Documents of Latin American and Latino Art

In this brief review, Bill Caro discusses his own career, ranging from his 1972 exhibition (focused on Lima shantytowns) to his interest in light that became one of the key facets of his work in the 1980s. Caro states that “photographing is as [...]

This document is the catalogue to Cementerio de automóviles, an exhibition of work by hyperrealist painter Bill Caro held at Galería Enrique Camino Brent in Lima in late 1976. In a synopsis, architect Héctor Velarde states that beauty is “ [...]