Documents of Latin American and Latino Art

This text introduces the conferences organized by Eduardo González Lanuza at Galería PROAR. His intention is not to speak from an aesthetic point of view on La Menesunda [Hodgepodge] but rather of Jorge Romero Brest’s [...]

In this piece, González Lanuza explores the two primary modes through which man can interpret reality: an “analytical” perspective and a “synthetic” perspective. With respect to the first, the author references Impressionism and literature [...]