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[Untitled]
1979This unsigned article reviews the works of the Colectivo Acciones de Arte (CADA), the art action group that took the name used as the title of the article in question: Para no morir de hambre en el arte (To Avoid Dying of Hunger [or Starving to [...]ICAA Record ID: 730226 -
¡Ay sudamerica! 400.000 textos sobre Santiago
1981This document was part of the action with the same name—¡Ay sudamerica! 400.000 Textos sobre Santiago—[Ay, South America! 400,000 Texts over Santiago] carried out by C.A.D.A. (Colectivo de Acciones de Arte) [Art Action Collective] in 1981 in [...]ICAA Record ID: 730004 -
“Tucumán Arde” : obra de vanguardia en la Confederación General del Trabajo de los Argentinos, Regional Rosario
1968This short news item was prepared as sketchy materials for press release shortly after the inauguration of the Tucumán Arde [Tucumán Is Burning] exhibition at the CGT (Confederación General del Trabajo) in Rosario. The circumstances of the [...]ICAA Record ID: 760161 -
“Tucumán Arde”- Arg. Respuesta a un cuestionario : para Escuela de Letras, Universidad de La Habana
1973León Ferrari writes a detailed evaluation of Tucumán Arde [Tucumán is Burning], framing it within the previous events (Itinerario del ’68) [Timetable for 1968]. In it he points out that “its purpose was to make art into a revolutionary tool, [...]ICAA Record ID: 761415 -
[Angelical Carnevale]
1968This article, published in the young newsmagazine Boom (Rosario, Argentina, November 1968), narrates what happened during the “lock-up” action carried out by Graciela Carnevale at the “Ciclo de Arte Experimental” [Experimental Practices of [...]ICAA Record ID: 755947 -
[Cronología del itinerario de 1968]
1968This chronology begins in January and February of 1968, the starting point of the vanguard artists’ radicalization of that year, with a series of informal discussions about “the possibility of creating a cultural phenomenon” that would be “ [...]ICAA Record ID: 759873 -
[El fenómeno estético, como cualquier otro fenómeno cultural...]
1968[Literary critic and intellectual] Nicolás Rosa presented this text for discussion at the Primer Encuentro Nacional del Arte de Vanguardia [First National Encounter of Avant-garde Art] (Rosario, Argentina, 1968). It appeals to the communications [...]ICAA Record ID: 760282 -
[El Grupo de Plásticos Argentinos de Vanguardia...]
1968This early declaration—most likely written when Tucumán Arde [Tucumán Is Burning] was taking shape (early October 1968)—presents some of the basic ideas behind the group’s collective work. First, it denounces General Juan Carlos Onganía’s [...]ICAA Record ID: 760062 -
[Entrada de cineclub Grupo 65 “Tucumán Arde”]
1968The first phase of the Tucumán Arde [Tucumán Is Burning] campaign began with the appearance of advertising posters bearing the word “Tucumán” pasted on walls in Rosario, especially in the industrial workers’ neighborhoods. The posters [...]ICAA Record ID: 760117 -
[Frente a los acontecimientos políticos y culturales que tienen...]
1968This declaration presents a series of definitions upon which the Tucumán Arde [Tucumán Is Burning] exhibition was founded. It defines it as “a collective work that, as it employs new channels of communication and expression, empowers the creation [...]ICAA Record ID: 760080 -
[Imaginar esta página completamente blanca...]
1979This page done by the group C.A.D.A. (Colectivo Acciones de Arte) [Art Action Collective] was political commentary in the form of a magazine insert. Such an insertion was included among the activities specified in the art action, Para no morir de [...]ICAA Record ID: 732047 -
[La violencia del régimen es cruda y clara cuando se dirige contra la clase obrera...]
1968In the declaration they issued as a companion statement to the Tucumán Arde [Tucumán Is Burning] exhibition in Buenos Aires, the artists condemn the regime’s violent excesses that, though subtle when applied to the arts, are nonetheless intent on [...]ICAA Record ID: 759917 -
[Letter] 1964 septiembre 16, Buenos Aires [to] Samuel Paz
1964The letter sent by artist Nicolás Rubió to Samuel Paz expresses his dissatisfaction due to the impossibility of carrying out Operación corpiño [The Bra Operation], an action that consisted of depositing a collection of bras and panties at the [...]ICAA Record ID: 762336 -
[Letter] 1968 Mayo 13, Buenos Aires [to] Jorge Romero Brest
1968Pablo Suarez’s letter is defined as a work of art. It is, at the same time, a quit of his participation in the exhibition, which he handed out to the attending public at the Experiencias 1968 [The 1968 Visual Practices]. The author starts by [...]ICAA Record ID: 756351 -
17 artistas detrás de la dialéctica de lo simple : Tucumán: planta piloto para un nuevo concepto
1969Glusberg’s article describes (with a few inaccuracies) Tucumán Arde [Tucumán Is Burning] (1968), the landmark artwork/event produced by the avant-garde of Rosario, Argentina, during the period spanning 1966–68. In terms of the work involved, [...]ICAA Record ID: 750378 -
A Juan Castillo; en el retorno al descampado visible
1998The sociologist Fernando Balcells wrote this essay for the catalogue for Te devuelvo tu imagen, ocupación, the exhibition of works by Juan Castillo (who, like Balcells, was a member of the group Colectivo Acciones de Arte [CADA, Art Action [...]ICAA Record ID: 749496 -
Acerca de la poesía en acción
1995In his proposal/script Acerca de la poesía de acción the Venezuelan artist Diego Barboza explains the importance of this urban project. The performance is a collective experience in which participants wear (red and blue) hats which, in his opinion [...]ICAA Record ID: 865802 -
Agitación y propaganda : artistas plásticos en el conflicto de Fabril
1969This unsigned report, published in Sobre Nº 1 [Envelope no. 1], documents the experiences of a group of artists who joined the strike committee of Fabril Financiera in February 1969. It discusses the difference between producing a work of art or an [...]ICAA Record ID: 761435 -
Arde Tucumán
1968This article includes the most significant sections of the report prepared by Miguel Murmis, Silvia Sigal, and Carlos Waisman, the sociologists and members of the CICSO (Centro de Investigación en Ciencias Sociales [Social Sciences Research Center [...]ICAA Record ID: 751376 -
Argentine subversive art : the vanguard of the Avant-Garde
1970This United States academic journal disseminates the translation of the Cronología [Chronology] prepared by the artists reporting on the events that occurred throughout 1968, as well as other documents of their timetable, although with modified [...]ICAA Record ID: 761589 -
Arte de Acción en Latinoamérica : cuerpo político y estrategias de resistencia
2010In this essay, critic and performer Silvio de Gracia explains the importance of and provides context for “action art” in Latin America. He demonstrates its specificity in the region, showing how it differs from similar tendencies in Europe and [...]ICAA Record ID: 1240673 -
Arte de vanguardia : Tucumán Arde en la CGT
1968This brief note, which appeared in Rosario’s most important daily newspaper, reports on the inauguration of the Tucumán Arde [Tucumán Is Burning] show at the CGT (Confederación General del Trabajo) headquarters in Rosario on November 3, 1968. It [...]ICAA Record ID: 758479 -
Arte y comunicación de masas : Artistas plásticos del litoral dieron en una conferencia de prensa las características de un plan de información
1968This extensive article first appeared in La Gaceta [The Gazette], Tucuman’s most important newspaper, reporting on the first press conference given by the artists upon arriving at Tucumán for their second research trip in October 1968. Accompanied [...]ICAA Record ID: 758524 -
Arte y política
1968This prescient op-ed takes the events at the 1968 Braque Prize (sponsored by the French embassy in Argentina) as a starting point and uses them to arrive at the conclusion that the finest artwork was the “uproar” that occurred due to the [...]ICAA Record ID: 766289 -
Artistas Argentinos de Vanguardia : “Tucumán Arde”
1968In this text, the work is presented as a joint production of the Grupo de Artistas Argentinos de Vanguardia (this is the only document in which they use that exact name) and the labor union. The basis of their denunciation of the government policy is [...]ICAA Record ID: 760046 -
Artistas de vanguardia
1968This note appeared in La Gaceta [The Gazette],Tucumán’s most important newspaper, reporting on the Rosario artists’ first exploratory trip to Tucumán in September 1968. The trip had repercussions in the media, as seen by this account in the [...]ICAA Record ID: 758511 -
Artistas de vanguardia en Tucumán
1968This short notice in La Tribuna, a Rosario daily newspaper, records the beginning of the artists’ journey to Tucumán. The work in progress is proposed as a collective effort that would integrate artists from different disciplines. Moreover, the [...]ICAA Record ID: 758498 -
Assez de mystifications
1963Under the title “Basta de mistificaciones” [Enough with the mystifications] the Groupe de Recherche d’Art Visuel (GRAV) [Visual Arts Research Group] signed a manifesto that would become the basis of the present-day relationship between [...]ICAA Record ID: 773146 -
Cada 20 años
1999In her essay “Cada 20 años” (Every 20 Years), Diamela Eltit reviews the art activities organized by C.A.D.A. (Colectivo de Acciones de Arte; Art Action Collective) during the two decades since the group was started in 1979. She [...]ICAA Record ID: 740299 -
CAyC : Fuego el jueves 15 (GT57)
1971The text announces and describes an act to be performed simultaneously by an artist in Buenos Aires and another in the United States. Working in synch on June 15, 1971, Hugo de Soto and Genys Dignac will research the nature of fire as an aesthetic [...]ICAA Record ID: 743657 -
Circular a todos los gremios
1968This circular, signed by the regional secretary and the secretary for Press and Propaganda of the CGT (Confederación General del Trabajo) [General Work Confederation] of Rosario is addressed to the union members in order to inform them on the [...]ICAA Record ID: 761529 -
Comunicación a nivel social
1968This article—a summary of Tucumán Arde [Tucumán is Burning] when it was still in the process of being realized—is of interest because it identifies the work as belonging to “Arte y comunicación de masas” [Art and mass communications], [...]ICAA Record ID: 761492 -
Congestionamientos
1980Diamela Eltit and María Eugenia Brito coauthored this essay about Lotty Rosenfeld’s project Una milla de cruces sobre el pavimento [A Mile of Crosses on the Pavement]. The text includes a prologue and eight chapters, each identified with [...]ICAA Record ID: 744653 -
Del cuerpo al vacío : una situación de Antonieta Sosa
1985In this gallery text, Venezuelan artist Antonieta Sosa describes the action Del Cuerpo al Vacío [From My Body to the Void], which was structured into three interrelated parts. Part I, performed in the courtyard of the Galería de Arte Nacional (GAN [...]ICAA Record ID: 865819 -
Desacatos
1986Diamela Eltit writes about Lotty Rosenfeld’s intervention, which consisted of altering the intermittent lines painted on streets to create traffic lanes. The text is arranged in a non-traditional layout that testifies to its poetic, reflective [...]ICAA Record ID: 734576 -
Dossier Argentine : Les Fils de Marx et Mondrian
1971This report includes an extensive unsigned article as well as a number of important documents and photos. It begins by presenting the placement and positions of “the boldest artists of their country…and one of the most brilliant teams of the [...]ICAA Record ID: 761610 -
Dulce Zipacón
1992Antonio Caro describes the recipe for mountain papaya jam, which he calls “Dulce Zipacón” [Zipacón Jam] after the ranch that he had in Zipacón, a town in the Department of Cundinamarca in the savannah near Bogotá. The recipe and a design [...]ICAA Record ID: 860439 -
Eduardo Favario : 9 al 21 de septiembre
1968In the introduction to his proposal, Eduardo Favario stresses that the public should play an active role by means of intervention. He encourages those who had responded to his invitation to set off on an excursion (from the closed venue to another [...]ICAA Record ID: 753356 -
Eduardo Ruano expone en el Instituto Di Tella a la Institución Torcuato Di Tella
1968Eduardo Ruano’s leaflet denounces the “cultural machine,” identifies a number of recent acts of censorship at different official art institutions (the Museo Nacional de Bellas Artes, the Museo de Arte Moderno de Buenos Aires), and denounces the [...]ICAA Record ID: 751352 -
El arte de los significados
1968This text was presented by León Ferrari (1920–2013) for discussion at the Primer Encuentro Nacional del Arte de Vanguardia [First National Conference of Vanguard Art] (Rosario, Argentina, 1968); it proposed what he called an “arte de los [...]ICAA Record ID: 755986 -
El collage social
1982This poetic text refers to the art actions that Juan Castillo produced in 1981. The Chilean artist’s project, titled Te devuelvo tu imagen (I Return Your Image), was photographed by Lotty Rosenfeld. The text describes Rosenfeld’s filming [...]ICAA Record ID: 731848 -
El happening inoportuno
1968This article reports on Eduardo Ruano’s budding artistic career, which was interrupted by his violent political actions at the museum. It also shows that the authorities were mistaken in believing that Ruano’s work was actually the panel that had [...]ICAA Record ID: 751325 -
Emilio Ghilioni, Rodolfo Elizalde : 23 al 28 de septiembre
1968Emilio Ghilioni and Rodolfo Elizalde describe their happening as an endeavor in tandem, the result of endless rounds of critical reexamination of both avant-garde art and the deteriorating state of the traditional nexus between the artwork and the [...]ICAA Record ID: 753377 -
Equipo de contrainformación
1973This document by the Equipo de Contrainformación [Counter-information Team] (the only material written by the group) is divided into three sections. The first is a declaration of principles; the second is the script for the historical account ( [...]ICAA Record ID: 761451 -
Fueron ganadoras en el II certamen de Investigaciones Visuales : Como un desagravio, el Estado compra obras prohibidas en el '71
2004Daniel Gutman points out that the Argentine Government apologizes to the artists censored in the II Certamen Nacional de Investigaciones Visuales[Second National Competition of Visual Research] and, although it will not return the amount of the [...]ICAA Record ID: 774413 -
Graciela Carnevale : 7 al 19 de octubre
1968This text, written by Graciela Carnevale, explains her intention to lock the public into the exhibition space. She recalls being helped by Nicolás Rosa, and that the text was not circulated to the public until the happening was over. Carnevale makes [...]ICAA Record ID: 753392 -
Happening
1966Written in a mocking, ironic tone, this article describes the details of a supposed happening that never actually happenedincluding where it took place, who was there, what they were doing, etc. A strange item is mentioned: the happening was supposed [...]ICAA Record ID: 750832 -
Happening para un jabalí difunto
1966In this apocryphal newspaper article, the author relies on a number of the standard stereotypes that were used in the Argentine press at that time to refer to experimental art: snobbishness, frivolousness, madness, partying, irrationality, [...]ICAA Record ID: 750866 -
Historias de transferencia y densidad en el campo plástico chileno (1973-2000)
2000The theorist Justo Pastor Mellado outlines his curatorial approach for the exhibition 1973–2000: Transferencia y densidad. He begins by defining concepts such as “curator,” discussing the term’s evolution in Chile and its [...]ICAA Record ID: 740449 -
Hoy como ayer
1999Twenty years after the production of Para no morir de hambre en el arte —the first art action performed by CADA (Colectivo Acciones de Arte, Art Actions Collective)—one of the members of the group, Fernando Balcells, discusses its works, [...]ICAA Record ID: 740288