Documents of Latin American and Latino Art

In this article, Luis Eduardo Pombo reveals himself as the first Uruguayan art critic to ideologically wrap himself in the aesthetics of David Alfaro Siqueiros. Generally, even the commentaries made by those intellectuals closest to the Mexican [...]

Pombo places David Alfaro Siqueiros’s work in the movement known as the Mexican Renaissance. He reviews the basic premises of that ideology, its expression and the revolutionary techniques used by Siqueiros. Stating that this work represents a [...]