Documents of Latin American and Latino Art

This article analyzes the varied impact generated by the happenings in Europe and the United States and the repercussions on those taking place in Latin America, highlighting the ethical and political particularities of the latter. In this case, it [...]

This article describes the 1967 exhibition about objective art held in Montevideo at the General Electric Institute that included work by Carlos and Enrique Fernández Broglia, Amalia Polleri, Nelson Ramos, Washington Barcala, and Luis Alberto Solari [...]

In this text, María Luisa Torrens responds to Aracy Amaral’s article arguing that the installation entitled Etsedrón, which appeared at the 1975 (XIII) São Paulo Biennial, constituted a promising new direction for Latin American art. Torrens [...]