Documents of Latin American and Latino Art

“Cuerpo final: el máximo lienzo” [Final Body: The Ultimate Canvas], an article written by Santiago Echeverry, appeared in the second edition of Clave 019–17, the magazine published by Multimedia Creation Major in the art department at the [...]

Shifra M. Goldman’s essay provides a brief history of the Chicano Movement and also names some of the early Mexican American women’s political groups, professional associations, and art groups. She discusses the overall failure of the Chicano [...]

Using the theoretical framework of “broken memory,” defined by Arcadio Díaz-Quiñones as memory "deliberately denied by political power or broken by official repression or cultural exclusion," Juana N. Goergen analyzes signs and imagery of [...]