Creator: Silva, Carlos×
Contributor: http://icaa.mfah.org/vocabs/names/index.php?tema=3099×
  • [No se alcanza la espontaneidad creativa...]
    Silva, Carlos
    1988
    In this essay, the critic Carlos Silva provides a general description of Luisa Richter’s work. He mentions her main influences, in particular German post-Expressionism and the German maestros Hans Fähnle, H. Dähn, Rudolf Müller and, especially, [...]
    ICAA Record ID: 1162103

  • Arte y Estilo de Héctor Poleo
    Silva, Carlos
    2000
    From the seven chapters of the book Poleo. Categorías del espíritu,written by historian Carlos Silva about the paintings of Héctor Poleo, this text represents the third chapter, “Arte y estilo de Héctor Poleo,” wherein the essayist analyzes [...]
    ICAA Record ID: 1172190

  • De la evocación posmodernista a la ilusión moderna
    Silva, Carlos
    1997
    The critic Carlos Silva wrote a study of the work of the Venezuelan sculptor Edgar Guinand, pointing out two fundamental periods in his life in art. The first is defined by the writer in the visual arts context that follows the Latin American Post- [...]
    ICAA Record ID: 1169271

  • Hugo Baptista : disciplina del delirio
    Silva, Carlos
    1998
    In this text, critic Carlos Silva places emphasis on Hugo Baptista’s skill as a painter. Baptista’s work is characterized by a lyrical use of color and an expressive approach to painterly material. It is with good reason, Silva asserts, that [...]
    ICAA Record ID: 1169498

  • Para una investigación de las artes plásticas latinoamericanas : Primer Encuentro Iberoamericano de Críticos de Arte y Artistas Plásticos, Caracas, 18 al 27 de Junio de 1978
    Silva, Carlos; Huizi, María Elena; Miliani, Marcos, 1933-
    1978
    The director of the Museo de Bellas Artes in Caracas, Marco Miliani, along with his research team, set parameters for research on the Latin American visual arts. This paper begins by diagnosing a range of causes for the backward state of research in [...]
    ICAA Record ID: 815589

  • Residencia en la tierra
    Silva, Carlos
    1988
    In this essay Carlos Silva provides a general description of Pedro Barreto’s sculptural work. Silva mentions the sculptor’s major influences, which include nature and the area around the Orinoco River Delta. The author identifies many of the [...]
    ICAA Record ID: 1162966

  • Sacrofonías de Miguel Von Dangel
    Silva, Carlos
    1989
    Carlos Silva reviews the works presented by Miguel von Dangelat the exhibition Sacrofanías (Caracas: Centro Armitano de Arte, 1989). Silva assesses the artist’s work to date and mentions von Dangel’s conceptual consistency as he creates a vast [...]
    ICAA Record ID: 1154843

  • Si todos los barcos del mundo...
    Silva, Carlos
    1987
    The critic Carlos Silva interviews the visual artist Omar Carreño on the occasion of his presentation of new work in Venezuela. Silva seeks to explain the inspiration and circumstances that led Carreño to produce a series of Figurative works, [...]
    ICAA Record ID: 1157369

  • Vigas o la lucidez
    Silva, Carlos
    1979
    The critic Carlos Silva discusses his ideas about the contemporary artist’s responsibilities, citing the Venezuelan painter Oswaldo Vigas as an example. Referring to Nietzsche’s idea that, in art, “form and content” are one and the same, [...]
    ICAA Record ID: 1153397