Creator: Bill, Max×
Contributor: http://icaa.mfah.org/vocabs/names/index.php?tema=481×
  • Beleza provinda da função e beleza como função
    Bill, Max
    1951
    Swiss artist Max Bill analyzes the connections between form, beauty and function in the creation of utilitarian objects on an industrial scale. He defends the idea that everyday objects should combine functional and aesthetic qualities. In his [...]
    ICAA Record ID: 1087379

  • Educación y creación
    Bill, Max
    1953
    The Swiss artist Max Bill highlights the importance of education in the intellectual and moral development of a society. As background, the writer discusses the proposals of John Ruskin and William Morris, the Weimar Seminar on Arts and Trades, and [...]
    ICAA Record ID: 742992

  • El pensamiento matemático en el arte de nuestro tiempo
    Bill, Max
    1950
    In this essay, Max Bill analyzes the evolutionary potential of painting-sculpture in the wake of the accomplishments achieved by earlier artists. He places his trust in an art that, underpinned by a broad mathematical base, would not produce a “ [...]
    ICAA Record ID: 743007

  • O arquiteto, a arquitetura, a sociedade
    Bill, Max
    1954
    Max Bill here offers his critique of modern Brazilian architecture based on four elements that in his judgment form the basis of a “modern academic concern” in architecture: free and organic form, glass, brise-soleil, and concrete pile [...]
    ICAA Record ID: 1110329