Topic Descriptor:×
Topic Descriptor (local):×
Name Descriptor: Darío, Rubén, 1867-1916×
  • Principios de una cultura americana
    Zum Felde, Alberto, 1888-
    Uruguayan essayist, historian, and critic Alberto Zum Felde sums up his position on the possible origin of a culture unique to the South American continent. He looks to two major influences: Spanish culture since the time of colonization and French [...]
    ICAA Record ID: 1196614

  • Madrid, meridiano intelectual hispano América
    Olivari, Nicolás, 1900 - 1966
    Nicolás Olivari puts forward that for them, members of the N. S. [the new sensibility] of Argentina, the young vanguard, Spain does not entail any intellectual interest. In his opinion, it’s not even possible to match the works by the new [...]
    ICAA Record ID: 790623

  • Máscaras : Julio Ruelas
    Nervo, Amado
    “Máscara” [Mask] was the inspired piece about Julio Ruelas written by the poet Amado Nervo, who informed the readers of Revista Moderna [Modern Magazine] that ever since the periodical had been publishing vignettes and illustrations by Ruelas, [...]
    ICAA Record ID: 778224

  • América
    Mistral, Gabriela, 1889-1957
    In this brief essay, Gabriela Mistral makes a cultural reconstruction of the images of America, a “terrestrial Valkyrie,” that includes the social conflicts at the time, the responsibility of its inhabitants to see about the future of their [...]
    ICAA Record ID: 773672

  • El surrealismo entre viejo y nuevo mundo
    Larrea, Juan
    In this final part of his lengthy essay, Juan Larrea acknowledges the reality of the Americas as the high point of the Surrealist movement. He states: “as the West flounders in the gloom, the tides of history [have] carried several representative [...]
    ICAA Record ID: 772528

  • [El conocimiento de la vanguardia internacional en México...]
    Schneider, Luis Mario
    Luis Mario Schneider carried out the first documented study on Etridentismo; he interviewed the members of the group and thoroughly examined the archives of this 1920s avant-garde movement. Although the group left some accounts to history, this was [...]
    ICAA Record ID: 752823

  • Rubén Darío y los pintores mexicanos
    Mejía Sánchez, Ernesto
    Rubén Darío kept in close contact with the Mexican artists settled in Paris, such as Alfredo Ramos Martínez, Roberto Montenegro, Ángel Zárraga, Diego Rivera, and Dr. Atl. This statement by Ernesto Mejía Sánchez documents the exchanges with the [...]
    ICAA Record ID: 737617

  • Roberto Montenegro
    Amador, Fernán Félix de
    In this document Fernán Feliz de Amadora, a writer from Argentina, writes about the possible association of painter Roberto Montenegro and the Nicaraguan poet Rubén Darío. To him, the painter follows one of the newest trends in the art field, that [...]
    ICAA Record ID: 735270

  • Proclama
    Borges, Jorge Luis, 1899-1986
    This text extols the Ultraist aesthetic above that of the current literature; represented by the Rubenists on one side, who “only occupy themselves by organizing and reorganizing ornamental junk […] that they inherited from Góngora,” and “ [...]
    ICAA Record ID: 732647

  • Ultraísmo
    Borges, Jorge Luis, 1899-1986
    Jorge Luis Borges declared that the “newest aesthetic,” Ultraism, is the poetic alternative to “the prevailing Rubenism and Anecdotalism.” He remarked that one of the harbingers of these previous movements’ terminal state is that their own [...]
    ICAA Record ID: 732642

  • Situación del lector : estética
    Lugones, Leopoldo, 1874-1938
    In this essay, Leopoldo Lugones defines what he understands to be poetry: “love”, “verse”, “rhyme”, “[expression] of beauty”, and at the same time criticizes the Ultraist aesthetic [...]
    ICAA Record ID: 731255