Topic Descriptor: magazines (periodicals)×
  • "On Ice" : Amsterdam Fev. 78
    Barcellos, Vera Chaves; Asp, Carlos; Pasquetti, Carlos, 1948-; Dariano, Clovis, 1950-; Escobar, Jesus R. G; Álvares, Mara; Disconzi, Romanita, 1940-; Lanes, Telmo
    1978
    The eleventh issue of Nervo Óptico shows the sequential photographic record of a performance presented by Flávio Pons, Cláudio Goulart and Vera Chaves Barcellos in Amsterdam in February 1978. Entitled On Ice, the event consisted of a gradual [...]
    ICAA Record ID: 1110923

  • "Sociedade Anônima" : relatos urbanos
    Barcellos, Vera Chaves; Asp, Carlos; Pasquetti, Carlos, 1948-; Dariano, Clovis, 1950-; Escobar, Jesus R. G; Álvares, Mara; Disconzi, Romanita, 1940-; Lanes, Telmo
    1978
    This tenth issue of Nervo Óptico, still on an atypical bimonthly schedule, is double the usual size (32cm x 45cm) and folded in the middle. Its cover has the title “Urban Stories: Sociedade Anónima”. In addition, it bears this notice: “Any [...]
    ICAA Record ID: 1110922

  • [Aconteceu dia 13, como estava previsto no calendário...]
    Pasquetti, Carlos, 1948-
    1977
    This is the fourth issue of the publication Nervo Óptico. This issue publishes “fake news” signed by the artist Carlos Pasquetti. Looking like news in a community newspaper, a photograph covers the entire editorial space, with the headline: “ [...]
    ICAA Record ID: 1110916

  • [Cal significa - si usted quiere - las iniciales de Crítica, Arte, Literatura...]
    Meneses, Guillermo, 1911-1978
    1962
    This text by Guillermo Meneses is a presentation of CAL magazine, which he founded. Published in the magazine’s first issue, Meneses’s text explains the meaning of the letters in the publication’s name: C refers to crítica (criticism), A to [...]
    ICAA Record ID: 1168349

  • [Carta a los destinatarios de las gacetillas y catálogos del CAyC (GT-399)]
    Centro de Arte y Comunicación (Buenos Aires, Argentina)
    1974
    This text was written to explain that—due to the rising cost of paper, printing, and stamps—the Centro de Arte y Comunicación [Art and Communication Center] would no longer be mailing the (free) newsletters that kept recipients informed about [...]
    ICAA Record ID: 747413

  • [El folleto "Los Disidentes" tiene por mision esencial dar testimonio ...]
    1950
    [This text is] the first issue of Los Disidentes (Paris, 1950) magazine, in which [the group] explains succinctly the “essential mission” of the eponymous magazine and the “immediate aim” which they are pursuing with this initial publication [...]
    ICAA Record ID: 813779

  • [Em manifestaçao realizada em dezembro último...]
    1977
    This is the first issue of the Brazilian journal Nervo Óptico (April 1977). A seven-line text/statement (all the text in that publication) sets forth the manifesto written by the N.O. group in December 1976, which assumed a “critical stance [...]
    ICAA Record ID: 1110913

  • [Letter] 1935 June 6, México [to] Bernabé Barrios
    Arenal, Luis; Cabada, Juan de la
    1935
    This is a letter addressed to Barnabé Barrios, in New York, signed by Juan de la Cabada and Luis Arenal, as the editor and a member of the Executive Committee, respectively, of Frente a Frente [Face to Face] magazine. The authors inform Bernabé [...]
    ICAA Record ID: 801000

  • [Letter] 1962 March 22, México D.F [to] Lorenzo Homar
    Beltrán, Alberto
    1962
    In this letter to Puerto Rican artist Lorenzo Homar, Mexican artist Alberto Beltrán comments on the new issue of the publication, El coyote emplumado[The Plumed Coyote], which will cover topics relating to the campaign being waged by right-wing [...]
    ICAA Record ID: 825623

  • [Letter] 1986 Febrero 11, [Buenos Aires] [to] María Teresa [Gramuglio]
    Ferrari, León, 1920-
    1986
    León Ferrari contributes drawings to Punto de Vista magazine. Ferrari discusses his work on the subject of religion, and mentions the founding of the Heathen’s Club [...]
    ICAA Record ID: 749324

  • [Letter] 1986 Marzo 23, Buenos Aires [to] León [Ferrari]
    Gramuglio, María Teresa
    1986
    The document refers to the drawings that León Ferrari contributed to Punto de Vista magazine. It critiques Ferrari’s ideas concerning the relationship between art and repression, while endorsing the variety of functions that are possible in an [...]
    ICAA Record ID: 749322

  • [Letter] 1986 Mayo 12, São Paulo [to] María Teresa [Gramuglio]
    Ferrari, León, 1920-
    1986
    León Ferrari contributes drawings to Punto de Vista magazine. Ferrari discusses his political views, and replies to María Teresa Gramuglio’s critique of the relationship between religion, art, and repression, reaffirming both his ideas and the [...]
    ICAA Record ID: 749354

  • [Obra fotográfica de Telmo Lanes sem título]
    Lanes, Telmo
    1977
    The fifth issue of the journal Nervo Óptico presents photographic work by Telmo Lanes (with neither title nor text). The image of an eye is shown in three sets of five photographs laid out in a circular composition. The artist’s own eye follows [...]
    ICAA Record ID: 1110917

  • [Pressupondo a necessidade do público]
    Barcellos, Vera Chaves; Asp, Carlos; Pasquetti, Carlos, 1948-; Dariano, Clovis, 1950-; Escobar, Jesus R. G; Álvares, Mara; Disconzi, Romanita, 1940-; Lanes, Telmo
    1977
    This eighth issue of Nervo Óptico begins with an epigraph by the Brazilian art critic Mário Pedrosa, and a statement said to be collectively written by the Grupo N.O. This issue presents works exhibited in São Paulo, at the Galeria Eucatexpo. [...]
    ICAA Record ID: 1110920

  • [projetos de recuperaçao da paisagem interna...]
    Barcellos, Vera Chaves; Asp, Carlos; Pasquetti, Carlos, 1948-; Dariano, Clovis, 1950-; Escobar, Jesus R. G; Álvares, Mara; Disconzi, Romanita, 1940-; Lanes, Telmo
    1977
    This is the third issue of the publication Nervo Óptico. It shows works by Carlos Asp under the general title of “Projects to Recover the Internal Landscape: Self-Portrait on Live Elements.” One of these involves an installation with sketches of [...]
    ICAA Record ID: 1110915

  • [Somos mutantes, es decir, vividos...]
    Padín, Clemente, 1939-
    1966
    In 1965, the original manifesto of the magazine Los Huevos del Plata was an avant-garde platform advocating against Uruguayan cultural dominance by the so-called Generación del ’45, a group of writers who exerted and promoted their strong [...]
    ICAA Record ID: 1243157

  • [Zona se postula desde sus comienzos como zona abierta...]
    Nolla, Olga; Ferré, Rosario
    1973
    The editors Rosario Ferré and Olga Nolla defined the hypotheses, priorities, purposes, and selection criteria for the magazine, Zona de Carga y Descarga [Loading and Unloading Zone]. They considered it their duty to raise the consciousness of the [...]
    ICAA Record ID: 853406

  • A lingua tupy - Plinio Salgado
    Salgado, Plínio, 1895-1975
    1928
    Questioning the exhaustion of Western civilization (specifically the European version), and basing his arguments on the psychoanalytic theory of Sigmund Freud—who wrote about the social life of primitive peoples in his book Totem and Taboo— Plí [...]
    ICAA Record ID: 784419

  • A respeito do sorriso
    Barcellos, Vera Chaves
    1977
    The seventh issue of the journal Nervo Óptico showed the photographic work of Vera Chaves Barcellos, with text at the bottom of the page limited to “Regarding the Smile,” consisting of 15 photos arranged in five sets of three. Each photo has a [...]
    ICAA Record ID: 1110919

  • Abrindo a revista
    Moraes, Vera Lúcia Albuquerque de
    2004
    [This is an] historical account of Clã [Clan], which is a literary journal focused on modernism in the state of Ceará (Northeast Brazil) that emphasized the work produced by local painters. The first issue (zero) appeared in 1946, and the journal [...]
    ICAA Record ID: 1110770

  • Adansônia
    Álvares, Mara
    1977
    This is the second issue of the publication Nervo Óptico. Like all issues of this publication except the first, there is neither an epigraph nor text; the name of the artist and the work are stated at the bottom of the page. This work is a series of [...]
    ICAA Record ID: 1110914

  • Amigos = Friends
    Barboza, Diego, 1945-
    1976
    In this editorial, published in the second issue of the bilingual magazine Buzón de Arte/Arte de Buzón, the Venezuelan artist Diego Barboza—who was the director and editor of the magazine—describes the issue, explaining that it includes [...]
    ICAA Record ID: 1102014

  • Art on the Net
    De Cuba, Natalia
    1997
    The journalist Natalia de Cuba refers to three people who use the Internet to promote Puerto Rican art. The artist Mari Mater O’Neill created the online magazine, El Cuarto del Quenepón in 1995; it publishes articles, videos, gallery news, and [...]
    ICAA Record ID: 867060

  • Arte, vanguardia y nuevas figuras
    1996
    The artist Gabriel Morera; the writers José Balza, Jesús Enrique Guédez and Salvador Garmendia; the playwrights Román Chalbaud and Isaac Chocrón; and the graphic designer Nedo all make different statements about the relationship between the [...]
    ICAA Record ID: 1169254

  • Cal : Crítica, arte, literatura
    The fifth issue of the magazine CAL contains an array of articles on literature, the visual arts, poetry, philosophy, photography, and criticism relevant to the Venezuelan cultural scene of the day. Outstanding in this issue are the following [...]
    ICAA Record ID: 1169078

  • Como eu penso...
    Menotti del Picchia, 1892-
    1924
    In this paean to modern urban life, written by the well-known modernist poet Menotti del Picchia, the highways, the media, and the industrial sector all work together in perfect harmony to consolidate “new values.” He bemoans “our obsolete [...]
    ICAA Record ID: 780648

  • Corollario brasileiro
    Le Corbusier
    1930
    In this text, French-Swiss architect and urbanist Charles-Édouard Jeanneret, known as Le Corbusier, recounts the experiences he had during his first trip to Brazil (1929). He describes the aerial view of Rio de Janeiro and the “favelas”—the [...]
    ICAA Record ID: 780696

  • De como deve ser visto o binômio Clã-SCAP
    Baratta, Mario, 1868-1935
    1988
    In 1988 the art critic Mário Baratta described the origins and performance of the group of artists and writers who produced Clã [Clan] magazine and founded the SCAP (Sociedade Cearense de Artes Plásticas) in the mid-1940s in the state of Ceará. [...]
    ICAA Record ID: 1111385

  • Explicação dêste numero
    Barroso, Antônio Girão, 1914-1990; Medeiros, Aluízio, 1918-1971; Bezerra, João Climaco, 1913-
    1946
    This text is issue zero of Clã - Revista Trimestral magazine, in which the members introduce the publication. In their opinion Clã is not only a literary magazine; it also constitutes what they consider “a mental representation of Ceará,” [...]
    ICAA Record ID: 1110789

  • Hacia la eventual incidencia de la revista de arte latinoamericano en nuestra identificación
    Carbonell, Galaor, 1938-
    1978
    In this article, defined by its author as “of a utopian nature,” artist and critic Galaor Carbonell analyzes the limitations, objectives, methodology, and functions of a cultural magazine that could operate in Latin America from a sociological [...]
    ICAA Record ID: 815603

  • How Come Tin-Tan?
    1975
    This document is an editorial page outlining the motivations for the creation of the magazine Tin-Tan. It cites its primary focus as addressing a critical absence in the print media of publications dedicated to the concerns of Mexican-Americans and [...]
    ICAA Record ID: 1127459

  • Irradiador N. 1: Revista de vanguardia
    Maples Arce, Manuel, 1900-; Revueltas, Fermín
    1923
    Irradiador magazine—subtitled, “Avant-garde magazine: an international project devoted to the new aesthetic, directed by Manuel Maples Arce & Fermín Revueltas”—was published in Mexico City in 1923. El restorán [The Restaurant], a [...]
    ICAA Record ID: 800931

  • Klaxon
    1922
    The editorial-manifesto for the first issue of Klaxon - mensário de arte moderna introduces the magazine as a publication designed to “clarify and reflect on” the aftermath of the Semana de Arte Moderna event that was held in São Paulo in 1922 [...]
    ICAA Record ID: 780955

  • La revista "taller"
    Guevara Moreno, Luis, 1926-
    1950
    The painter Luis Guevara Moreno—a member of Los Disidentes, the group of Venezuelan artists living in Paris in 1950—briefly reviews an issue of Taller (1948), the magazine published by the group Taller Libre de Arte that was founded in Caracas [...]
    ICAA Record ID: 813541

  • Las revistas de México del “Mercurio Volante” (1772) a Mañana
    Rodríguez, Antonio, 1909-
    1947
    This essay is the final installment of a trilogy that was published in Mañana magazine by the Portuguese art critic Antonio Rodríguez, who was researching the history in the illustrated press by means of which words and images go in tandem. In this [...]
    ICAA Record ID: 776641

  • Liliana Porter
    Barcellos, Vera Chaves; Asp, Carlos; Pasquetti, Carlos, 1948-; Dariano, Clovis, 1950-; Escobar, Jesus R. G; Álvares, Mara; Disconzi, Romanita, 1940-; Lanes, Telmo
    1978
    This is the thirteenth and last issue of Nervo Óptico. This one-page handbill includes a photograph taken by Liliana Porter, a work entitled the Ladder of fire. Porter used an image by the same title, which she clipped from an art book. After [...]
    ICAA Record ID: 1110925

  • Los hachepientos del '68
    Torres, Alfredo, 1941-2018
    1996
    This article is about the group, led by Clemente Padín, which created the magazine Los Huevos del Plata, a departure from the literary style that was favored in Uruguayan cultural circles in the 1960s. The Uruguayan author’s goal was to present [...]
    ICAA Record ID: 1240628

  • Manifesto do Grupo Verde de Cataguazes
    Rezende, Henrique Vieira de; Quatorzevoltas, Ascânio Lopes, 1906-1929; Fusco, Rosário, 1910; César, Guilhermino, 1908-; Soares, Camilo, 1909-; Peixoto, Francisco Inácio, 1909-; Fonte-Boa, Christóphoro; Mendes, Martins; Abritta, Oswaldo
    1927
    This is the text of the manifesto published by the Grupo Verde, a group from the small town of Cataguazes, in the region of Minas Gerais. It was originally printed on green paper, like a newsletter about the work of the members: Verde: revista mensal [...]
    ICAA Record ID: 780996

  • Márgenes : de nuevo Los Disidentes
    1950
    This review is unsigned; its subtitle is “De nuevo Los Disidentes.” It is the second item in Márgenes, the culture column in Últimas Noticias, the Caracas newspaper. The review notes the recent appearance of the second issue of Los Disidentes, [...]
    ICAA Record ID: 813793

  • Maria Tomaselli Cirne Lima
    Barcellos, Vera Chaves; Asp, Carlos; Pasquetti, Carlos, 1948-; Dariano, Clovis, 1950-; Escobar, Jesus R. G; Álvares, Mara; Disconzi, Romanita, 1940-; Lanes, Telmo
    1978
    This ninth issue of Nervo Óptico appeared as a bimonthly issue (as the previous one), almost as an exception to the regular monthly schedule. This issue shows a figurative drawing (pencil on paper) by Maria Tomaselli [Cirne Lima] from her 1977 [...]
    ICAA Record ID: 1110921

  • Movimento brasileiro II
    Magalhães Drummond, José de
    1925
    The second part of Magalhães Drummond’s essay on modernism in Brazil—[this version of “modernism” had nothing to do with the literary movement headed by Rubén Darío that followed European avant-garde ideas]—was published in this issue of [...]
    ICAA Record ID: 781083

  • O lado oposto e outros lados
    Holanda, Sérgio Buarque de, 1902-
    1926
    In this article, the historian Sérgio Buarque de Hollanda analyzes the various modern art groups that have emerged in Brazil. He notes the differences now compared to what was going on ten years earlier, when a point of view was developing that “ [...]
    ICAA Record ID: 781100

  • O objectivismo em arte
    Almeida, Renato
    1924
    This text by Renato Almeida analyzes the notion of “dynamic objectivism” supported by writer Graça Aranha in his “O espírito moderno” essay (1922), which was included in the inaugural edition of the Semana of 1922; it was published in book [...]
    ICAA Record ID: 781142

  • O problema esthetico do momento
    1924
    This anonymous article reports on the painter Lasar Segall’s second trip to Brazil, when he settled in São Paulo. Segall is described as “a confirmed expressionist” and an “ardent supporter of the modern art movement” which, according to [...]
    ICAA Record ID: 781161

  • O sentido moderno do Brasil
    1929
    This is the text of the editorial that was published in the sixth issue of Movimento Brasileiro magazine; it describes Brazilian modernism as the “expressive outpouring of a new country” rather than an artistic and literary undertaking. The [...]
    ICAA Record ID: 781189

  • Paisagem sobre paisagem "Cena de Cidade"
    Dariano, Clovis, 1950-
    1977
    This is the sixth issue of Nervo Óptico, which presents Clovis Dariano’s photographic work entitled “Landscape on Landscape: City Scene.” This is a landscape of an urban skyline (Porto Alegre, the capital of Rio Grande do Sul) observed from [...]
    ICAA Record ID: 1110918

  • Para la restitución del magma
    El Techo de la Ballena
    1961
    Written by the members of the group El Techo de la Ballena and published in the first issue of their magazine Rayado sobre el Techo, this essay expresses their desire to return to matter—that is, to “the magma”—in an original act that frees [...]
    ICAA Record ID: 1060710

  • Pintura Pau-Brasil e antropofagia
    Tarsila
    1939
    In this text, painter Tarsila do Amaral provides an overview of her artistic career, specifically in relation to the Pau-Brasil movement and to cultural “anthropophagy.” She emphasizes the importance of the trip she took to Minas Gerais in 1924 [...]
    ICAA Record ID: 784978

  • Plástica y Prisma : dos revistas de arte de los años cincuenta
    Rodriguez Morales, Ricardo
    2002
    Ricardo Rodríguez Morales, the economist, writer, and author of many articles and essays on art and literature, analyzes and contextualizes the contents of two of the most important visual arts magazines in Colombia in the 1950s: Plástica and [...]
    ICAA Record ID: 1131175

  • Poty e a prata da casa
    Pilotto, Erasmo
    1946
    In this interview Poty, the artist-illustrator, discusses recent exhibitions of contemporary French art and what was called “degenerate art” [Entartete Kunst] during the Nazi Third Reich in Germany.  He talks about the socio-political aspect of [...]
    ICAA Record ID: 781252