fifth Annual Exhibition of New Art at Galería Van Riel and the Informal Art trend show at Museo Sívori; both of which demonstrate how Informal art painting has captivated the new generation. Parpagnoli describes [...]
    ICAA Record ID: 741694

  • Artistas y exposiciones : la singular exposición de arte destructivo
    Córdova Iturburu, C. (Cayetano), 1902-
    1960
    Cayetano Cordóva Iturburu gives a positive critique of the Destructive art exhibition due to its intelligent organization of the artworks, as well as for the expanded interpretation of art as either life blasted experience or a new poetics [...]
    ICAA Record ID: 741878

  • Destruction is new art form : seven Argentines wreck their way to creativity
    Cox, Robert John, 1933-
    1961
    Robert Cox writes that, in the exhibition Arte Destructivo at Galería Lirolay, the artists have created a smart form of displaying destruction, as the antithesis of creation. He refers to both the sale of the works and the participation of the [...]
    ICAA Record ID: 741863

  • La nueva imagen
    Glusberg, Jorge
    1982
    Jorge Glusberg signed this text about Trans-Vanguard painting in Latin America, mentioning its expressive tradition, its formal precedents, stylistic characteristics, as well as contradictions and originality [...]
    ICAA Record ID: 780143

  • Sobre el informalismo
    Squirru, Rafael, 1925-
    1959
    Rafael Squirru discusses the term Informalism, analyzing the concept of form in the scholastic, idealist, and oriental philosophies. Squirru defines art as the sensible manifestation of inner states of consciousness. He remits the mystical intuitions [...]
    ICAA Record ID: 741906

  • Sobre el informalismo
    Squirru, Rafael, 1925-
    1959
    Rafael Squirru discusses the term Informalism, analyzing the concept of form in the scholastic, idealist, and Eastern philosophies. Squirru defines art as the sensible manifestation of innermost states of consciousness. He ponders the mystical [...]
    ICAA Record ID: 741850