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Arte Si... pero sin dogmas
1945Painter Pascual Navarro refutes the views of anthropologist and artist Gilberto Antolínez regarding the proposed reforms in the Academia de Artes Plásticas y Aplicadas in Venezuela in 1945. He objects to Antolínez’s prejudice against foreign [...]ICAA Record ID: 809992 -
El solitario de Macuto : más lejos que Monet, que Sisley, que Renoir
1947This essay on Armando Reverón by the Venezuelan painter Pascual Navarro states that the majority of writings about him have stressed his “eccentric habits” and his “Robinsonian lifestyle” in detriment to the overall analysis of his work and [...]ICAA Record ID: 1141774