Topic Descriptor: video art×
  • A arte brasileira na Itália
    Canongia, Ligia
    1980
    In this review, Ligia Canongia discusses the various exhibitions of work by Brazilian artists that were being shown in Italy at that time, in the early 1980s. The art critic notes the increasing use of mass media in international art since the 1970s [...]
    ICAA Record ID: 1110930

  • A experiência do vídeo no Brasil
    Machado, Arlindo
    1993
    This essay is a brief history of how independent video developed in Brazil. Arlindo Machado highlights the role played by the renewal of open-signal television language. He notes that video emerged in the 1980s, at a time when Brazilian [...]
    ICAA Record ID: 1111112

  • Alquimista de imágenes
    Mege Rosso, Pedro
    1987
    In this text the anthropologist Pedro Mege challenges the label of “documentary” that is frequently applied to Juan Downey’s work. He suggests that Downey is an artist who presents his specific and subjective images while actively [...]
    ICAA Record ID: 735772

  • Aproximación a una historia del videoarte en Colombia
    Charalambos, Gilles, 1958-
    Aproximación a una historia del videoarte en Colombia is one of the links on the website http://bitio.net/vac Historia del Videoarte en Colombia, a research project by video artist and professor Gilles Charalambos Bruyère that provides, free of [...]
    ICAA Record ID: 1130869

  • Artes & tecnologias
    Machado, Arlindo; Plaza, Julio
    1985
    This text was written by Arlindo Machado and Julio Plaza to be published in the catalogue for Artecnologia, the exhibition that the two authors co-curated and presented on September 2-9, 1985 at the Museu de Arte Contemporânea de São Paulo – [...]
    ICAA Record ID: 1111092

  • Artes do espaço e fluxo do tempo = Arts of space and arts of time
    Cocchiarale, Fernando França
    2007
    Art critic and curator Fernando Cocchiarale argues that the expansion of the visual arts into other fields has implied greater distance from the traditions of which it formed part. The inclusion of time and space in art became an important mark of [...]
    ICAA Record ID: 1111426

  • Artistas Cali entes: entrevista a Juan F. Mejía y Wilson Díaz
    1998
    In the interview conducted by the Colombian journal Vice Versa, Juan Fernando Mejía and Wilson Díaz have the opportunity to talk about their artistic beginnings, joint projects, and themes that interest them. They also discuss the [...]
    ICAA Record ID: 1130967

  • As formas migrantes de Diana Domingues
    Machado, Arlindo
    1990
    Arlindo Machado’s point of departure in this text is that noise, rather than signals, is the basis of writing in video. Grids of lines and dots are laid out on a surface, but when an electrical current is applied the figures are manipulated and [...]
    ICAA Record ID: 1111229

  • As imagens técnicas: da fotografia à síntese numérica
    Machado, Arlindo
    1994
    In this text, Arlindo Machado analyzes the characteristics of the technological image, from the invention of photography to the computer and from Renaissance perspective to the synthesis of computer-generated images. Machado argues that in [...]
    ICAA Record ID: 1111292

  • Biogenesis
    Ponce de León, Carolina, 1955-
    1996
    The text “‘Biogenesis’ (…)” by critic Carolina Ponce de León was featured in the catalogue to the exhibition BIO*. *As in ‘Biography’, ‘Biology’, ‘Biogenesis,’ held at the Colombian Center in New York (1996). In it, Ponce de Le [...]
    ICAA Record ID: 1134758

  • Conceptuar la electrónica
    Guevara, Roberto, 1932-1998
    1982
    In this article, the critic Roberto Guevara discusses the origins and emergence of new languages in contemporary art, which he groups under the heading of “conceptual art.” He mentions a number of examples, such as happenings, installations, and [...]
    ICAA Record ID: 1080741

  • El misterio de la gran pirámide
    Mellado, Justo Pastor, 1949-
    1987
    Justo Pastor Mellado discusses Juan Downey’s work in the audiovisual series titled Transamérica and Ojo Pensante (Thinking Eye). He believes it is especially necessary to view the video Moving (1974) and draws attention to several shots [...]
    ICAA Record ID: 735702

  • El ojo de la papa : autobiografía y video en la obra de Juan Downey
    Mellado, Justo Pastor, 1949-
    1987
    In this essay Justo Pastor Mellado discusses the autobiographical nature of Juan Downey’s work, referring to the links to that genre to be found in Chile and stating that this suggests the emergence of a lesser, secondary, and recently [...]
    ICAA Record ID: 735710

  • El video
    Acha, Juan, 1916-1995
    1981
    This article, which was published in the Revista Arte en Colombia [Art in Colombia Magazine] in 1981, discusses the Peruvian critic Juan Acha’s interest in the potential of video as an artistic medium. After reviewing video’s technical aspects, [...]
    ICAA Record ID: 1097190

  • Entrevista - depoimento
    Zanini, Walter, 1925-
    1985
    In this interview, Professor Walter Zanini assesses his role supporting artistic expressions that make use of the new media during his tenure as director of the Museu de Arte Contemporânea da Universidade de São Paulo (MAC-USP). Even during a [...]
    ICAA Record ID: 1111244

  • Face Value : video contemporáneo colombiano
    Roca, José Ignacio
    2002
    In this essay, José Ignacio Roca describes the theoretical guidelines he observed while curating Face Value (2002) and discusses the videos produced by nine contemporary Colombian artists that he included in his project for the Latin American [...]
    ICAA Record ID: 1099516

  • Fruto da aliança dos povos da floresta
    Kaxináwa, Siã
    1990
    The synopsis in English are coming soon [...]
    ICAA Record ID: 1111143

  • Hepari idub' rada, Obrigado, irmão
    Tserewahu, Divino
    1999
    The synopsis in English are coming soon [...]
    ICAA Record ID: 1111142

  • Info foto: grafias
    Plaza, Julio
    1994
    The graphic artist Julio Plaza claims that all forms of cultural expression are supported by a technique; based on that premise, he briefly outlines the development of the concepts involved in the production of images. He refers in particular to the [...]
    ICAA Record ID: 1111091

  • Juan Downey : haciendo señales
    Downey, Juan, 1940-1993; Fariña, Soledad, 1943-
    1982
    In this interview, the poet Soledad Fariña asks Juan Downey about his video work and its exposure in the United States and Chile. The Chilean artist, who lives in the United States, talks about his interest in video, electronics in general, [...]
    ICAA Record ID: 731813

  • Karen Lamassonne : cuando la pintura se mete al baño
    Duque, Carlos
    1983
    The Colombian publicist and photographer Carlos Duque interviews Karen Lamassonne, the versatile young artist who has worked in the fields of painting, printmaking, the movies, and video art. During the course of the interview, Duque enquires about [...]
    ICAA Record ID: 1134451

  • Kry Rytaiti
    Payroroti, Xontapti Totore
    1990
    The synopsis in English are coming soon [...]
    ICAA Record ID: 1111138

  • La obra en video de Rodrigo Castaño : en el último salón Atenas
    Carbonell, Galaor, 1938-
    1979
    This article refers to the work of the video artist and TV/film producer, Rodrigo Castaño, shown at the IV Salón Atenas at the Museo de Arte Moderno of Bogotá, in October 1978. Castaño’s work consists of three videos: Autorretrato (1978); [...]
    ICAA Record ID: 1131015

  • La última sábana
    Azcarate, Ana de
    2004
    Researcher Ana de Azcárate analyzes the art of Sandra Vivas from her early production through 2004. De Azcárate points out constants in Vivas’s work, such as feminism and machismo, the use of her own body in performances and in videos, and the [...]
    ICAA Record ID: 1164030

  • Mostra: grupo de pesquisa Corpos Informáticos
    Medeiros, Maria Beatriz de, 1955-; Grupo de Pesquisa Corpos Informáticos
    1996
    In this text, Bia Medeiros provides an account of the video performance that Corpos Informáticos, the experimental research group she leads, carried out at the X Congresso da Anpap held in 1996. The group, which was formed in 1992, focuses on [...]
    ICAA Record ID: 1111117

  • O mito da alta definição
    Machado, Arlindo
    1997
    In this 1983 essay, published in a book in 2006, Arlindo Machado describes videotext. Videotext preceded the Internet and, for the first time, “connectivity” and “interactivity” were available on public networks. The first [...]
    ICAA Record ID: 1111113

  • O vídeo em questão : a perspectiva de uma arte do vídeo como referência-chave para a representação
    Bambozzi, Lucas
    1994
    In this essay, artist and curator Lucas Bambozzi analyzes the development of video production from Brazil starting in the eighties. Bambozzi argues that although promising video artists emerged in Brazil in the late seventies, the eighties will be [...]
    ICAA Record ID: 1111116

  • Performance em telepresença : informação e comunicação na rede mundial de computadores
    Medeiros, Maria Beatriz de, 1955-
    In this text, Bia Medeiros observes that “telepresence” implies presence in real, or almost real, time which is measured by means of technology (video or computer). Medeiros explains that the form of telepresence that Corpos Informá [...]
    ICAA Record ID: 1111118

  • Perspectivas do vídeo no Brasil
    Machado, Arlindo
    1997
    In this text, Arlindo Machado addresses the beginnings of video art in Brazil, placing emphasis on those artists that challenge a dated figurative approach by distorting the image of a supposed reality. He believes that the historical role of video [...]
    ICAA Record ID: 1111114

  • Potencias in potencias
    Lozano, Ana María, 1964-
    2005
    “Potencias in potencias” is one of the texts that make up the catalogue for the first Experimenta Colombia, Festival Latinoamericano de Artes Electrónicas, held at the Biblioteca Luis Ángel Arango in Bogotá and the Centro Colombo-Americano of [...]
    ICAA Record ID: 1134742

  • Registro sobre os Kaingang
    1991
    The synopsis in English are coming soon [...]
    ICAA Record ID: 1111140

  • Rumo à imagem sintética
    Machado, Arlindo
    1986
    In this article, the author claims that the emergence of video art prompted a reversal of figurative expectations in the field of technical images. Heavily influenced by a Renaissance approach to visual expression (based on a monocular geometric [...]
    ICAA Record ID: 1111102

  • Sinais da contemporaneidade no modernismo : do fazer à apropriação = Signs of contemporaneity in modernism : from producing to appropriating
    Cocchiarale, Fernando França
    2007
    Here Fernando Cocchiarale discusses how the fields of contemporary art have overflowed past their previous boundaries, going beyond painting, sculpture, printmaking, and drawing; he cites collage and photomontage in the early twentieth century as [...]
    ICAA Record ID: 1111425

  • Tinton Renê: o rio de muitas voltas
    Kaxinawa, Sueiro
    1992
    The synopsis in English are coming soon [...]
    ICAA Record ID: 1111141

  • Una resta de sentido
    Richard, Nelly, 1948-
    1986
    In this essay, Nelly Richard discusses some of the “art actions” that Lotty Rosenfeld—a member of the art action group known as CADA—created on public roads and highways in Chile. Rosenfeld altered traffic signage and lines on [...]
    ICAA Record ID: 734543

  • Video nas Aldeias
    Centro de Trabalho Indigenista
    1997
    The synopsis in English are coming soon [...]
    ICAA Record ID: 1111144

  • Vídeo-arte: revolução cultural ou um título a mais no currículo dos artistas?
    Morais, Frederico, 1936-
    1986
    In this text, prestigious art critic Frederico Morais openly questions “video art.” He argues that it is not, in fact, a product of the art/technology pair, but rather of the idea of making culture portable thanks to low costs and ease of [...]
    ICAA Record ID: 1111234

  • Violencia y experimento en vías de desarrollo
    Aguilar, José Hernán, 1952-
    1981
    In this article, the critic José Hernán Aguilar discusses an important date in Colombian history: April 9, 1948, the day when the political leader Jorge Eliécer Gaitán died, an event commonly referred to as El Bogotazo. Aguilar mentions the [...]
    ICAA Record ID: 1098192

  • Visita à aldeia Guarani de Bracuí
    Kuhkra
    1993
    The synopsis in English are coming soon [...]
    ICAA Record ID: 1111139

  • Wapté Mnhõnõ
    Patira, Bartolomeu; Prodoti, Jorge; Suyá, Winty; Tserewahu, Divino; Waiassé, Caimi
    1999
    The synopsis in English are coming soon [...]
    ICAA Record ID: 1111145