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[Después de varias semanas...]
1949In this text, Polish art critic Casimiro Eiger praises Luis Alberto Acuña’s art. He specifically mentions the artist’s use of color, the monumentality of his painting, the severity of his sculptural volumes, and his controversial approach to [...]ICAA Record ID: 1132676 -
[Hay dos categorías de pintores...]
1949In this manuscript, Polish critic Casimiro Eiger, who lived in Colombia, discusses the work in the first solo exhibition of painter Marco Ospina, held at Galerías de Arte in 1949. In Eiger’s view, the merit of Ospina’s work lies in its order. [...]ICAA Record ID: 1132692 -
[Letter] 1954 June 15, n.l. [to] Roberto García Peña, director del Tiempo
1954This is a letter written by Casimiro Eiger to Roberto García Peña, the director of the Bogotá newspaper El Tiempo, in response to an article published in that newspaper on June 15, 1954. According to the letter in question, the painter Ignacio Gó [...]ICAA Record ID: 1133269 -
Acta de fundación del Museo de Arte Moderno
1979This document is pertinent to the official founding of a museum of modern art in the city of Bogotá on July 27, 1955. The ceremony, which was organized by the office of Education Minister Aurelio Caicedo Ayerbe, was held at the Hotel Tequendama. [...]ICAA Record ID: 1097917 -
El arte clásico de Eduardo Ramírez Villamizar
1995The essay “El arte clásico de Eduardo Ramírez Villamizar” by art critic Casimiro Eiger is one of the first critical texts to address Eduardo Ramírez Villamizar’s work as part of the geometric abstraction movement. Eiger considers Ramírez’ [...]ICAA Record ID: 1093722 -
Lo que dijo Casimiro Eiger de Ramírez
1995This document contains a selection of reviews by the Polish art critic Casimiro Eiger on the work of the sculptor Eduardo Ramírez Villamizar. In these reviews, written for the radio station Radiodifusora Nacional de Colombia between the late 1940s [...]ICAA Record ID: 1088979 -
Lucy Tejada
1952In this article, the critic Casimiro Eiger reviews Lucy Tejada’s paintings at her first solo exhibition, and discusses the purely formal aspects of her work. In Eiger’s opinion, these elements are closely involved with the artist’s narrative [...]ICAA Record ID: 1094204 -
Salón Femenino
1995On the occasion of the Ier. Salón de Arte Femenino [First Salon of Feminine Art] in June 1951, the critic Casimiro Eiger begins this essay (written for a radio address) by wondering about the legitimacy and significance of an exhibition focused on [...]ICAA Record ID: 1091861