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¿Quién sabiendo cantar no ha cantado la Rosa?
1982In this essay, which appeared in the catalogue for Veinte disecciones (Caracas: Museo de Bellas Artes, 1982), the exhibition of works by Roberto Obregón, the researcher Susana Benko reflects on cultural symbols, conventions, and codes and the [...]ICAA Record ID: 1080932 -
Espacios para tres
1995Plica was a group exhibition organized by the Galería Ars Forum (Caracas, 1997). The three participants were Venezuelan artists: Pablo Ballini, Dulce Gómez, and Luis Romero. The catalogue for the exhibition was created in the form of a poster that [...]ICAA Record ID: 1164406 -
Introducción
1990In this critique Susana Benko analyzes the work of Ivan Petrovsky. The author covers drawings by Petrovsky belonging to different periods of his artistic production, while describing the range of techniques and materials he used. Benko likewise [...]ICAA Record ID: 1171831 -
La colección Clara Diament Sujo
1995Divided into eight chapters, this text by scholar Susana Benko is a study of contemporary Venezuelan art. The first part serves as an introduction, and consists of a brief overview of the Clara Diament Sujo collection. Afterward, she turns her focus [...]ICAA Record ID: 1156736 -
Omar Carreño : Coherencia de un pensamiento plástico
1983Scholar Susana Benko traces the artistic career of Omar Carreño. After brief reflection on the importance of changes in the understanding of the arts, she recounts and analyzes the significant events in the work of the Venezuelan painter and [...]ICAA Record ID: 1157304