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Grabar siempre para pintar siempre
1999In this text, curator Josefina Núñez puts forth her vision of the evolution of artist Alirio Palacios’s work in wood engraving, establishing ties between his experiences in the East and in the West. Núñez describes in detail the process by [...]ICAA Record ID: 1154586 -
La línea que se fue de paseo
2000In this review, Josefina Núñez refers to Gego’s training and development as a graphic artist, and discusses her technical and creative approach to printing and lithography. Núñez takes a long look at Gego’s art based on her unique use of line [...]ICAA Record ID: 1156752