Creator: Auerbach, Ruth×
Contributor: http://icaa.mfah.org/vocabs/names/index.php?tema=10591×
  • [Al retomar las posibilidades...]
    Auerbach, Ruth
    1991
    In this text, Ruth Auerbach explains the curatorial guidelines behind the 3rd Bienal Nacional de Arte de Guayana (Ciudad Bolívar, 1993). She believes the salons were established in order to propose that they be a space open to experimentation. In [...]
    ICAA Record ID: 1162215

  • Apuntes para una Bienal
    Auerbach, Ruth
    1994
    In this essay, Ruth Auerbach—the art critic and curator of the IV Bienal de Arte de Guayana (Ciudad Bolívar, 1994)—reflects on the challenge of positioning the biennial as a space devoted to the promotion of emerging Venezuelan art. Auerbach [...]
    ICAA Record ID: 1162199

  • Aziz-Cucher
    Auerbach, Ruth
    1997
    In her review of works by two contemporary artists—Anthony Aziz and Sammy Cucher—Ruth Auerbach writes about their output in general based on three collections: Fe, Honor y Belleza, Dystopia, and Discontinued… Now! (1992–96). Auerbach traces [...]
    ICAA Record ID: 1164422

  • Frutos en flor
    Auerbach, Ruth
    1996
    In Ruth Auerbach’s opinion, the Venezuelan painter Marylee Coll takes fragments of Western tradition and inserts them into an innovative visual system arranged in a pictorial and handcraft environment with a feminine touch. Coll energizes her work [...]
    ICAA Record ID: 1160282

  • Gego : entre la estructura y el objeto
    Auerbach, Ruth
    1988
    In this essay, Ruth Auerbach discusses Bichos [Creatures]—the three-dimensional works by Venezuelan artist Gego—within the overall context of her production. After providing an overview of Gego’s art, Auerbach states that these works are [...]
    ICAA Record ID: 850872

  • Hoy, el paisaje es aquí y ahora
    Auerbach, Ruth
    1996
    The curator Ruth Auerbach reviews the 1.a Bienal Nacional del Paisaje Tabacalera Nacional (August—October, 1996), basing her critique on this genre’s contemporary view and its important position in the history of universal art. Auerbach pays [...]
    ICAA Record ID: 855314

  • La creación como argumento
    Auerbach, Ruth
    2001
    Ruth Auerbach interviews the Venezuelan artist Mercedes Pardo on the occasion of the latter’s retrospective exhibition at the Museo Alejandro Otero in Caracas (2000–01). Auerbach discusses Pardo’s career over the course of several decades. As [...]
    ICAA Record ID: 1143060

  • Landescape
    Auerbach, Ruth
    1994
    Ruth Auerbach introduces Landescape, the exhibition of works by Dulce Gómez at her first solo show, at the Galería Alternativa in Caracas in 1994. In her poetic essay, Auerbach describes the salient features of this Venezuelan artist’s paintings [...]
    ICAA Record ID: 1163966

  • Lazo o la nueva ética
    Auerbach, Ruth
    1988
    This text, entitled “Lazo o la nueva ética,” by researcher Ruth Auerbach was featured in the catalogue for Antonio Lazo: Sentimiento, Convicción, Vivencias, an exhibition of work by Venezuelan painter Antonio Lazo (b. 1943). At the beginning of [...]
    ICAA Record ID: 1160471

  • Mauricio Lupini V-6. 811.042
    Auerbach, Ruth
    1995
    This text by curator Ruth Auerbach introduces Venezuelan artist and photographer Mauricio Lupini on the occasion of the 1995 exhibition Mauricio Lupini V-6.811.042, held at the Sala Mendoza in Caracas. Auerbach reflects on two specific points: the [...]
    ICAA Record ID: 1162295

  • Obra Reciente : Oscar Machado
    Auerbach, Ruth
    1993
    In the text, “Obra reciente: Oscar Machado,” published in the catalogue for the 1990 exhibition Obra reciente (Caracas: Sala de exposiciones RG, in the Casa de Rómulo Gallegos), the curator Ruth Auerbach deems the work of the sculptor Oscar [...]
    ICAA Record ID: 1152549

  • Paramount Picture : fragmentos de una conversación
    Auerbach, Ruth
    1993
    Referring to the works in the individual exhibition Paramount Pictures (1989) at the Caracas exhibition space Galería Sotavento, the curator Ruth Auerbach holds a dialogue with the Venezuelan artist Eugenio Espinoza. The artist discusses the [...]
    ICAA Record ID: 1051406

  • Retrato de familia : Alexánder Apóstol
    Auerbach, Ruth
    1996
    The curator and gallery owner Ruth Auerbach wrote this article about the career of Alexander Apóstol in 1996. After providing a general idea of the work of the Venezuelan photographer and artist, the writer analyzes the experimental nature of his [...]
    ICAA Record ID: 1162327

  • Salón Pirelli : primera aproximación al arte joven en la década de los noventa en Venezuela
    Auerbach, Ruth
    1993
    In this 1993 text, Ruth Auerbach places the work of the artists participating in the 1st Salón Pirelli de Jóvenes Artistas within two contexts: a universal context and that of Latin America. At the same time, she justifies the existence of the [...]
    ICAA Record ID: 1161411

  • Texto y contexto para una bienal
    Auerbach, Ruth
    2003
    In this critical essay, Ruth Auerbach considers the challenges represented by the 5th Bienal Nacional de Arte de Guayana (Ciudad Bolívar, 1997). Here, the writer defines the theoretical foundation of the museological and curatorial vision of the [...]
    ICAA Record ID: 1162263

  • Trobar clus : de cómo despistar al expectador
    Auerbach, Ruth
    1992
    This document is an interview by Ruth Auerbach with Javier Téllez, which relates to his installation Trobar clus, presented at the Sala RG (Caracas, 1992). The Venezuelan artist explains the meaning of his approach, which consists of broadening the [...]
    ICAA Record ID: 1154795