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Verano limeño y arte
1943This [document is a commentary by] Mercedes Gallagher de Parks on artistic activities in Lima during the summer of 1943, including plays by Louis Jouvet, performances of Coronel de Bassil’s Russian ballet, and concerts by the Sociedad Filarmónica [...]ICAA Record ID: 1289858 -
Carta a Enrique Domingo Barreda sobre el arte en el Perú
1939In this document, the author, Mercedes Gallagher, had offered assessments similar to those of painter Enrique Domingo Barreda—that is, against indigenous art—except for the indigenous scenes painted by Francisco Laso. She asserts that “there [...]ICAA Record ID: 1143356 -
El arte de la cerámica amazónica
1943In this article, the essayist and art critic Mercedes Gallagher de Parks discusses the pottery produced in the Amazon region of Peru, noting the wide variety of pieces and their surprising aesthetic. Very little is known about this pottery other than [...]ICAA Record ID: 1141148 -
El indigenismo y el peruanismo en el arte : comentario sobre dos exposiciones recientes
1941In this article, Mercedes Gallagher de Parks reviews two exhibitions in Lima: one consisting of works by the Indigenist painter Camilo Blas (at the Instituto Bach); the other a collection of works by the English painter Fred Stratton (at the Sociedad [...]ICAA Record ID: 1141131 -
Sobre el problema indigenista de nuestra cultura
1939In this article, Mercedes Gallagher de Parks discusses the Peruvian Indigenist movement. In her opinion, attempts to recognize and affirm the indigenous population could create “murky ambitions and small-minded hatred.” She thinks the channels [...]ICAA Record ID: 1141113 -
La exposición Sabogal en el Country Club / Mercedes Gallagher de Parks
1940This review, by the Peruvian essayist and art critic Mercedes Gallagher de Parks, is about the exhibition of work by José Sabogal at the Lima Country Club in 1940. The reviewer reproaches the artist, saying that “though he can paint magnificently [...]ICAA Record ID: 1140587