Creator: Guédez, Víctor×
Contributor: http://icaa.mfah.org/vocabs/names/index.php?tema=13047×
  • Alejandro Otero : los fundamentos de sus esculturas a escala cívica
    Guédez, Víctor
    1990
    In this essay, the critic Víctor Guédez reviews Alejandro Otero’s sculptural work, basing his comments on its visual, technical, and conceptual aspects. As regards the visual aspects, Guédez identifies movement, time, space, and light as Otero [...]
    ICAA Record ID: 1163158

  • El planteamiento pictórico de William Stone
    Guédez, Víctor
    1989
    The critic Víctor Guédez reviews the work of the Venezuelan painter, engraver, and sculptor William Stone. He structures his readings at three levels: conceptual, aesthetic, and visual. At each level, Guédez points out the distinctive feature in [...]
    ICAA Record ID: 1165910

  • J.J. Moros : el constructivismo signológico y sintético
    Guédez, Víctor
    1988
    The art critic Víctor Guédez discusses the work of the Venezuelan sculptor José Jesús Moros. Guédez suggests classifying this artist’s work according to three criteria; specifically, the constructive, sign-based, and synthetic aspects of his [...]
    ICAA Record ID: 1162775

  • La conquista de una síntesis multideterminada
    Guédez, Víctor
    1993
    Of the three chapters in the book by researcher Víctor Guédez on the Venezuelan artist Armando Barrios. Lo permanente, lo novedoso y lo influyente, chapter three, “Lo influyente,” is discussed here. Under subtitle five (“La conquista de una s [...]
    ICAA Record ID: 1158065

  • La construcción de lo visual en Omar Carreño
    Guédez, Víctor
    In this essay, the critic Víctor Guédez reflects on the artistic language developed by the Venezuelan painter and sculptor Omar Carreño. The author states that an artistic career should be viewed as the result of a series of experiments, and not [...]
    ICAA Record ID: 1157401

  • La creación estético - visual en Mateo Manaure
    Guédez, Víctor
    1982
    The critic Víctor Guédez discusses the Venezuelan painter Mateo Manaure’s career, which is characterized by radical changes in his artistic language from one phase to another. Guédez defines the process of creation as being less evolutionary [...]
    ICAA Record ID: 1155531

  • La imaginería mitológica de Henry Bermúdez
    Guédez, Víctor
    1995
    The art critic Víctor Guédez discusses the work of Henry Bermúdez, referring to this Venezuelan visual artist’s recurring themes. Guédez describes the formal elements in his work and analyzes the symbolic values of some of the pieces presented [...]
    ICAA Record ID: 1171972

  • La nueva dimensión de los utensilios
    Guédez, Víctor
    2004
    In his review of Casos de Cosas (Caracas: Galería Alternativa, 2004)—the exhibition of works by the artist Ani Villanueva—the art critic Víctor Guédez mentions certain precedents in the field of objectual art. He especially refers to those [...]
    ICAA Record ID: 1169383

  • La protesta vehemente y el sentiemiento lírico en Régulo Pérez
    Guédez, Víctor
    1982
    The critic Víctor Guédez reviews the work of Régulo Pérez and compares the formal changes and innovations he sees in this Venezuelan visual artist’s work with his earlier material. Guédez stresses the consistency of the artist’s message, [...]
    ICAA Record ID: 1154204

  • La relación mitificación desmitificación de la pintura de Oswaldo Vigas
    Guédez, Víctor
    1982
    In this article, Venezuelan critic Víctor Guédez analyzes a series of paradoxes that are present in the work of the artist Oswaldo Vigas that fluctuate between the motivations pursued by the artist, the viewer’s reactions, its thematic meaning, [...]
    ICAA Record ID: 1153185

  • La signología esotérica y la abstracción lírica en la pintura de Alirio Oramas
    Guédez, Víctor
    2006
    This essay was written by the critic Víctor Guédez for Alirio Oramas: del misterio a las revelaciones. Exposición antológica, 1946-2005, the exhibition of works by the Venezuelan visual artist Alirio Oramas. In his essay “La signología esoté [...]
    ICAA Record ID: 1160519

  • Las esculturas de Carlos Mendoza
    Guédez, Víctor
    1990
    In this essay, Víctor Guédez reviews the work of the Venezuelan sculptor Carlos Mendoza. The critic proposes a classification of the artist’s work according to four categories, each one focused on a particular aspect of his sculptural works, as [...]
    ICAA Record ID: 1163669

  • Las flores de Teresa Gabaldón
    Guédez, Víctor
    1991
    In this text, critic Víctor Guédez reflects on the visual, psychological, and symbolic components of Teresa Gabaldón’s painting from the nineties. The artist employs the flower theme as a means of addressing concerns, feelings, and symbols— [...]
    ICAA Record ID: 1157840

  • Lo barroco y lo simbólico en la obra de Miguel Von Dangel
    Guédez, Víctor
    1991
    In this article, the critic Víctor Guédez drafts twelve points that, in his view, serve as a guide for an analytical approach to the work of Miguel von Dangel, La Batalla de San Romano. The author points to the contradictory vision projected by the [...]
    ICAA Record ID: 1154124

  • Lo permanente
    Guédez, Víctor
    1993
    This text, entitled “Lo permanente,” is the first of three chapters in Víctor Guédez’s book Armando Barrios: Lo permanente, lo novedoso y lo influyente on Venezuelan artist Armando Barrios. In the section “La pintura y la música,” Gué [...]
    ICAA Record ID: 1158033

  • Los recursos expresivos de Gego
    Guédez, Víctor
    1991
    Professor Víctor Guédez, who specializes in aesthetics, philosophy, and ethics, analyzes Gego’s work based on the elements which, in his opinion, create her “alphabet” (the dot, the line, and the void) and her lexicon (volatile volume, open [...]
    ICAA Record ID: 1159336

  • Manuel Quintana Castillo una visión retrospectiva
    Guédez, Víctor
    2002
    This essay by Víctor Guédez entitled “Manuel Quintana Castillo: Una visión retrospectiva” was featured in the catalogue for the exhibition La piel del tiempo: Manuel Quintana Castillo, held at the Fundación Galería de Arte Nacional in 2002. [...]
    ICAA Record ID: 1156200

  • Mauro Mejíaz : La naturaleza sugestiva, la esencia enigmática y la finalidad esotérica del espacio plástico
    Guédez, Víctor
    1984
    In his introduction to the catalogue Metamorfosis encontrada: Exposición individual de Mauro Mejías, critic Víctor Guédez considers the psychological, aesthetic, and formal aspects of the work by Mauro Mejías on exhibition. In Guédez’s view, [...]
    ICAA Record ID: 1160487

  • Nela Ochoa : Museo Alejandro Otero
    Guédez, Víctor
    1993
    In this article entitled “Nela Ochoa,” critic Víctor Guédez analyzes the video installation of the Venezuelan artist, Lejana [Far Away]. Guédez explores the symbolic and conceptual nature of the work, at the same time connecting Ochoa’s [...]
    ICAA Record ID: 1097422

  • Vertientes plásticas y estéticas en Carlos Cruz-Diez
    Guédez, Víctor
    1991
    This article by the critic Víctor Guédez was written at the time of Carlos Cruz-Diez en la arquitectura, the exhibition at the Centro Cultural Consolidado (Caracas, 1991). In Guédez’s opinion, there are two facets to Cruz-Diez’s Kine-chromatic [...]
    ICAA Record ID: 857000

  • Víctor Hugo Irazabal
    Guédez, Víctor
    1991
    Critic Víctor Guédez develops three themes in this text on the work of Víctor Hugo Irazábal. First, he reviews his graphic trajectory, starting with his education and participation in collectives, his subsequent artistic inquiries and the [...]
    ICAA Record ID: 1161536

  • Víctor Valera y la libertad de la emoción
    Guédez, Víctor
    2000
    Víctor Guédez analyzes the sculpture of Víctor Valera, in particular the artist’s retrospective exhibition held in Venezuela, in which he confronts himself. The author focuses on his most recent work, and then studies it in perspective and [...]
    ICAA Record ID: 1163110