Year (normalized) from 1970×
Year (normalized) before 1980×
  • ¿Arte joven?
    Serrano, Eduardo, 1939-
    1972
    The text, “¿Arte joven?” [Young Art?] by art critic Eduardo Serrano Rueda introduces the exhibition Nombres nuevos en el arte de Colombia [New Names in Colombian Art] held at the Museo de Arte Moderno [Museum of Modern Art] in Bogotá in March [...]
    ICAA Record ID: 855747

  • ¿Arte o artesanía?
    Gerschman, Rodolfo
    1976
    In this article, journalist Rodolfo Gerschman responds to the questions raised in a press release against an award given to altarpiece maker Joaquín López Antay issued by the Asociación Profesional de Artistas Plásticos (ASPAP) that upholds a [...]
    ICAA Record ID: 1136044

  • ¿Arte popular o artesanía?
    Castrillón, Alfonso, 1935-
    1977
    In this text, Alfonso Castrillón argues that the conflict between “high art” and “folk art” is a reflection of class division, where the dominant class sets limits for low art by means of notions such as “individual creation” and “ [...]
    ICAA Record ID: 855151

  • ¿Autenticidad o exotismo?
    Abril de Vivero, Francisco
    1977
    The author of this article, Francisco Abril de Vivero, claims that the decision to send arts and crafts instead of “fine arts” to represent Peru at the 1977 Bienal de São Paulo was an act of “infra-Marxist populism.” In his opinion it was a [...]
    ICAA Record ID: 855918

  • ¿Cómo fue Túpac Amaru?
    Barra, Felipe de la
    1970
    This article by army general and historian Felipe de la Barra tries to describe the true appearance of José Gabriel Condorcanqui [Túpac Amaru II]. The article justifies the depiction of the forefather of Peruvian independence in a hat—the image [...]
    ICAA Record ID: 865441

  • ¿Dónde está Rosado del Valle?
    Traba, Marta
    1971
    Argentine critic Marta Traba considers Puerto Rican artist Julio Rosado del Valle a key figure in Puerto Rican art because he was among those who paved the way for innovative approaches and experimentation in painting. She asserts that in the work of [...]
    ICAA Record ID: 825155

  • ¿Es representativo el Salón Nacional?
    Rubiano Caballero, Germán, 1938-
    1972
    This article expresses the official point of view on the controversy that was sparked by the decision to award no prizes at the XXIII Salón de Artistas Nacionales [XXIII National Artists’ Salon] (1972). The article is written by Germán Rubiano, [...]
    ICAA Record ID: 1076626

  • ¿Existe o puede existir un arte socialista? (no es la flecha, es el indio)
    Homar, Lorenzo
    1979
    In this lecture, Puerto Rican artist Lorenzo Homar asserts that the ideological content of art is determined by its stance on society since “art for art’s sake” is devoid of ideological content. For Homar, “socialist art” is a question of [...]
    ICAA Record ID: 823841

  • ¿Feliza Krugman o Irene Bursztyn?
    Medina, Alvaro, 1942-
    1974
    The article “¿Feliza Krugman or Irene Bursztyn?” is the transcription of two texts read by Álvaro Medina on the program Orientación Plástica aired on Radio Nacional de Colombia on April 27 and May 3 (both Fridays), 1974. Medina accuses [...]
    ICAA Record ID: 1088241

  • ¿Identidad o modernidad?
    Manrique, Jorge Alberto
    1974
    In this chapter from América Latina en sus artes Jorge Alberto Manrique begins by describing the artistic movements of the 1920s and comparing this period to a giant hinge that moved backward to the nineteenth century and forward to the twentieth [...]
    ICAA Record ID: 838652

  • ¿Qué ha cambiado en la cultura?
    Lauer, Mirko, 1947-
    1975
    In this editorial article, the Czech–Peruvian poet and critic Mirko Lauer reviews Peruvian culture on the seventh anniversary of the military coup led by General Juan Velasco Alvarado, who installed the self-styled Gobierno Revolucionario de las [...]
    ICAA Record ID: 1141459

  • ¿Se derrumba María Lionza?
    Rodríguez Cárdenas, Manuel, 1912-1991
    1973
    Cultural activist Manuel Rodríguez Cárdenas calls the attention of the public authorities of Venezuela to the visible deterioration of the monument created by Alejandro Colina in homage to María Lionza, the protector goddess of the forest, water, [...]
    ICAA Record ID: 1155464

  • ¿Un arte religioso? : Manolo Vellojín en la Galería Garcés Velásquez Bogotá
    Cobo Borda, Juan Gustavo, 1948-
    1978
    With this text, Colombian poet and essayist Juan Gustavo Cobo Borda introduces the exhibition of works by painter Manolo Vellojín held at Galería Garcés Velásquez in Bogotá in 1978. In Cobo Borda’s view, Holy Week (a Spanish religious [...]
    ICAA Record ID: 1134355

  • "J. López Antay es más auténtico que muchos artistas cultos"
    Castrillón, Alfonso, 1935-
    1976
    Alfonso Castrillón defends the decision to recognize López Antay by granting him the Premio Nacional de Cultura [award], asserting that his work “is more authentic than the work of many so-called high artists, who have spent their whole lives [...]
    ICAA Record ID: 1136092

  • "Malasartes" vai nascer, debatendo a situação do artista brasileiro
    Zílio, Carlos; Vergara, Carlos; Gerchman, Rubens, 1942-2008; Caldas Júnior, Waltércio
    1975
    Carlos Zílio, Carlos Vergara, Rubens Gerchman, and Waltercio Caldas, cofounders of Malasartes magazine, co-wrote this article in which they discuss the magazine’s genesis and the goals it set out to accomplish as a monitor of Brazilian art in the [...]
    ICAA Record ID: 1110556

  • "No hay peor que el pintor que el no quiere ver": sobre el premio a López Antay
    Gargurevich, Juan, 1934-
    1976
    In this newspaper article Juan Gargurevich criticizes the negative opinions expressed by the painter Juan Manuel Ugarte Eléspuru, who opposed the decision to award the 1975 National Culture Prize for art to the Andean altarpiece artist Joaquín Ló [...]
    ICAA Record ID: 1136027

  • "No todos nos quieren ni en Lima ni en Ayacucho": así comentó sobre cuestionamiento a premio
    1975
    This is an interview with Joaquín López Antay, the Andean altarpiece artist who was awarded the Peruvian National Culture Prize in 1975. He describes certain aspects of his life and work, and responds to the criticism prompted by the recognition of [...]
    ICAA Record ID: 1135930

  • "On Ice" : Amsterdam Fev. 78
    Barcellos, Vera Chaves; Asp, Carlos; Pasquetti, Carlos, 1948-; Dariano, Clovis, 1950-; Escobar, Jesus R. G; Álvares, Mara; Disconzi, Romanita, 1940-; Lanes, Telmo
    1978
    The eleventh issue of Nervo Óptico shows the sequential photographic record of a performance presented by Flávio Pons, Cláudio Goulart and Vera Chaves Barcellos in Amsterdam in February 1978. Entitled On Ice, the event consisted of a gradual [...]
    ICAA Record ID: 1110923

  • "Sociedade Anônima" : relatos urbanos
    Barcellos, Vera Chaves; Asp, Carlos; Pasquetti, Carlos, 1948-; Dariano, Clovis, 1950-; Escobar, Jesus R. G; Álvares, Mara; Disconzi, Romanita, 1940-; Lanes, Telmo
    1978
    This tenth issue of Nervo Óptico, still on an atypical bimonthly schedule, is double the usual size (32cm x 45cm) and folded in the middle. Its cover has the title “Urban Stories: Sociedade Anónima”. In addition, it bears this notice: “Any [...]
    ICAA Record ID: 1110922

  • "The Route of Friendship" : sculpture
    Goeritz, Mathias, 1915-1990
    1970
    Mathias Goeritz describes two projects proposed to the then-president of the organizing committee of the 19th Olympic Games, architect Pedro Ramírez Vázquez: the International Meeting of Sculptors and The Route of Friendship. The artist describes [...]
    ICAA Record ID: 741733

  • “Los viajes del Barón de von Grau”
    Herazo, Álvaro, 1942-1988; Bernal, Delfina
    1978
    This 1978 interview with Enrique Grau by artists Álvaro Herazo and Delfina Bernal provides insight into how Grau viewed the art world. In it, Grau discusses his aesthetic concerns and beliefs as a painter, as well as his inclinations and points of [...]
    ICAA Record ID: 1132724

  • “Tucumán Arde”- Arg. Respuesta a un cuestionario : para Escuela de Letras, Universidad de La Habana
    Ferrari, León, 1920-
    1973
    León Ferrari writes a detailed evaluation of Tucumán Arde [Tucumán is Burning], framing it within the previous events (Itinerario del ’68) [Timetable for 1968]. In it he points out that “its purpose was to make art into a revolutionary tool, [...]
    ICAA Record ID: 761415

  • (Áudio-visuais)
    Morais, Frederico, 1936-
    1973
    According to Frederico Morais, the emergence of audiovisual work in several exhibition halls was linked to the introduction of the “object” category that freed up other more traditional categories. In his opinion, “the object” implied a [...]
    ICAA Record ID: 1110792

  • (Pablo Neruda, en su Arte poética publicada...)
    Porter, Julio
    1974
    Julio Marsagot—the nom de plume used by Julio Porter—describes and reviews the work presented by Liliana Porter at the Liliana Porter exhibition at the Galería Colibrí, in San Juan (January 12–31, 1974). The writer discusses how Porter plays [...]
    ICAA Record ID: 777290

  • [A idéia da G-4]
    Gerchman, Rubens, 1942-2008
    1978
    The artist Rubens Gerchman discusses Pare, the exhibition he jointly presented with Roberto Magalhães, Antonio Dias, Carlos Vergara, and Pedro Escosteguy at the G-4 gallery in Rio de Janeiro in April 1966. Gerchman explains that the exhibition [...]
    ICAA Record ID: 1110583

  • [Aconteceu dia 13, como estava previsto no calendário...]
    Pasquetti, Carlos, 1948-
    1977
    This is the fourth issue of the publication Nervo Óptico. This issue publishes “fake news” signed by the artist Carlos Pasquetti. Looking like news in a community newspaper, a photograph covers the entire editorial space, with the headline: “ [...]
    ICAA Record ID: 1110916

  • [Au moment où le general GEISEL...]
    BRIGADE INTERNACIONAL DE PEINTURE ANTIFASCISTES; COMITÊ DE LA JEUNE PEINTURE
    1976
    The signatories of this manifesto—a statement of solidarity with the struggle of the Brazilian people defending freedom of expression in all areas—are opposed to the dictatorship’s practice of using art as a symbol of prestige for the military [...]
    ICAA Record ID: 1111288

  • [Carta a los destinatarios de las gacetillas y catálogos del CAyC (GT-399)]
    Centro de Arte y Comunicación (Buenos Aires, Argentina)
    1974
    This text was written to explain that—due to the rising cost of paper, printing, and stamps—the Centro de Arte y Comunicación [Art and Communication Center] would no longer be mailing the (free) newsletters that kept recipients informed about [...]
    ICAA Record ID: 747413

  • [Carta de renuncia a la Mención Honrosa otorgada en el Concurso de Pintura Nacional sobre Túpac Amaru]
    Cajahuaringa, José Milner, 1932-
    1971
    With this letter, Peruvian painter Milner Cajahuaringa rejects the honorable mention granted his work at the Concurso Nacional de Pintura [National Painting Contest] organized by the so-called Gobierno Revolucionario de las Fuerzas Armadas in 1970, [...]
    ICAA Record ID: 1141759

  • [Chicago State University observed the sixty sixth anniversary of the Mexican Revolution of 1910]
    Sorell, V. A. (Victor A.)
    1979
    In this text, Victor Alejandro Sorell writes that Chicago State University observed the 66th anniversary of the Mexican Revolution with a dedication of an eight-panel portable mural by Raymond Patlan entitled El Grito de la Raza Cósmica, [The Cry of [...]
    ICAA Record ID: 801909

  • [Ciudadano: el uso de esta máscara de la felicidad es obligatorio...]
    Pazos, Luis; Puppo, Héctor; Luján Gutiérrez, Jorge de
    1971
    The image of a mask was used as a prop in the happening called La Cultura de la Felicidad [The Culture of Happiness], which was staged as part of the Arte de Sistemas [Systems Art] exhibition (Buenos Aires: Museo de Arte Moderno, July 1971). The [...]
    ICAA Record ID: 748100

  • [Ciudadano: el uso de esta máscara...]
    Pazos, Luis; Puppo, Héctor; Luján Gutiérrez, Jorge de
    1971
    A collection of images from the happening called “Cementerio” [Cemetery], which was staged as part of the Arte de Sistemas [Systems Art] exhibition (Buenos Aires: Museo de Arte Moderno, July 1971). The work consisted of a cluster of crosses, each [...]
    ICAA Record ID: 745784

  • [Con motivo de la Tercera Bienal de San Juan del Grabado Latinoamericano...]
    Fernández Méndez, Eugenio; Cárdenas Ruiz, Manuel
    1974
    This timeline tracks the life of Puerto Rican artist Rafael Tufiño, who lived in New York and in Mexico City. Puerto Rican intellectuals Manuel Cárdenas Ruiz and Eugenio Fernández Méndez review the graphic work produced by Tufiño between the [...]
    ICAA Record ID: 857777

  • [Considerações ociosas em tôrno de uma festinha]
    Pimentel, Luiz Otávio; Flammarion; Torquato Neto, 1944-1972
    1970
    This interview features Luís Otávio Pimentel and Flammarion, the organizers of and participants in Orgramurbana, the happening at the Aterro do Flamengo beach in Rio de Janeiro in 1970. Both of them say that Orgramurbana was a “post concept” [...]
    ICAA Record ID: 1110625

  • [Cuando miro algo...]
    Nedo, 1926-2001
    1973
    In this brief prologue to the catalogue of his exhibition Nedo: Reversámbitos held at the Museo de Bellas Artes in Caracas in 1973, Italian-born Venezuelan designer and artist Nedo [Mion Ferrario] describes his experience of space in terms of [...]
    ICAA Record ID: 1102237

  • [Decía en noviembre de 1969 con motivo de mi segunda exposición surrealista..]
    Berni, Antonio, 1905-1981
    1974
    In his essay in the catalogue for the exhibition titled Antonio Berni: oleos y collages [Antonio Berni: Oil Paintings and Collages] (Buenos Aires, Imagen Galería de Arte, 1974), Berni writes about the Surrealist influence in his work, and about his [...]
    ICAA Record ID: 775249

  • [Dedico esta estrofa del poema Elevation de Les Fleurs du Mal...]
    Rodríguez, Bélgica, 1941-
    1979
    Researcher and historian Bélgica Rodríguez analyzes the work of Hugo Baptista in a biographical text with quotations made by the painter; beginning with the artist’s move to Caracas in 1951 so that he could enroll in Vicente Emilio Sojo’s [...]
    ICAA Record ID: 1169482

  • [Discurso de abertura, Museo de la Solidaridad, Santiago, Chile]
    Pedrosa, Mário
    1972
    As President of the Artistic Solidarity Committee with Chile, Mário Pedrosa addresses then President Salvador Allende Gossens during the reception ceremony for the works that would make up the collection of the Museo de la Solidaridad in Santiago. [...]
    ICAA Record ID: 807990

  • [Does present day Latin American art...]
    Amaral, Aracy A., 1930-
    1975
    Aracy A. Amaral asserts that there is no such thing as a unified expression of Latin American art, but instead a desire for cultural integration that has not yet been resolved. She understands that the countries of the Americas share common problems [...]
    ICAA Record ID: 776786

  • [Domenico Casasanta adhiere, a nuestro juicio...]
    Da Antonio, Francisco, 1930-
    1973
    In this document, the critic Francisco Da Antonio develops a chronological essay on the life and work of Domenico Casasanta, starting in 1958, when the artist arrived in Venezuela. After almost a decade in which he produced no work, in 1968, the [...]
    ICAA Record ID: 1163653

  • [El conocimiento de la vanguardia internacional en México...]
    Schneider, Luis Mario
    1970
    Luis Mario Schneider carried out the first documented study on Etridentismo; he interviewed the members of the group and thoroughly examined the archives of this 1920s avant-garde movement. Although the group left some accounts to history, this was [...]
    ICAA Record ID: 752823

  • [El dibujo como una técnica artística de plena categoría estética...]
    Medina, Alvaro, 1942-
    1975
    This text presents the exhibition Dibujantes y grabadores colombianos held at theMuseo de Arte at the Universidad Nacional de Colombia in May 1975. Historian Álvaro Medina asserts that the exhibition brings together figurative artists representative [...]
    ICAA Record ID: 1089856

  • [El dibujo y el grabado han contando en el arte colombiano...]
    Serrano, Eduardo, 1939-
    1976
    The text, ¡Al Fin Pintura! (1976) [Painting, at Last!] was an introduction to the exhibition with the same name at the Galería Belarca in Bogotá, organized by Eduardo Serrano. This art critic emphasizes the acceptance of the drawing and the print [...]
    ICAA Record ID: 1099111

  • [El Micla, movimiento de independencia cultural latinoamericana, al abocarse a la realización de esta Contrabienal...]
    Movimiento de independencia cultural latinoamericana (MICLA)
    1971
    The text clarifies that upon agreeing to the organization of a Contrabienal, as a protest against the 1971 São Paulo Biennial, the MICLA [Latin American Cultural Independence Movement] is not replacing one exhibition for another. Instead, it is [...]
    ICAA Record ID: 766001

  • [El Movimiento Estudiantil Docente de las escuelas de bellas artes "Prilidiano Pueyrredón y M. Belgrano"...]
    1971
    This text reports that the students at the Bellas Artes schools, both the Prilidiano Pueyrredón and the Manuel Belgrano (Buenos Aires, Argentina), were detained and accused of usurpation; they had been meeting to guarantee the continuance of the [...]
    ICAA Record ID: 783676

  • [El Museo de la Solidaridad debía funcionar]
    Traba, Marta
    1976
    In the introduction to the exhibition Solidaridad held at the Museo de Arte Moderno of Bogota, Colombia, in 1976, Argentine critic Marta Traba—who lived in Puerto Rico for many years—explains that the Museo de la Solidaridad Salvador Allende was [...]
    ICAA Record ID: 863462

  • [El New York Graphic Workshop comenzó a funcionar en 1964...]
    Castillo, José Guillermo; Porter, Liliana, 1941-; Camnitzer, Luis
    1970
    This text provides a brief description of the aims of the New York Graphic Workshop (NYGW) from the time of its founding in 1964. It states that the works exhibited in the show, The New Graphic Workshop (Caracas: Instituto Nacional de Cultura y [...]
    ICAA Record ID: 777412

  • [El nuestro - y es necesario decirlo ene veces- es un arte...]
    Ruiz Gómez, Darío, 1936-
    1979
    Darío Ruiz Gómez introduces the exhibition Darío Jiménez: Obras 1942-1979 [Darío Jiménez: Works 1942-1979] at the Galería Belarca in Bogotá. In this essay Ruiz Gómez states that Colombian art lives off “institutionalized aesthetic truths [...]
    ICAA Record ID: 1099246

  • [El Salón de Atenas, auspiciado por Atenas Publicidad como un estímulo anual...]
    Serrano, Eduardo, 1939-
    1975
    In the catalogue for the first edition of the Salón Atenas exhibitions, Eduardo Serrano Rueda explains the project’s goal of supporting local emerging artists and promoting their work. After stating the rules that were developed to ensure the open [...]
    ICAA Record ID: 1094478

  • [Em 1973 pensávamos numa JAC futura de etapas constantes ao longo dos meses...]
    Zanini, Walter, 1925-
    1974
    In this text, Professor Walter Zanini presents the exhibition 8ª Jovem Arte Contemporânea held in 1974. He states that the exhibition is conceptual at its core, which means it is oriented toward ideas. He believes that the work of the artists [...]
    ICAA Record ID: 1110584