Documents of Latin American and Latino Art

Geraldo Ferraz’s text describes the different phases of Lívio Abramo’s engraving, starting with the work he produced in 1933 (based on drawings he created between 1926?27). The type of “Expressionism” out of which those works emerged was [...]

Pellegrini places Bruno Venier in an intermediate trend, between the extremes whose priority was the object and the purely visual elements. The critic states that his painting–more static than in the previous stage–started becoming freer as [...]