Creator: Serrano, Eduardo, 1939-×
Contributor: http://icaa.mfah.org/vocabs/names/index.php?tema=7835×
  • ¿Arte joven?
    Serrano, Eduardo, 1939-
    1972
    The text, “¿Arte joven?” [Young Art?] by art critic Eduardo Serrano Rueda introduces the exhibition Nombres nuevos en el arte de Colombia [New Names in Colombian Art] held at the Museo de Arte Moderno [Museum of Modern Art] in Bogotá in March [...]
    ICAA Record ID: 855747

  • “Grano” y otras obras de Miguel Ángel Rojas
    Serrano, Eduardo, 1939-
    1981
    In 1981, Eduardo Serrano, the director of the Museo de Arte Moderno of Bogotá at the time, wrote a profile introducing to the Colombian public the life and work of young artist Miguel Ángel Rojas, which in Serrano’s view are intrinsically bound [...]
    ICAA Record ID: 860486

  • [El dibujo y el grabado han contando en el arte colombiano...]
    Serrano, Eduardo, 1939-
    1976
    The text, ¡Al Fin Pintura! (1976) [Painting, at Last!] was an introduction to the exhibition with the same name at the Galería Belarca in Bogotá, organized by Eduardo Serrano. This art critic emphasizes the acceptance of the drawing and the print [...]
    ICAA Record ID: 1099111

  • [El Salón de Atenas, auspiciado por Atenas Publicidad como un estímulo anual...]
    Serrano, Eduardo, 1939-
    1975
    In the catalogue for the first edition of the Salón Atenas exhibitions, Eduardo Serrano Rueda explains the project’s goal of supporting local emerging artists and promoting their work. After stating the rules that were developed to ensure the open [...]
    ICAA Record ID: 1094478

  • [La obra de Ever Astudillo]
    Serrano, Eduardo, 1939-
    2006
    Eduardo Serrano introduces the retrospective exhibition of the work of Ever Astudillo. Serrano considers Astudillo to be among the first Colombian artists to “imbue the art of drawing with a meaning and a presence that positioned it as an [...]
    ICAA Record ID: 1075907

  • [Llegó el momento del Salón Atenas...]
    Serrano, Eduardo, 1939-
    1982
    The controversy stirred up by the decision to organize the VII Salón Atenas around the themes of young, experimental art, and Conceptualism is addressed in the introduction to the catalogue for the exhibition VIII Salón Atenas written by the art [...]
    ICAA Record ID: 1094348

  • [Los siete Salones Atenas realizados hasta la fecha dan una idea bastante clarade los intereses y objetivos de arte colombiano... ]
    Serrano, Eduardo, 1939-
    1981
    This curatorial essay for the VII Salón Atenas [7th Atenas Salon] is, to some extent an evaluation of the program created by Eduardo Serrano. The curator and art critic claims that an examination of the various editions of the Salon provides an [...]
    ICAA Record ID: 1098691

  • Acciones
    Serrano, Eduardo, 1939-
    1982
    This article by the Colombian critic and curator Eduardo Serrano is divided into three parts. In the first part, Serrano provides a historical account of the events and artists that, from 1972 through 1982, helped to introduce performance art to [...]
    ICAA Record ID: 1100675

  • Álvaro Barrios : raros, preciosos y bellos
    Serrano, Eduardo, 1939-
    1986
    This is an introduction to the work of the Colombian artist Álvaro Barrios, written by the Colombian curator and critic Eduardo Serrano. The introduction is followed by an interview in which Serrano investigates highlights of the artist’s work [...]
    ICAA Record ID: 1092518

  • Antonio Caro en “El Sindicato”
    Serrano, Eduardo, 1939-
    1977
    The art critic Eduardo Serrano discusses some of the works of art produced by Antonio Caro from 1970 through 1977, which link the chronological importance of the works to the exhibitions in which they were shown. He describes the rough nature of the [...]
    ICAA Record ID: 1073298

  • Arte y Política
    Serrano, Eduardo, 1939-
    1974
    In this text, Colombian art critic Eduardo Serrano—curator of the Museo de Arte Moderno of Bogotá—presents the exhibition Arte y Política held at that institution in 1974. Serrano asserts that politics is more than a recurring theme in the work [...]
    ICAA Record ID: 1093510

  • Barranquilla : Cali : Medellín
    Serrano, Eduardo, 1939-
    1974
    In this catalogue in booklet format from the exhibition Barranquilla, Cali, Medellín (1974), Eduardo Serrano asserts that the idea of the province has ceased to be relevant to the visual arts. He attributes this partly to the rise of the mass media [...]
    ICAA Record ID: 1088156

  • Cinco dibujantes
    Serrano, Eduardo, 1939-
    1975
    With the text, “Cinco dibujantes” [Five Draftsmen], Eduardo Serrano Rueda, Colombian art critic and curator, presented the exhibition 5 dibujantes. Astudillo/Caballero/Guerrero/ Jaramillo/Truss. The show opened in October 1975 at the Museo de [...]
    ICAA Record ID: 855717

  • Colombia Caballero : XII Bienal de Sao Paulo. Sao Paulo, 1973
    Serrano, Eduardo, 1939-
    1973
    Curator Eduardo Serrano comments on the exhibition of fellow Colombian Luis Caballero at the XII São Paulo Biennial (1973). In his view, Caballero’s work is indicative of the “independent direction that has been taken by new art from Colombia [...]
    ICAA Record ID: 865294

  • Cuatro tiempos
    Serrano, Eduardo, 1939-
    1993
    Olga de Amaral: Cuatro tiempos is the title of the retrospective exhibition of works presented by the textile artist at the Museo de Arte Moderno in Bogotá from November 1993 to February 1994. It is also the title of the catalogue essay written by [...]
    ICAA Record ID: 1134094

  • El especial realismo de Santiago Cárdenas
    Serrano, Eduardo, 1939-
    1977
    This text by Eduardo Serrano introduces the work Tres Pizarrones by Santiago Cárdenas, exhibited at the XIV Bienal de São Paulo in September 1977. The catalogue [in which the text was published] provides an overview of the artwork created by Cá [...]
    ICAA Record ID: 1134945

  • El primer Salón oficial
    Serrano, Eduardo, 1939-
    1972
    This article was written by the art critic and gallery owner Eduardo Serrano for El Tiempo, Colombia’s largest newspaper, in response to the official decision to award no prizes at the XXIII Salón de Artistas Nacionales [XXIII National Artists’ [...]
    ICAA Record ID: 1076604

  • Geometría espiritual
    Serrano, Eduardo, 1939-
    1987
    The Colombian curator and art critic Eduardo Serrano introduced the retrospective exhibition Manolo Vellojín. Dos décadas (1987) at the Museo de Arte Moderno in Bogotá. In this exhibition, the writer points out three “sources” of Abstract art [...]
    ICAA Record ID: 1134824

  • Introducción
    Serrano, Eduardo, 1939-
    1976
    Un lustro visual: Ensayos sobre arte contemporáneo colombiano [Five Years of Visual Art: Essays on Contemporary Colombian Art] (1976) is a collection of articles published by the art critic Eduardo Serrano in newspapers, magazines, and exhibition [...]
    ICAA Record ID: 1076577

  • Introducción
    Serrano, Eduardo, 1939-
    1983
    This text by Eduardo Serrano is the introduction to the book Historia de la fotografía en Colombia (1840-1950). In it, Serrano explains the importance of the publication of this book for the fields of art and history insofar as it recovers the [...]
    ICAA Record ID: 1091141

  • La Bienal de Bogotá
    Serrano, Eduardo, 1939-
    1988
    The critic and curator Eduardo Serrano writes the opening essay in the catalogue for the Iª Bienal de Arte de Bogotá [1st Bogotá Art Biennial]. He evokes the commemoration of the 450th anniversary of the founding of the city of Bogotá to [...]
    ICAA Record ID: 1098322

  • La Bienal y las rupturas : el punto de vista de su curador y uno de sus jurados
    Serrano, Eduardo, 1939-
    1990
    In this article in the daily newspaper El Tiempo, the critic Eduardo Serrano emphasizes the role of the Segunda Bienal de Arte [Second Art Biennial] (September 1990). This biennial was organized by the Museo de Arte Moderno [Museum of Modern Art] of [...]
    ICAA Record ID: 858355

  • La obra de Álvaro Barrios
    Serrano, Eduardo, 1939-
    1977
    In this essay the critic and curator Eduardo Serrano introduces the exhibition of works by the Colombian artist Álvaro Barrios at the Museo de Arte Moderno in Bogotá in March 1977. Serrano begins his essay with the most conventional of all [...]
    ICAA Record ID: 1099651

  • Los años setentas : y el arte en Colombia
    Serrano, Eduardo, 1939-
    1980
    In the article “Los años setentas y el arte en Colombia,” written for the Medellín-based magazine, Re-Vista del Arte y la Arquitectura en América Latina, art critic and curator Eduardo Serrano Rueda takes stock of the Colombian art scene in [...]
    ICAA Record ID: 860458

  • Mucho tilín y nada de paletas : el XXXI Salón Nacional
    Serrano, Eduardo, 1939-
    1987
    This is Eduardo Serrano’s review of the XXXI Salón Anual de Artistas Colombianos [XXXI Annual Colombian Artists’ Salon], which he describes as one of the most disappointing and depressing versions of this event ever presented. He is unimpressed [...]
    ICAA Record ID: 868517

  • Once antioqueños en el M.A.M.
    Serrano, Eduardo, 1939-
    1975
    The article “Once antioqueños en el M.A.M.” by Eduardo Serrano Rueda discusses the exhibition of the same name held at the Museo de Arte Moderno of Bogotá in 1975. That show featured eleven artists from the city of Medellín, capital of the [...]
    ICAA Record ID: 1134547

  • Reconocimiento a dos maestros : Grau y Negret : 80 años
    Serrano, Eduardo, 1939-
    2000
    In this short article, the art critic Eduardo Serrano introduces the work of artists Enrique Grau Araujo and Édgar Negret on the occasion of their eightieth birthdays. Serrano assures us that Grau has enriched the figurative tradition in Colombian [...]
    ICAA Record ID: 1129990

  • Ricardo Borrero : un aristócrata del paisaje
    Serrano, Eduardo, 1939-
    1987
    The synopsis and the annotations in English are coming soon.                                However, our bilingual readers can click on “Español” to access this information in Spanish [...]
    ICAA Record ID: 1101060