Documents of Latin American and Latino Art

The presentation affirms that nonfiguration dominates the visual arts based on the sole convention of absolute creative freedom; thus the only limit for the artist is his medium. In Pellegrini’s judgment, the artist works within a perimeter of pure [...]

The correspondence section of Letra y Línea [Letter and Line] prints two letters: one from Julio E. Payró in response to the comments made by Aldo Pellegrini in the article “Three Painters and a Critic in Krayd,” pubished in the previous issue [...]

In the view of Jacob Ruchti, the origin of Constructivism can be traced to the analytic investigation of Cubism. He believes that Constructivism implies “a new conceptual vision of things,” where colors, lines, and forms have an expressive power [...]