Documents of Latin American and Latino Art

In early 1929, García Moroto left Spain for New York, and later embarked for Cuba. Once in Cuba, he gave a lecture at the Spanish Embassy in Havana on November 6, 1929, on the occasion of the fifth exhibition of Cuba’s Escuelas de Acción Artí [...]

Though using a moderate tone–and even an admiring one when he refers to the continuity, sense of color and form, knowledge of the avant-garde, and diversity in the work—García Maroto was part of the debate, discussion, or situation regarding the [...]

The Ciudad Universitaria (UNAM campus) constitutes a great example of the process of visual arts integration, which according to García Maroto had its origin in the pre-Hispanic era, since at that historic moment we can find, from its very [...]

La exposición de la joven pintura mexicana [The Exhibition: The New Generation of Mexican Painting] was presented at three cities: Paris, Berlin and Madrid. The Spanish art critic Gabriel García Maroto gave a lecture in December 1926 when the show [...]