Subject: http://icaa.mfah.org/vocabs/names/index.php?tema=10716×
Topic Descriptor: http://icaa.mfah.org/vocabs/names/index.php?tema=10716×
Topic Descriptor (local): http://icaa.mfah.org/vocabs/names/index.php?tema=10716×
Name Descriptor: Noé, Luis Felipe×
  • [Ce qui m’a frappé]
    Sandberg, Willem Jacob Henri Berend
    1964
    William Sandberg writes about the impact he experienced when he got to know the cultural life of Buenos Aires. He mentions the solidarity of the artists who worked in groups, using as an example the artists from Otra Figuración [Another Figuration [...]
    ICAA Record ID: 768891

  • [Cuando hace dos años...]
    Romero Brest, Jorge
    1963
    Jorge Romero Brest introduces the artists Ernesto Deiro, Rómulo Macció, Luis Felipe Noé, and  Jorge de la Vega as a collective group. He points out the commonalities that the artists have with Informalism, such as a liberated approach to things [...]
    ICAA Record ID: 741409

  • [En Buenos Aires, a los nueve días del mes de agosto...]
    Romero Brest, Jorge; Sandberg, William; Lassaigne, Jacques
    1963
    The jurors of the Premio Instituto Torcuato Di Tella 1963, Jorge Romero Brest, Jacques Lassaigne, and William Sandberg, awarded the Premio Nacional [National Prize] to Luis Felipe Noé for his work and in particular, Introducción a la esperanza [ [...]
    ICAA Record ID: 758230

  • [Estes artistas de um "neofigurativismo"...]
    Ferraz, Geraldo, 1905-1979
    1963
    In this show of the Argentinean group Otra Figuración [Another Figuration] at Galería Bonino in Rio de Janeiro, the Brazilian writer and art critic Geraldo Ferraz points out the definition by Jorge Romero-Brest made at the exhibition of the New [...]
    ICAA Record ID: 741551

  • [Letter] 1968 Enero 11, Buenos Aires [to] [Luis Felipe] Noé
    Noé, Luis Felipe
    1968
    Oscar Masotta wrote to Luis Felipe Noé a letter of apology for his mala fe [bad faith] and pedantería [piece of pretentiousness], and made a promise to respond, by carefully reflecting on the letter sent by Noé at the end of 1967 from New York, [...]
    ICAA Record ID: 740425

  • A fearful game of head hunting
    Kemble, Kenneth, 1923-
    1961
    Kenneth Kemble is caustic in his article about the group exhibition involving Otra Figuración[Other Figuration] carried out by the Galería Peuser. Ironically, he proposes a game of counting heads amongst the paint spills, adding that children [...]
    ICAA Record ID: 741060

  • Art critic K. Kemble Smith tells of an artistic exodus : in search of an understanding public to back their work
    Kemble, Kenneth, 1923-
    1961
    Kenneth Kemble comments on the award granted at the São Paulo Biennial to the Argentinean sculptress, Alicia Penalba, living in Paris. This matter allows him to analyze the exodus of artists of the new generation in search of a public with a broader [...]
    ICAA Record ID: 741077

  • Arte Nuevo de la Argentina = New Art of Argentina
    Instituto Torcuato Di Tella
    1964
    This is from the catalogue of the Nuevo Arte de la Argentina [New Art of Argentina] exhibition (Buenos Aires: Instituto Torcuato Di Tella, February 18 through March 8, 1964). The document explains that the goal of the exhibition was to present, in [...]
    ICAA Record ID: 753895

  • Artes Plásticas : dos pintores del concurso Di Tella
    Parpagnoli, Hugo
    1963
    This text by Hugo Parpagnoli analyzes the works presented by Luis Felipe Noé and Rómulo Macció. He states that the controversial atmosphere that arose from these works—awarded by the ITDT [Instituto Torcuato Di Tella]—proves that they were not [...]
    ICAA Record ID: 762225

  • Artes plásticas : dos pintores del concurso Di Tella
    Parpagnoli, Hugo
    1963
    Hugo Parpagnoli recounts the public controversy provoked by the Premio Di Tella awarded to the works of Luis Felipe Noé and Rómulo Macció, both members of the group Otra Figuración [Other Figuration]. Parpagnoli reflects that these works were [...]
    ICAA Record ID: 792447

  • Artistas Jóvenes en la Exposición Di Tella
    Parpagnoli, Hugo
    1961
    Hugo Parpagnoli comments on the works both by Argentinean artists and by Antoni Tàpies, presented by the Torcuato Di Tella Institute at the Museo Nacional de Bellas Artes [National Museum of Fine Arts]. In addition, the critic argues that, in regard [...]
    ICAA Record ID: 763938

  • Buenos Aires 64
    Parpagnoli, Hugo
    1964
    The text explains that the selection criteria for the artists appearing in the exhibition Buenos Aires 64 (New York: Pepsi-Cola Co., September 1964) was to show different vanguard groups’ expressions existing in Buenos Aires. It briefly describes [...]
    ICAA Record ID: 768114

  • Crítica de exposiciones : Luis Felipe Noé expuso recientemente en la galería Bonino una inquietante serie de óleos con motivos históricos
    Linares, Salvador
    1961
    A critique by Salvador Linares of the Luis Felipe Noé exhibition at the Galería Bonino (Buenos Aires), the show at which he presented his Federal Series. In the judgment of Linares, referring to the past is a way for Noé to avoid the conciliatory [...]
    ICAA Record ID: 741427

  • De por que Luis Felipe Noé (*) ya no es más pintor y sin embargo hace una exposición de pintura (autorreportaje)
    Noé, Luis Felipe
    1969
    In this text Luis Felipe Noé refers to the political climate; he states: “it is painting that left me.” Noé discusses the development of his work as well as his relationship with the market in order to question whether painting is still [...]
    ICAA Record ID: 740623

  • El arte de los significados
    Ferrari, León, 1920-
    1968
    This text was presented by León Ferrari (1920–2013) for discussion at the Primer Encuentro Nacional del Arte de Vanguardia [First National Conference of Vanguard Art] (Rosario, Argentina, 1968); it proposed what he called an “arte de los [...]
    ICAA Record ID: 755986

  • Foreword
    Van der Marck, Jan; Foley, Suzanne
    1964
    The text explains the objectives of the exhibition New Art of Argentina (Minneapolis: Walker Art Center, September 9–October 11, 1964); the characteristics of Argentinean art united to the successive immigration waves that happened to that country [...]
    ICAA Record ID: 768152

  • Incuestionables y precursoras
    Giudici, Alberto
    2004
    Within the context of the historic reparation received by Gabriela Bocchi—who created Celda [Cell] in tandem with Jorge de Santa María (deceased)—and by Hugo Pereyra—who in turn conceived Made in Argentina with Ignacio Colombres (deceased)— [...]
    ICAA Record ID: 774524

  • La nueva imagen
    Glusberg, Jorge
    1982
    Jorge Glusberg signed this text about Trans-Vanguard painting in Latin America, mentioning its expressive tradition, its formal precedents, stylistic characteristics, as well as contradictions and originality [...]
    ICAA Record ID: 780143

  • La peregrinación llega al centro : tendencias
    Lebenglik, Fabián
    1990
    The text informs about the curatorial characteristics, artists, and works that are presented at the exhibition organized by the Centro Cultural Recoleta (Buenos Aires), which is sponsored by Página/12 (Buenos Aires), under the title La vuelta al [...]
    ICAA Record ID: 764439

  • Los últimos esperanzados
    Luzzani, Telma, 1951-
    1986
    This article is an interview with artist Pablo Suárez in which he is questioned regarding his actions within the Argentinean artistic scene of the 1960s. Among the diverse events he relates, he mentions the realization of the happening called La [...]
    ICAA Record ID: 760965

  • Modernidade e identidade: as duas Américas Latinas, ou três, fora do tempo
    Amaral, Aracy A., 1930-
    1990
    The author of this essay, Aracy A. Amaral, mentions the importance of certain thinkers on the subject of Latin American art: Marta Traba, Ferreira Gullar, Luis Felipe Noé, Juan Acha, and Octavio Paz. In her opinion, “new” art feels obliged to [...]
    ICAA Record ID: 776159

  • O artista que vai e o que fica na América Latina
    1967
    This article discusses a text by Argentine painter Luis Felipe Noé in which he asserts that the responsibility of Latin American artists begins when they leave the region to become part of the international art scene. While Noé [...]
    ICAA Record ID: 1111181

  • Pintores vs. público : tentativa de explicar la nueva actitud
    1965
    This article reports on the round table organized by the Museo de Arte Moderno of Buenos Aires regarding the new attitude of artists; it also offers some of the opinions proposed [during the event]. The debate was coordinated by the director of the [...]
    ICAA Record ID: 757968

  • Premios Instituto Torcuato Di Tella – Año 1964
    Instituto Torcuato Di Tella
    1964
    Regulations stating both which are the invited artists and the value of the prizes and norms that will be ruling the presentation of the artworks; this includes the materials to be attached and the deadlines [...]
    ICAA Record ID: 762240

  • Presentación de mi obra a un amigo
    Noé, Luis Felipe
    1960
    Luis Felipe Noé defines his personal relationship with the canvas as a human relationship; his painting is simultaneously figurative and abstract. Its abstraction is found in its] method in bringing the paint taut, thus a pictorial event is [...]
    ICAA Record ID: 740117