Documents of Latin American and Latino Art

This essay is Pedro Millar’s brief biography on Santos Chavez’s integration into Taller 99, in which he also gives an account on his artistic trajectory through the interpretation of his iconography. He states that in an encounter [...]

“Pedro Millar, grabador” is the transcript of a conversation between CAL magazine and Pedro Millar. The interviewer asked the printmaker for his views on subjects such as the relationship between his work and contemporary art, his [...]

In this essay, the printmaker Pedro Millar reflects on the lira popular [that is, printed poetic forms illustrated with singular woodcuts], a Chilean folk tradition, as the antecedents to wood engraving in Chile. Accompanying the article was an [...]

Pedro Millar interviews Nemesio Antúnez, and they discuss printmaking based on their personal and group experience. The conversation touches on what prompted Antúnez’s interest in printmaking, the years he spent in the United [...]