Creator: Glusberg, Jorge×
Contributor: http://icaa.mfah.org/vocabs/names/index.php?tema=11751×
  • 17 artistas detrás de la dialéctica de lo simple : Tucumán: planta piloto para un nuevo concepto
    Glusberg, Jorge
    1969
    Glusberg’s article describes (with a few inaccuracies) Tucumán Arde [Tucumán Is Burning] (1968), the landmark artwork/event produced by the avant-garde of Rosario, Argentina, during the period spanning 1966–68. In terms of the work involved, [...]
    ICAA Record ID: 750378

  • América Latina : uma arte nossa para o mundo inteiro = América Latina : un arte nuestro para todo el mundo
    Glusberg, Jorge
    1999
    The curatorial message of this exhibition is that the cultural patronage and aesthetic rejection of Latin American art (as a whole) no longer apply. As a historical-cultural construct, Latin America is an amalgam. The cultural miscegenation that took [...]
    ICAA Record ID: 808371

  • Aproximación metodológica para una comprensión de la retórica del arte latinoamericano
    Glusberg, Jorge
    In his paper, Argentinean critic Jorge Glusberg provisionally applies the term “Latin American art,” although he considers it inadequate to define the parameters in which the “regional Latin American rhetoric” plays out. It is an analysis [...]
    ICAA Record ID: 815475

  • Argentina Inter-medios = Argentina intermedia
    Glusberg, Jorge
    1969
    The text outlines the goals and the nature of the exhibition and describes the various proposals involved. Glusberg emphasizes that it is “the first in a series of incipient events and does not pretend to be about finished products.” He refers to [...]
    ICAA Record ID: 747146

  • Arte Argentino 78
    Glusberg, Jorge
    1978
    Argentinean writer, publisher, curator, and professor, Jorge Glusberg presented this article in 1978 at the Latin American symposium Arte Argentino 78. In the article, he explains that the study of semiotics has led to a new understanding of the [...]
    ICAA Record ID: 1126357

  • Arte e Ideología en CAyC al Aire Libre
    Glusberg, Jorge
    1972
    This text suggests that although there is no “Latin American art” as such — that is, art produced by Latin American nations — these countries certainly share a number of “common problems” in terms of the social and political reality of [...]
    ICAA Record ID: 747360

  • Arte e ideología en CAyC al aire libre
    Glusberg, Jorge; Grupo de los Trece (Buenos Aires, Argentina)
    1972
    The text presents the objective of the exhibition CAyC al Aire Libre o Arte e Ideología, CAyC al Aire Libre [CAyC in the Open Air or Art and Ideology, CAyC in the Open Air] (Buenos Aires, Plaza Roberto Arlt). It meant to generate an encounter, that [...]
    ICAA Record ID: 761671

  • Arte y cibernética
    Glusberg, Jorge
    1969
    This text describes the goals of the first exhibition held by the Centro de Estudios de Arte y Comunicación [Center for Art and Communication Studies] (CEAC), which were to raise awareness of the avenues of opportunity that new technology was [...]
    ICAA Record ID: 747989

  • Artes y Espectáculos : definiciones y cuestionamientos
    Glusberg, Jorge
    1972
    Following his visit to Documenta 5 in Kassel, Germany, in 1972, Jorge Glusberg gave an interview in which he discussed the relationship that Argentine art in particular, and Latin American art in general, enjoyed with the hegemonic nations of the [...]
    ICAA Record ID: 748041

  • CAyC : Arte en Cambio : Exhibición del Grupo de los Trece (GT-239)
    Glusberg, Jorge
    1973
    This is an explanation of the meaning of the exhibition’s title, Arte en Cambio [In Exchange for Art] (Buenos Aires: Centro de Arte y Comunicación [Art and Communication Center], June 1973). According to Glusberg, what the title essentially refers [...]
    ICAA Record ID: 747400

  • CAyC : hacia un perfil del arte latinoamericano (GT-129; GT-129 II)
    Glusberg, Jorge
    1972
    Through different authors, Jorge Glusberg defines the concept of ideology in order to relate it to the reality of Latin American art: “En los países ideológicamente sometidos por las metrópolis y económicamente esclavizados, las manifestaciones [...]
    ICAA Record ID: 761168

  • CAyC: Arte conceptual: Una exhibición organizada por Lucy Lippard (EE.UU) y Jorge Glusberg - (GT20)
    Glusberg, Jorge
    1970
    The text announces the Arte conceptual [Conceptual Art] exhibition (Buenos Aires: Centro de Arte y Comunicación [Art and Communication Center], December 1970) organized by Lucy Lippard and Jorge Glusberg. There is a description of Conceptual Art, [...]
    ICAA Record ID: 747375

  • Coloraciones y sistemas de Nicolás García Uriburu
    Glusberg, Jorge
    1970
    This is a brief biography of the artist Nicolás García-Uriburu, which includes a list of his prizes, exhibitions, and personal information. The document analyzes the nature and evolution of his work—his style, the various influences that had an [...]
    ICAA Record ID: 747570

  • Comunicación a nivel social
    Glusberg, Jorge
    1968
    This article—a summary of Tucumán Arde [Tucumán is Burning] when it was still in the process of being realized—is of interest because it identifies the work as belonging to “Arte y comunicación de masas” [Art and mass communications], [...]
    ICAA Record ID: 761492

  • David Cooper con el Grupo de los Trece
    Glusberg, Jorge
    1973
    The text discusses the work method of the Grupo de los Trece [Group of Thirteen] in relation to its constitution. As the coordinator of the group, David Cooper analyzes, on the one hand, the internal problems of the group, “las ansiedades de cada [...]
    ICAA Record ID: 761221

  • De la rebelión a lo posible
    Glusberg, Jorge
    1968
    Jorge Glusberg writes that today’s artist brings forth “meta-creations,” on one side, and on the other, that his attitude must be of rebellion against society. He explains Lea Lublin’s previous works of art side by side her current ones, [...]
    ICAA Record ID: 762935

  • El Grupo de los Trece en Arte de Sistemas
    Glusberg, Jorge
    1971
    Jorge Glusberg defines the artist as a modeler of everyday reality, as the “creador de nuevos entornos” [“creator of new environments”], as the “humanizador de la geometría” [“humanizer of geometry”], as “responsible por la [...]
    ICAA Record ID: 761205

  • Introducción : videoarte : una comunicación creativa
    Glusberg, Jorge
    1986
    This essay was written by Jorge Glusberg, the Argentine curator and art critic, as the introduction to the catalogue for the I Bienal Internacional de Video-Arte [First International Biennial of Video Art] that was organized by the Museo de Arte [...]
    ICAA Record ID: 1131191

  • Jorge Glusberg : Por qué resolví participar en “Art Systems” en la Bienal de San Pablo y ahora desisto
    Glusberg, Jorge
    1971
    Jorge Glusberg’s open letter clarifies that, when Francisco Matarazzo invited him to organize “Arte como Idea [Art as an Idea” and “Arte Cibernético [Cybernetic Art]” at the Eleventh São Paulo Biennial (1971), he had some initial doubts [...]
    ICAA Record ID: 766259

  • La nueva imagen
    Glusberg, Jorge
    1982
    Jorge Glusberg signed this text about Trans-Vanguard painting in Latin America, mentioning its expressive tradition, its formal precedents, stylistic characteristics, as well as contradictions and originality [...]
    ICAA Record ID: 780143

  • La nueva imagen
    Glusberg, Jorge
    1984
    Jorge Glusberg, founder of the Centro de Arte y Comunicación [Center for Art and Communication] (CAyC in Buenos Aires), says that “there is no such thing as a Latin American art but there is a common set of challenges that creates an identity.” [...]
    ICAA Record ID: 805841

  • La postfiguración
    Glusberg, Jorge
    1982
    Jorge Glusberg authors this text about postfiguration, mentioningthe precedents of this aesthetic viewpoint, along with other historical movements. Moreover, the theoretical aspects of representation, reality, and appearances are analyzed [...]
    ICAA Record ID: 780130

  • Los envíos de Edgardo Antonio Vigo
    Glusberg, Jorge
    1970
    The text for the exhibition catalog De la figuración al arte de sistemas [From Figuration to Systems Art] (Buenos Aires: CAyC, 1970) describes and analyzes a number of works by Edgardo Antonio Vigo and also discusses his creative making. According [...]
    ICAA Record ID: 747610

  • Los modelos interesados de Luis F. Benedit : de la figuración al arte de sistemas
    Glusberg, Jorge
    1970
    The author describes and analyzes various works by Luis [Fernando] Benedit in support of his characterization of the artist’s work as an example of social research. The traditional idea of what is considered artistic—a concept that focuses on a [...]
    ICAA Record ID: 747596

  • Una identificación prospectiva : del grabado al múltiple
    Glusberg, Jorge
    1968
    Jorge Glusberg introduces the exhibition by Osvaldo Romberg (Galería Rubbers, Buenos Aires, September 1967); he points out that, in that same year, the artist won the Gran Premio de Grabado [Grand Prize for Engraving] at the National Salon.  [...]
    ICAA Record ID: 763339