Year (normalized) from 1990×
Year (normalized) before 2000×
  • ¡Qué viva "La Novia", que viva! : performance en la exposición "Ataque del presente al resto de los tiempos"
    1997
    The synopsis and the annotations in English are coming soon.                                However, our bilingual readers can click on “Español” to access this information in Spanish [...]
    ICAA Record ID: 1100756

  • ¡Que viva Manrique! : exposición semanal
    1996
    The article “¡Que viva Manrique!” [Hooray for Manrique!], written by the editorial team at the Bogotá newspaper El Espectador and published on April 16, 1996, referred to Pedro Manrique Figueroa. Precursor del Collage en Colombia [Pedro [...]
    ICAA Record ID: 1185084

  • ¿Fuera del centro?: arte argentino en las colecciones venezolanas
    Arestizábal, Irma
    1995
    The researcher Irma Arestizábal comments on the placement of Argentinean avant-garde art, (always at the margin) in relationship to the hegemonic art centers. She writes based on a selection of works of Argentinean artists that appear in Venezuelan [...]
    ICAA Record ID: 1162631

  • ¿Y por qué no?
    Sosa, Antonieta, 1940-
    1995
    In the design ¿Y por qué no?, the artist Antonieta Sosa describes the action planned in detail. As she states it, this work consists of placing wine glasses on different parts of her body so that they will drop and break. Added to the sound of [...]
    ICAA Record ID: 865572

  • ¿Y por qué no? : algunas pistas sobre el concepto de producción y consumo del arte religioso popular
    Castillo, Juan Ignacio
    1990
    This text, written by the anthropologist Juan Ignacio Castillo at the time of the 3rd Bienal Salvador Valero de Arte Popular (Trujillo, 1991), is a commentary on popular religious imagery and its use in different social contexts and strata. The [...]
    ICAA Record ID: 1166350

  • "111" de Nuno Ramos
    Tassinari, Alberto
    1994
    This essay on the subject of 111 the work by Nuno Ramos is divided into three parts. The art critic Alberto Tassinari begins by describing the sociopolitical, cultural, and ideological conditions in Brazil on October 2, 1992, when military police put [...]
    ICAA Record ID: 1110582

  • "Casas/Houses"
    Torruella Leval, Susana
    1992
    On the occasion of the exhibition La casa de todos nosotros: Antonio Martorell y sus amigos [A House for Us All: Antonio Martorell and Friends] held at El Museo del Barrio in 1992, Puerto Rican curator Susana Torruella Leval analyzes Antonio [...]
    ICAA Record ID: 866589

  • "Es dificil negar que Gego nació en Venezuela..." = "É difícil negar que Gego nasceu na Venezuela..."
    Guevara, Roberto, 1932-1998
    1996
    In this essay, Roberto Guevara gives an overview of Gego’s career, [based on a selection of works that are] on display at the São Paulo Biennial. Guevara describes how Gego’s work has evolved from her early sculptures in the 1950s to her latest [...]
    ICAA Record ID: 1149603

  • "Evaluar" o "calificar" en el contexto actual de la cultura venezolana
    Hernández, Abdel
    1994
    Abdel Hernández, the Cuban critic and writer, discusses the VII Bienal Nacional de Dibujo de Caracas (Museo de Artes Visuales Alejandro Otero, 1994) which, in his opinion, was an event that promoted “fragmentation and disciplinarity” in art, and [...]
    ICAA Record ID: 1167669

  • "La esperanza del loro verde" en el trópico tabasqueño
    Soto, Leandro, 1956-
    1992
    Leandro Soto Ortiz interprets the sculptural works of fellow artist Raoul Deal that were featured in the exhibition La Esperanza del Loro Verde. Soto Ortiz positions Deal’s work within a Postmodernist current, contextualizing it at the core of [...]
    ICAA Record ID: 840722

  • "O que me interessa é essa coisa indefinidamente sugestiva..."
    Felix, Nelson; Resende, José; Pape, Lygia; Ramos, Nuno, 1960-; Naves, Rodrigo, 1955-
    1998
    Interview with artist Nelson Felix conducted by art critic Rodrigo Naves and three artists: Lygia Pape, José Resende and Nuno Ramos (São Paulo, May 24, 1997). Felix comments on his education as an architect; his love of music; his first drawings, [...]
    ICAA Record ID: 1111433

  • "Pau-Brasil", marca de fábrica
    Andrade, Oswald de, 1890-1954
    1992
    Oswald de Andrade explains that the term Pau-Brasil [Brazil Tree, which yielded the wood that was exploited for export and gave the country its name] that he used in his 1924 manifesto was intended as a “slogan,” an invention with which [...]
    ICAA Record ID: 784867

  • "Quiero que me vean con los ojos, no con los codos" : Eugenio Espinoza en la orla del arte
    Wisotzki, Rubén
    1992
    In this interview, the journalist Rubén Wisotzki asks Eugenio Espinoza about Orla, the exhibition presented at the Museo de Arte Contemporáneo Sofía Imber in Caracas, in 1993. The Venezuelan artist believes that the exhibition was a moment for [...]
    ICAA Record ID: 866278

  • [Al retomar las posibilidades...]
    Auerbach, Ruth
    1991
    In this text, Ruth Auerbach explains the curatorial guidelines behind the 3rd Bienal Nacional de Arte de Guayana (Ciudad Bolívar, 1993). She believes the salons were established in order to propose that they be a space open to experimentation. In [...]
    ICAA Record ID: 1162215

  • [Alfredo Londaibere invita]
    Lodaitzbehere, Alfredo
    1991
    Invitation to Alfredo Londaibere’s exhibition (Buenos Aires: Centro Cultural Ricardo Rojas, June, 1991 [...]
    ICAA Record ID: 769200

  • [Anaida Hernández fue la segunda hija de cinco niños en Mayagüez, Puerto Rico...]
    Mattews, Colleen B.; Vega, Kathy; Hernández, Carla M.; Kaufman, Nicole R.; Coldsmith, Angela M.
    1998
    In this essay, Angela Coldsmith examines the varied printmaking techniques of Anaida Hernández, and her work on behalf of women’s issues in her practices as an artist, activist, and educator. In particular, they note that Hernández organized an [...]
    ICAA Record ID: 841453

  • [Anos oitenta : o ateliê experimental Francesc Domingo Segura no MAC...]
    Macambira, Yvoty
    1998
    In this chapter of her book on Evandro Carlos Jardim, Yvoty Macambira mentions the printing workshop created in 1987—the Atelier Experimental de Gravura Francesc Domingo Segura—whose name pays tribute to Jardim’s mentor. The workshop operated [...]
    ICAA Record ID: 1110705

  • [Artist Bibiana Suaréz's written statements for show "The Puerto Rican Equation" 1997]
    Suaréz, Bibiana, 1960-
    1997
    This document contains Bibiana Suaréz's responses to four of the eighteen questions posed to artists by the organizers of The Puerto Rican Equation, an exhibition marking the occasion of the 1898 invasion of Puerto Rico by the United States. Suarez [...]
    ICAA Record ID: 867536

  • [Artist's Statement by Bibiana Suárez re: Identity and Exile]
    Suaréz, Bibiana, 1960-
    1991
    In this artist statement, Bibiana Suarez discusses how her work reflects her search for self-identification and the problems of living between two cultures—that of Puerto Rico and the United States—as a self-imposed exile. Suarez also describes [...]
    ICAA Record ID: 1064462

  • [Artist's Statement for Proposed Exhibition, 'In Search of an Island', April 1991]
    Suaréz, Bibiana, 1960-
    1991
    In this artist statement for the exhibition In Search of an Island (1991), Bibiana Suarez discusses how her work reflects her search for self-identification and the problems of living between two cultures—that of Puerto Rico and the United States [...]
    ICAA Record ID: 1064446

  • [As mudanças políticas e economicas e as conseqüentes...]
    Mesquita, Ivo
    1995
    According to Ivo Mesquita, it is due to political-economic changes and social crises in Brazil—the results of a colonial project—that the country is influenced by the non-optimistic perspectives that have taken hold in the rest of the world with [...]
    ICAA Record ID: 1111266

  • [Chicago Latino]
    Sorell, V. A. (Victor A.)
    1992
    This exhibition catalog, Chicago Latino, was part of an intercultural dialogue initiated by two “socially-minded arts groups,” the 369 Gallery of Edinburgh, Scotland, and the Near Northwest Arts Council of Chicago, Illinois. The exhibition [...]
    ICAA Record ID: 1056360

  • [Coco Fusco es una de las figuras más visibles, vocales y agitadoras en el ámbito artístico latino...]
    Croteau, Mary Ellen; Okunseinde, Ayodamola; Rompilla, Denise M.
    1998
    The authors of this essay describe Coco Fusco as one of the most highly visible and vocal members of the Latino artistic community in the United States. The author, Mary Ellen Croteau, provides an overview of Fusco’s family background and academic [...]
    ICAA Record ID: 841940

  • [Cuando Lizardo regresó graduado de la Saint Martin's School of Arts de Londres...]
    Stein, Axel
    1991
    The curator Axel Stein introduces the exhibition of works by Luis Lizardo at the Centro de Arte Euroamericano (Caracas, 1991). In his essay Stein talks about the artist’s early days, when he was just getting started, interspersing his own formal [...]
    ICAA Record ID: 1164679

  • [Durante años, varias generaciones de uruguayos...]
    Romero, Nelbia, 1938-
    1992
    In this leaflet Nelbia Romero expresses her goal of recognizing the identity and ethnicity of the indigenous race that once lived on the land that is now Uruguay. That race was, in fact, exterminated during the eighteenth and nineteenth centuries. [...]
    ICAA Record ID: 1238885

  • [El desarrollo de la obra pictórica de Susana Amundaraín...]
    Sierra, Eliseo
    1992
    The art critic and researcher Eliseo Sierra reviews a decade of the life and art of the Venezuelan painter Susana Amundaraín, from her beginnings in the 1980s through 1992. After reviewing the art world at the time she began to produce art, the [...]
    ICAA Record ID: 1163845

  • [Em minha rápida passagem por diversas regiöes do Brasil]
    Devon, Marjorie
    1995
    In this article Marjorie Devon, the director of the Tamarind Institute in the United States, lists the Institute’s various exchange programs with Brazilian artists who work in the field of lithography. Cláudio Mubarac, Iran do Espírito Santo, and [...]
    ICAA Record ID: 1110709

  • [En 1995 Daina López comenzó un proyecto...]
    Fuenmayor, Jesús
    1997
    Analyzing the work of Venezuelan artist Diana López, critic Jesús Fuenmayor highlights the most salient features of her work from the beginning of the 1990s (when she began her artistic career) up to the moment that the exhibition he is reviewing [...]
    ICAA Record ID: 1164014

  • [En la nueva cultura visual,...]
    Laignelet Sourdis, Victor, 1955
    1998
    The Colombian artist Víctor Laignelet discusses the ability in painting to expand its range of action—what he calls its antropofagia [anthropophagy]—as it absorbs “new visual expressions” such as “installations,” exposing the roots of [...]
    ICAA Record ID: 1076692

  • [En los últimos años las instituciones culturales...]
    Jaramillo Jaramillo, Jorge
    1998
    The curator and cultural representative Jorge Jaramillo Jaramillo—who at the time was the director of the Galería Santa Fe at the Planetarium in Bogota—discusses several matters regarding the first edition of the Premio Luis Caballero [Luis [...]
    ICAA Record ID: 1098466

  • [En tiempos veloces las apuestas se deben medir en períodos breves]
    Lebenglik, Fabián
    1992
    The text describes the Galería del Centro Cultural Ricardo Rojas as a “a mental place that presents the art that tunes in exactly with the current times,” mentioning that, “in spite of having a joke of a budget, the Rojas space became a [...]
    ICAA Record ID: 769262

  • [Eran las tres de la tarde, hora en que mataron a Lola,...]
    Valdés, Zoé, 1959-
    1999
    Cuban novelist Zoe Valdés pays homage to the work of Dominican artist Darío Suro. Transformed into a perceptive art critic while still displaying her lyrical gift as a fiction writer, Valdés gives literary form to Suro’s art, which she sees as a [...]
    ICAA Record ID: 822057

  • [Fabiola Sequera abre un capítulo desconocido...]
    Niño Araque, William
    1991
    In this text, curator William Niño Araque reflects on Fabiola Sequera’s sculpture on the occasion of the exhibition held at the Galería Astrid Paredes in Caracas in 1991. The curatorial essay proposes three approaches to a body of work that [...]
    ICAA Record ID: 1165647

  • [Gertrudis Goldschmidt, Gego, figura del arte contemporáneo ... = Gertrudis Goldschmidt, Gego, figura do arte contemporaneo...]
    Avellaneda de Luna, Mariela
    1996
    With this text, Mariela Avellaneda de Luna officially presents Gego at the twenty-third São Paulo Biennial. Avellaneda points out the importance of the line in Gego’s large structures, such as the versions of Reticulárea, emphasizing the way the [...]
    ICAA Record ID: 1149565

  • [Hará un año, vi por la tele un corto publicitario que me gustó mucho...]
    Pombo, Marcelo, 1959-
    1992
    The document includes an image that is part of Marcelo Pombo's installation in the collective exhibition La Conquista (Buenos Aires, Centro Cultural Recoleta, March 1992). Organized for the Fifth Centennial of the Discovery of America, it includes a [...]
    ICAA Record ID: 769467

  • [In Protuario histórico de Puerto Rico (Historica Compendium of Puerto Rico)...]
    Pérez, Enoc, 1967-
    1992
    In this essay published in the 1992 exhibition catalog of Remerica! Amerika, Puerto Rican artist Enoc Perez discusses the effects of United States colonialism in the development of art in Puerto Rico. He observes that Puerto Rican artists have [...]
    ICAA Record ID: 799179

  • [La Galería del Centro Cultural Rojas]
    Gumier Maier, Jorge, 1953-; Jitrik, Magdalena
    1992
    Jorge Gumier-Maier and Magdalena Jitrik point out that the objective the Galería del Centro Cultural Ricardo Rojas aimed for since its inception was “to create space for a large group of young artists whose works were not part of the accepted and [...]
    ICAA Record ID: 769396

  • [La imagen de América que forjaron, directa o indirectamente,...]
    Guevara, Roberto, 1932-1998
    1992
    Here, Roberto Guevara presents the objectives of the First Camille Pissarro Biennial (Centro Cultural Consolidado, Caracas, 1992). The event was organized to strengthen the ties between Venezuela and France as well as stimulate the development of [...]
    ICAA Record ID: 1166254

  • [La pregunta de cómo uno puede funcionar como un activista...]
    Crockford, Michael
    1998
    In this essay, Michael Crockford discusses how the artistic practices of Yolanda Lopez combine feminism, activism, and community building. He observes that Lopez challenges indeed lowly depictions of Mexican-Americans in the United States by [...]
    ICAA Record ID: 841988

  • [Lecture, DePaul University, Chicago ]
    Suaréz, Bibiana, 1960-
    1999
    In this lecture, the artist Bibiana Suarez recounts how a student's question prompted her to consider her own reasons for producing art; including the motivation of greed, which, although ostensibly negative, she considers as a motivator. Suarez [...]
    ICAA Record ID: 867458

  • [Letter] 1993 February 5 [to] Elisabeth Sussman
    Noriega, Chon A., 1961-
    1993
    This letter was written by UCLA professor Chon Noriega to Elizabeth Sussman, a former curator of the Whitney Museum of American Art. Written in 1993, the letter addresses several concerns about the museum’s upcoming Biennial Exhibition with regard [...]
    ICAA Record ID: 809251

  • [Letter] 1996 Mayo 15, San Juan, Puerto Rico [to] Lorenzo Homar y contestaciones de Lorenzo Homar
    Díaz Hernández, Luis Edgardo; Homar, Lorenzo
    1996
    Luis E. Díaz Hernández, executive director of the Instituto de Cultura Puertorriqueña [Puerto Rican Cultural Institute] (ICP), sent a letter to the artist Lorenzo Homar with a questionnaire consisting of five questions. The objective of the [...]
    ICAA Record ID: 856255

  • [Martina Lopez]
    Hesse, Gary
    1999
    In this text, Gary Hesse considers the direction Martina Lopez’s work took after she was introduced in 1986 to computer imaging that became the main means with which she created her photographs. With this new tool, Hesse explains, Lopez has [...]
    ICAA Record ID: 1050793

  • [Nueve años después que Castro vino al poder, la artista María Magdalena Pons...]
    Dwyer, Adrianne M.
    1998
    The author of this essay, Adrianne Dwyer, discusses the autobiographical references found in Magdalena Campos-Pons’s work that relate to her Afro-Cuban background, specifically the spiritual tradition of Santeria. Campos-Pons explains that her [...]
    ICAA Record ID: 841346

  • [Os trabalhos de Anna Barros...]
    Farias, Agnaldo
    1990
    In this essay presenting an exhibition of work by Anna Barros, Agnaldo Farias asserts that this artist’s production returns vital and primary elements to the universe of myth. He comments on the expansiveness and specificity of works that place the [...]
    ICAA Record ID: 1111420

  • [Personal statement, Art Institute of Chicago’s Betty Rymer Gallery]
    Suaréz, Bibiana, 1960-
    1992
    In this text, artist Bibiana Suarez’s makes a personal statement about her experience as a self-imposed Puerto Rican exile in Chicago, her negotiations of living “on the edge of two cultures,” and her artistic exploration of feelings of loss, [...]
    ICAA Record ID: 782119

  • [Querido Luis, cada vez que vuelvo a las alturas de Rosalito...]
    Pérez Oramas, Luis, 1960-
    1996
    By way of an open letter, Luis Enrique Pérez-Oramas (b. 1960) introduces the exhibition Pinturas, work by Luis Lizardo, organized by the Centro de Arte Euroamericano (Caracas, 1996). The letter is a meditation (of a poetic nature) on the ideas and [...]
    ICAA Record ID: 1165134

  • [Salta en estas piezas de Raoul Deal el doble y ambíguo papel que juegan...]
    Castellanos, Armando
    1991
    In his article, Armando Castellanos interprets Raoul Deal’s work featured in the exhibition Las Esperanzas del Loro Verde [The Hopes of the Green Parrot]. Castellanos argues that Deal’s work confronts the duality, ambiguity, and tension between [...]
    ICAA Record ID: 840777

  • [São vastos e misteriosos os espaços descontínuos entre representação, percepção e tradução] = [The gaps between representation, perception and translation are vast and mysterious]
    Pedrosa, Adriano
    1997
    Guided by certain poetic and fictional considerations, the art critic and curator Adriano Pedrosa discusses Daniel Senise’s paintings. Using short phrases that address various parts of the catalogue in a frank dialogue with the images, the author [...]
    ICAA Record ID: 1110987

  • [Siempre he creído que hacer arte...]
    Jiménez, Ariel
    1998
    Ariel Jiménez interviews the painter Patricia van Dalen, asking her about her training, her personal view of art and painting, and the various experiences that led her to develop her own particular visual art language. The Venezuelan artist talks [...]
    ICAA Record ID: 1165805