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A propósito del curso de "arte incaico" en la Escuela de Bellas Artes
1930The author, Augusto Aguirre Morales, questions the stance of painter Antonino Espinosa Saldaña, who does not believe Peruvian precolonial art is “art.” He challenges Espinosa’s premise that cultural differences among men are an obstacle to the [...]ICAA Record ID: 1143570 -
A propósito del curso de arte incaico en la Escuela Nacional de Bellas Artes
1930The author, Augusto Aguirre Morales, (who was selected by the ENBA to teach the controversial course) defends the existence of “Incan art,” using the examples conserved in museums and the testimonials of historians. He asserts that it was the [...]ICAA Record ID: 1143537 -
La obra pictórica de Julia Codesido
1930In this review of Julia Codesido’s first exhibition at the Academia Nacional de Música Alcedo (Lima, 1929), Augusto Aguirre Morales describes her as a great exponent of Peruvian art. The writer submits a reading of her work based on its “ [...]ICAA Record ID: 1141196